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Genius. [videorecording] / by Banderas, Antonio,actor.; Rich, Alex,actor.; Colley, Samantha,1979-actor.; Gabel, Seth,1981-actor.; National Geographic Channel (Television station : Washington, D.C.),production company.; Twentieth Century Fox Home Entertainment Ltd.,distributor.; Twentieth Century-Fox Film Corporation,production company.;
Antonio Banderas, Alex Rich, Samantha Colley, Seth Gabel.Genius: Picasso is the second season of National Geographic's first fully scripted drama series. Diving into the life and loves of the brilliant Spanish artist Pablo Picasso (Antonio Banderas), this season showcases Picasso's significant and wide-ranging contribution to modern art. Exploring the Spanish expatriate's devotion to his craft, the series also reveals Picasso's relationships with other well-known personalities of the time, including Coco Chanel, Henri Matisse, Marc Chagall and Jean Cocteau. From the younger Picasso (Alex Rich) who rejects academic study and joins a circle of young, struggling bohemian artists and writers in early 20th century Spain and France, to the artist's tumultuous marriages, passionate affairs and ever-shifting political and personal alliances, Genius: Picasso uncovers what sparked Picasso's creative drive and pushed his artistic boundaries leading to his worldwide renown as a genius.14A.DVD ; widescreen presentation ; Dolby Digital 5.1.
Subjects: Fiction television programs.; Television programs.; Biographical television programs.; Historical television programs.; Video recordings for the hearing impaired.; Picasso, Pablo, 1881-1973; Artists; Artists; Man-woman relationships;
For private home use only.
Available copies: 1 / Total copies: 1
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The series : what I remember, what it felt like, what it feels like now / by Dryden, Ken,1947-author.;
"A new book by Hall of Fame goalie and bestselling author Ken Dryden celebrates the 50th anniversary of the 1972 Summit Series. SEPTEMBER 2, 1972, MONTREAL FORUM, GAME ONE: The best against the best for the first time. Canada, the country that had created the game; the Soviet Union, having taken it up only twenty-six years earlier. On the line: more than the players, more than the fans, more than Canadians and Russians knew. So began an entirely improbable, near-month-long series of games that became more and more riveting, until, for the eighth, and final, and deciding game--on a weekday, during work and school hours all across the country--the nation stopped. Of Canada's 22 million people, 16 million watched. Three thousand more were there, in Moscow, behind the Iron Curtain, singing--Da da, Ka-na-da, nyet, nyet, So-vi-yet! It is a story long told, often told. But never like this. Ken Dryden, a goalie in the series, a lifetime observer, later a writer, tells the story in "you are there" style, as if he is living it for the first time. As if you, the reader, are too. The series, as it turned out, is the most important moment in hockey history, changing the game, on the ice and off, everywhere in the world. As it turned out, it is one of the most significant events in all of Canada's history. Through Ken Dryden's words, we understand why."--
Subjects: Personal narratives.; Dryden, Ken, 1947-; Team Canada 1972 (Hockey team); Summit Series (Hockey) (1972); Hockey; Hockey; Hockey;
Available copies: 1 / Total copies: 1
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Genius. [videorecording] / by Colley, Samantha,1979-actor.; Flynn, Johnny,actor.; McElhatton, Michael,1963-actor.; Rush, Geoffrey,1951-actor.; Grazer, Brian,1953-television producer.; Howard, Ron,1954-television producer.; Twentieth Century Fox Home Entertainment Ltd.,publisher.; Twentieth Century-Fox Film Corporation,production company.; National Geographic Channel (Television station : Washington, D.C.),production company.;
Geoffrey Rush, Michael McElhatton, Johnny Flynn, Samantha Colley.The show offers an extraordinary look into the life of Nobel Prize-winning physicist Albert Einstein. Beyond his groundbreaking theories of relativity, witness Einstein's struggles to be a good husband and father, and a man of principle during a time of global unrest. A ten-episode journey of discovery guided by Einstein's wit, wisdom and insatiable thirst for knowledge.Canadian Home Video Rating: 14A.DVD ; widescreen presentation ; Dolby Digital 5.1.
Subjects: Historical television programs.; Biographical television programs.; Einstein, Albert, 1879-1955; Physicists;
For private home use only.
