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A Photographic Memory. by Elizabeth Seed, Rachel,film director.; Kino Lorber (Firm),dst; Kanopy (Firm),dst;
Originally produced by Kino Lorber in 2024.A PHOTOGRAPHIC MEMORY is an intimate, genre-bending portrait of the filmmaker’s trailblazing mother, Sheila Turner Seed – a vibrant and pioneering journalist, photographer, and filmmaker, who died suddenly and tragically when Rachel was just 18 months old. Uncovering the vast archive Turner Seed produced, including lost interviews with iconic photographers Henri Cartier-Bresson, Bruce Davidson, Cecil Beaton, Lisette Model, and Gordon Parks, and others, Rachel attempts to build a posthumous relationship with her mother through her interviews, photographs, journals, films, and the stories of those who remember her. The result is an unlikely mother-daughter conversation that evades time and space, exploring universal themes of memory, loss, and legacy.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Sociology.; Gender identity.; Documentary films.; Women's studies.; Families.; Biography.; Women artists.; Motherhood.; Journalists.; Parents.;
unAPI

Behind the Rage. by Khan, Deeyah,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Originally produced by Women Make Movies in 2022.In the United States, most female homicide victims are killed by their current or former partner and one in 4 women experience domestic violence or abuse. In BEHIND THE RAGE: INSIDE AMERICA'S DOMESTIC VIOLENCE, Peabody, BAFTA, and Emmy award-winning filmmaker Deeyah Khan asks a simple question: is it possible to reduce these endemic levels of male violence? In search of an answer, she hears heartfelt testimonies from survivors and victims’ families, and gets vital insights from social workers and psychologists who work with violent men. And she speaks to those whose voices are rarely heard in conversations about domestic violence yet who may hold the key to stopping it: the perpetrators themselves.Mode of access: World Wide Web.
Subjects: Documentary films.; Criminal law.; Social sciences.; Psychology.; Gender identity.; Mental health.; Health.; Documentary films.; Women's studies.; Current affairs.; Violence.; Social service.; Abuse.;
unAPI

Sorry/Not Sorry. by Mones, Cara,film director.; Suh, Caroline,film director.; Rodriguez, Aida,actor.; Kirkman, Jen,actor.; Ian Black, Michael,actor.; Schur, Michael,actor.; Greenwich Entertainment (Firm),dst; Kanopy (Firm),dst;
Aida Rodriguez, Jen Kirkman, Michael Ian Black, Michael SchurOriginally produced by Greenwich Entertainment in 2023.An inside look at Louis C.K.’s public downfall and surprising return to the stage. Featuring interviews with three women -- Jen Kirkman, Abby Schachner, and Megan Koester -- who spoke up about his sexual misconduct, New York Times journalists who broke the story, and fellow comedians and writers such as Michael Ian Black, Michael Schur, and Aida Rodriguez. Invites viewers to question whose stories and whose art we value, and at what cost. A New York Times production.Mode of access: World Wide Web.
Subjects: Documentary films.; Performing arts.; Arts.; Social sciences.; Gender identity.; Documentary films.; Women's studies.; Artists.; Women artists.; Sexual harassment.; Comedians.; Hollywood (Los Angeles, Calif.).;
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Theatre Girls. by Pollack, Claire,film director.; Longinotto, Kim,film director.; Royal Anthropological Institute (Firm),dst; Kanopy (Firm),dst;
Originally produced by Royal Anthropological Institute in 1979.The “Theatre Girls Club” is a hostel for homeless, destitute and alcoholic women in Soho, London. It is run by six paid workers and it is the only hostel in London which takes any women at any time. The filmmakers lived in the hostel for more than two months, establishing an extraordinary level of trust with their “cast” —from the home’s feisty cook to an elderly resident who was a terminal alcoholic. In what will later be recognized as a signature style, Longinotto films without judgement and finds the humor and humanity in situations and characters that might otherwise be seen as tragic.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Sociology.; Gender identity.; Documentary films.; Women's studies.; London (England).; Homeless persons.; Housing.; Alcoholism.; Substance abuse.;
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Ayenda. by Margolius, Marie,film director.; MSNBC Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by MSNBC Films in 2023.For a generation of Afghan women, education and opportunities were a given. Growing up post-Taliban meant they enjoyed a freedom their mothers never did. But that all changed in August 2021, when the Taliban regained power in Kabul. One group of women saw what was coming and made the difficult decision to leave their home and their families and, in the dark of night, escape for the security of a better life anywhere but there. Through the harrowing first person stories of the young women who make up the Afghan Women’s Soccer team, we experience the immediate day to day and personal impact of two decades of American foreign policy decisions (and failures).Mode of access: World Wide Web.
Subjects: Documentary films.; Health.; Social sciences.; Physical education and training.; Foreign study.; Gender identity.; Documentary films.; Middle East.; Women's studies.; Current affairs.;
unAPI

