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The Empire. by Dumont, Bruno,film director.; Vartolomei, Anamaria,actor.; Vlieghe, Brandon,actor.; Cottin, Camille,actor.; Luchini, Fabrice,actor.; Khoudri, Lyna,actor.; Kino Lorber (Firm),dst; Kanopy (Firm),dst;
Anamaria Vartolomei, Brandon Vlieghe, Camille Cottin, Fabrice Luchini, Lyna KhoudriOriginally produced by Kino Lorber in 2024.In a quiet and picturesque fishing village in Northern France, a very special child is born, unleashing a secret war between extraterrestrial forces of good and evil. In an attempt to restore their empires, two opposing forces from the depths of outer space, One and Zero, unleash an apocalyptic conflict on Earth. The villainous Zero forces secretly take over the bodies of village locals in order to foster pandemonium on our planet. At the same time, a new species engineered by the One is working towards a new, harmonious evolution. While waiting for the final battle, the imperial legions struggle to win humanity over to their cause. If that all sounds a bit out there, that’s because this slapstick space opera comes from the singular mind of Bruno Dumont (France, Slack Bay). Featuring wonderfully bizarre performances from French stars like Fabrice Luchini, Camille Cottin, and Anamaria Vartolomei, this gonzo sci-fi spectacle is part Star Wars, part Spaceballs, and 100% Dumont.Mode of access: World Wide Web.
Subjects: Feature films.; Foreign films.; Motion pictures.; Comedy films.; Science fiction.; Motion pictures--France.; Outer space.; Science fiction films.; Motion pictures--Europe.;
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Stories of A. by Belmont, Charles,film director.; Issartel, Marielle,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Icarus Films in 1973.Shot in Paris in 1973, this feminist film on the fight for abortion rights was banned as soon it was released. A large-scale game of hide-and-seek ensued, as activists created an underground distribution network, hiding the film from the police — and creating an effective model for cinema as an act of civil disobedience in the process. Recently restored, STORIES OF A is both a fascinating historical document, and a reminder of the critical importance of access to abortion.Mode of access: World Wide Web.
Subjects: Documentary films.; Health.; Criminal law.; Social sciences.; Balts (Indo-European people).; Foreign study.; Medicine.; History, Modern.; Human rights.; Documentary films.; Women's studies.; Current affairs.; History.; Women--Health and hygiene.; Nineteen seventies.; Political participation.; Abortion.; Police.; Feminism.; Women's rights.; Physicians.; Medical care.; France.;
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Snowbirds. by Lafrenière, Joannie,film director.; Spira (Firm),dst; Kanopy (Firm),dst;
Originally produced by Spira in 2017.A mid-length documentary that reaches out to golden age Canadians living in Florida during the winter season. This is the growing trend of an entire generation migrating to the tropics, seeking a leisure society that can entertain them. With tenderness and humor, SNOWBIRDS goes to the heart of their daily lives by painting a human portrait of this typically Canadian social phenomenon. Welcome to the French District of Florida, Snowbird’s paradise.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Sociology.; Documentary films.; Communities.; Canada.; Florida.;
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Act & Punishment. by Mitta, Yevgeni,film director.; MVD Entertainment Group (Firm),dst; Kanopy (Firm),dst;
Originally produced by MVD Entertainment Group in 2015.Russian activists Nadezhda Tolokonnikova and Ekaterina Samutsevich left Viona, an established activist collective, in order to form their own feminist punk rock group dubbed Pussy Riot. A public performance of an original song accusing Russian authorities of sexism quickly drew international media attention; undeterred by the arrest of several members, Pussy Riot then decided to conduct a punk rock church service in the Moscow Cathedral of Christ the Savior. Three of the girls were again arrested and threatened with seven years in prison. Initially offered liberty if they agreed to confess and repent for their "crimes," the women refused to budge and were sentenced to two years in prison. This defeat in court becomes their moral victory, as Pussy Riot is cheered on by thousands of new-found fans and worldwide supporters."… A busy and interesting documentary that will provide international audiences with a much richer appreciation of the Pussy Riot phenomenon." - Jennie Kermode, Eye for FilmMode of access: World Wide Web.
Subjects: Documentary films.; Political science.; Social sciences.; Arts.; Music.; Balts (Indo-European people).; Foreign study.; Human rights.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Russia (Federation).; Political participation.; Social problems.; Businesswomen.; Sex role.; Women's rights.; Women social reformers.; Political activists.; Current events.; Performing arts.;
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Act & Punishment. by Mitta, Yevgeni,film director.; MVD Entertainment Group (Firm),dst; Kanopy (Firm),dst;
Originally produced by MVD Entertainment Group in 2015.Russian activists Nadezhda Tolokonnikova and Ekaterina Samutsevich left Viona, an established activist collective, in order to form their own feminist punk rock group dubbed Pussy Riot. A public performance of an original song accusing Russian authorities of sexism quickly drew international media attention; undeterred by the arrest of several members, Pussy Riot then decided to conduct a punk rock church service in the Moscow Cathedral of Christ the Savior. Three of the girls were again arrested and threatened with seven years in prison. Initially offered liberty if they agreed to confess and repent for their "crimes," the women refused to budge and were sentenced to two years in prison. This defeat in court becomes their moral victory, as Pussy Riot is cheered on by thousands of new-found fans and worldwide supporters."… A busy and interesting documentary that will provide international audiences with a much richer appreciation of the Pussy Riot phenomenon." - Jennie Kermode, Eye for FilmMode of access: World Wide Web.
Subjects: Documentary films.; Political science.; Social sciences.; Arts.; Music.; Balts (Indo-European people).; Foreign study.; Human rights.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Russia (Federation).; Political participation.; Social problems.; Businesswomen.; Sex role.; Women's rights.; Women social reformers.; Political activists.; Current events.; Performing arts.;
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Children of Memory. by Smith Pyle, Kathryn,film director.; Teresa Rodriguez, Maria,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Originally produced by Women Make Movies in 2012.Hundreds of children disappeared without a trace during the Salvadoran civil war. Many were survivors of massacres carried out by the U.S.-trained Salvadoran army. Taken away from the massacre sites by soldiers, some grew up in orphanages or were "sold" into adoption abroad, not knowing their true history or identity. The film follows Margarita Zamora, an investigator with human rights organization Pro-Búsqueda as she traverses the Salvadoran countryside probing memory, swabbing DNA samples, and searching for disappeared children - including her own four siblings.In the United States, Jamie Harvey, adopted from El Salvador in 1980, dreams of locating her birth family; but with no information, no contacts and no access to the Salvadoran military war archives, she is losing hope. CHILDREN OF MEMORY weaves together separate yet intertwined journeys in the search for family, identity and justice in El Salvador.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; History, Modern.; Human rights.; Latin America.; Foreign study.; Documentary films.; Current affairs.; History.; Children.; Central America.; El Salvador.; United States--History--Civil War, 1861-1865.;
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