Available copies: 1 / Total copies: 1
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Maggie [videorecording] / by Bates, Colin,film producer.; Breslin, Abigail,1996-actor.; Hobson, Henry,film director.; Richardson, Joely,actor.; Schwarzenegger, Arnold,actor,film producer.; Scott, John,3,screenwriter.; Gold Star Films,production company.; Grindstone Pictures (Firm),presenter.; Lions Gate Entertainment (Firm),presenter,publisher.; Lotus Entertainment,presenter.; Matt Baer Films,production company.; Silver Reel (Firm),production company.; Sly Predator,production company.; Videoville Showtime,film distributor.;
Music, David Wingo ; editor, Jane Rizzo ; director of photography, Lukas Ettlin.Arnold Schwarzenegger, Abigail Breslin, Joely Richardson.A post-apocalyptic thriller set against the backdrop of a deadly epidemic. As the nation reels from a virus that turns its victims into zombies, Wade's daughter Maggie has been infected. Now, as Maggie's condition worsens, Wade will stop at nothing to protect her from the authorities seeking to kill her to eradicate the virus.Canadian Home Video Rating: 14A.DVD, NTSC region 1, anamorphic widescreen (2.40:1) presentation; Dolby Digital 5.1.
Subjects: Fathers and daughters; Feature films.; Horror films.; Thrillers (Motion pictures); Viruses; Zombies;
For private home use only.
Available copies: 1 / Total copies: 2
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Jennie's Boy A Newfoundland Childhood [electronic resource] : by Johnston, Wayne.aut; cloudLibrary;
NATIONAL BESTSELLER NAMED A BEST BOOK OF THE YEAR BY THE CBC WINNER OF THE 2023 LEACOCK MEDAL FOR HUMOUR Consummate storyteller and bestselling novelist Wayne Johnston reaches back into his past to bring us a sad, tender and at times extremely funny memoir of his Newfoundland boyhood. For six months between 1966 and 1967, Wayne Johnston and his family lived in a wreck of a house across from his grandparents in Goulds, Newfoundland. At seven, Wayne was sickly and skinny, unable to keep food down, plagued with insomnia and a relentless cough that no doctor could diagnose, though they had already removed his tonsils, adenoids and appendix. To the neigh­bours, he was known as “Jennie’s boy,” a back­handed salute to his tiny, ferocious mother, who felt judged for Wayne’s condition at the same time as worried he might never grow up. Unable to go to school, Wayne spent his days with his witty, religious, deeply eccentric mater­nal grandmother, Lucy. During these six months of Wayne’s childhood, he and Lucy faced two life-or-death crises, and only one of them lived to tell the tale. Jennie’s Boy is Wayne’s tribute to a family and a community that were simultaneously fiercely protective of him and fed up with having to make allowances for him. His boyhood was full of pain, yes, but also tenderness and Newfoundland wit. By that wit, and through love—often expressed in the most unloving ways—Wayne survived.
Subjects: Electronic books.; Social Classes; Personal Memoirs; Literary;
© 2022., Knopf Canada,
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Jennie's Boy A Newfoundland Childhood [electronic resource] : by Johnston, Wayne.aut; Johnston, Wayne.nrt; cloudLibrary;
NATIONAL BESTSELLER NAMED A BEST BOOK OF THE YEAR BY THE CBC WINNER OF THE 2023 LEACOCK MEDAL FOR HUMOUR Consummate storyteller and bestselling novelist Wayne Johnston reaches back into his past to bring us a sad, tender and at times extremely funny memoir of his Newfoundland boyhood. For six months between 1966 and 1967, Wayne Johnston and his family lived in a wreck of a house across from his grandparents in Goulds, Newfoundland. At seven, Wayne was sickly and skinny, unable to keep food down, plagued with insomnia and a relentless cough that no doctor could diagnose, though they had already removed his tonsils, adenoids and appendix. To the neigh­bours, he was known as “Jennie’s boy,” a back­handed salute to his tiny, ferocious mother, who felt judged for Wayne’s condition at the same time as worried he might never grow up. Unable to go to school, Wayne spent his days with his witty, religious, deeply eccentric mater­nal grandmother, Lucy. During these six months of Wayne’s childhood, he and Lucy faced two life-or-death crises, and only one of them lived to tell the tale. Jennie’s Boy is Wayne’s tribute to a family and a community that were simultaneously fiercely protective of him and fed up with having to make allowances for him. His boyhood was full of pain, yes, but also tenderness and Newfoundland wit. By that wit, and through love—often expressed in the most unloving ways—Wayne survived.