Sediments. by Silvestre, Adrián,film director.; Pragda (Firm),dst; Kanopy (Firm),dst;
Originally produced by Pragda in 2021.Six trans women travel to a small town in León where they will explore unusual landscapes, as well as the ins and outs of their own personalities. Looking for answers about what connects them as a group, they will learn to deal with their differences.Sediments is an engaging and fun story about empathy, individuality, and the need to belong. It is the present radiography of a collective, which looks into the past and projects itself into the future, celebrating the extraordinary possibility of being unique and unrepeatable.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Sociology.; Gender identity.; Homosexuality.; Documentary films.; Women's studies.; LGBTQ.; Current affairs.;
unAPI

All the Flowers. by Oquendo-Villar, Carmen,film director.; Last Colony Corporation (Firm),dst; Kanopy (Firm),dst;
Originally produced by Last Colony Corporation in 2024.Brothels are rarely considered safe or dignified. ALL THE FLOWERS presents a choral portrait of the transgender community that lives and works in the Santafé neighborhood, Bogotá’s red light district. The drama, loneliness and dreams of trans people living in Santafé’s most iconic brothel, offer a window into this universe.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Latin America.; Foreign study.; Gender identity.; Homosexuality.; Documentary films.; LGBTQ.; Current affairs.;
unAPI

Salma. by Longinotto, Kim,film director.; Royal Anthropological Institute (Firm),dst; Kanopy (Firm),dst;
Originally produced by Royal Anthropological Institute in 2013.When Salma, a young Muslim girl in a south Indian village, was 13 years old, her family locked her up for 25 years, forbidding her to study and forcing her into marriage. During that time, words were Salma’s salvation. She began covertly composing poems on scraps of paper and, through an intricate system, was able to sneak them out of the house, eventually getting them into the hands of a publisher. Against the odds, Salma became the most famous Tamil poet: the first step to discovering her own freedom and challenging the traditions and code of conduct in her village.Mode of access: World Wide Web.
Subjects: Documentary films.; Political science.; Social sciences.; Asians.; Foreign study.; Human rights.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Women authors.; India.; Political participation.; Biography.; Businesswomen.; Muslims.; Political activists.; Authors.;
unAPI

A Woman's Place. by Zehtabchi, Rayka,film director.; Vox Media (Firm),dst; Kanopy (Firm),dst;
Originally produced by Vox Media in 2020.Despite the grit, the harassment, and the struggle, these three chefs have carved a well-deserved space for themselves in the culinary industry. Watch as butcher Etana Diaz, chef Marielle Fabie, and restaurateur Karyn Tomlinson speak of their shared experience as women facing and overcoming institutionalized sexism in the new documentary, directed by Academy Award winner Rayka Zehtabchi.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Food industry and trade.; Instructional films.; Sociology.; Gender identity.; Documentary films.; Women's studies.; Sex role.; Cooks.;
unAPI

Sisters in Law. by Ayisi, Florence,film director.; Longinotto, Kim,film director.; Royal Anthropological Institute (Firm),dst; Kanopy (Firm),dst;
Originally produced by Royal Anthropological Institute in 2005.Six year old Manka has run away from home, fleeing her abusive aunt. Sonita has daringly accused her neighbor of rape. Amina has decided to end her brutal marriage by taking her husband to court. Set in Kumba, a small town in Southwest Cameroon, SISTERS IN LAW follows the work of the female State Counsel and Court President as they try to help women to change their lives. Incredibly moving and at times disturbing, Kim Longinotto’s latest film spectacularly encompasses courage, hope, and the possibility of change. Longinotto is known for her insightful, compassionate studies of women’s lives, and the pull between tradition and change.Mode of access: World Wide Web.
Subjects: Documentary films.; Criminal law.; Social sciences.; African studies.; Foreign study.; Human rights.; Sociology.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Women--Africa.; Africa.; Abuse.; Rape.; Lawyers.;
unAPI

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