Subjects: Audiobooks.; Social Classes; Personal Memoirs; Literary;
© 2022., Penguin Random House,
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The skin we're in : [Book Club Set] / by Cole, Desmond,1982-author.;
Includes bibliographical references."In May 2015, the cover story of Toronto Life magazine shook Canada's largest city to its core. Desmond Cole's "The Skin I'm In" exposed the racist practices of the Toronto police force, detailing the dozens of times Cole had been stopped and interrogated under the controversial practice of carding. The story quickly came to national prominence, went on to win a number of National Magazine Awards and catapulted its author into the public sphere. Cole used his newfound profile to draw insistent, unyielding attention to the injustices faced by Black Canadians on a daily basis: the devastating effects of racist policing; the hopelessness produced by an education system that expects little of its black students and withholds from them the resources they need to succeed more fully; the heartbreak of those vulnerable before the child welfare system and those separated from their families by discriminatory immigration laws. Both Cole's activism and journalism find vibrant expression in his first book, The Skin We're In. Puncturing once and for all the bubble of Canadian smugness and naïve assumptions of a post-racial nation, Cole chronicles just one year-- 2017-- in the struggle against racism in this country. It was a year that saw calls for tighter borders when African refugees braved frigid temperatures to cross into Manitoba from the States, racial epithets used by a school board trustee, a six-year-old girl handcuffed at school. The year also witnessed the profound personal and professional ramifications of Desmond Cole's unwavering determination to combat injustice. In April, Cole disrupted a Toronto police board meeting by calling for the destruction of all data collected through carding. Following the protest, Cole, a columnist with the Toronto Star, was summoned to a meeting with the paper's opinions editor and was informed that his activism violated company policy. Rather than limit his efforts defending Black lives, Cole chose to sever his relationship with the publication. Then in July, at another TPS meeting, Cole challenged the board publicly, addressing rumours of a police cover-up of the brutal beating of Dafonte Miller by an off-duty police officer and his brother. When Cole refused to leave the meeting until the question was publicly addressed, he was arrested. The image of Cole walking, handcuffed and flanked by officers, out of the meeting fortified the distrust between the city's Black community and its police force. In a month-by-month chronicle, Cole locates the deep cultural, historical and political roots of each event so that what emerges is a personal, painful and comprehensive picture of entrenched, systemic inequality. Urgent, controversial and unsparingly honest, The Skin We're In is destined to become a vital text for anti-racist and social justice movements in Canada, as well as a potent antidote to the all-too-present complacency of many white Canadians."-- Provided by publisher.
Subjects: Black Canadians; Discrimination in criminal justice administration; Discrimination in law enforcement; Minorities; Police brutality; Police misconduct; Police-community relations; Race discrimination;
Available copies: 12 / Total copies: 12
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Precipice / by Harris, Robert,1957-author.;
Includes bibliographical references."Summer 1914. A world on the brink of catastrophe. In London, twenty-six-year-old Venetia Stanley--aristocratic, clever, bored, reckless--is part of a fast group of upper-crust bohemians and socialites known as "The Coterie." She's also engaged in a clandestine love affair with the Prime Minister, H. H. Asquith, a man more than twice her age. He writes to her obsessively, sharing the most sensitive matters of state. As Asquith reluctantly leads the country into war with Germany, a young intelligence officer with Scotland Yard is assigned to investigate a leak of top-secret documents. Suddenly, what was a sexual intrigue becomes a matter of national security that could topple the British government--and will alter the course of political history."--
Subjects: Thrillers (Fiction); Historical fiction.; Political fiction.; Novels.; Asquith, H. H. (Herbert Henry), 1852-1928; Montagu, Venetia Stanley, 1887-1948; Adultery; Intelligence officers; Letter writing; Prime ministers; Security classification (Government documents); Socialites; World War, 1914-1918;
Available copies: 0 / Total copies: 1
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The skin we're in : a year of Black resistance and power / by Cole, Desmond,1982-author.;
Includes bibliographical references."In May 2015, the cover story of Toronto Life magazine shook Canada's largest city to its core. Desmond Cole's "The Skin I'm In" exposed the racist practices of the Toronto police force, detailing the dozens of times Cole had been stopped and interrogated under the controversial practice of carding. The story quickly came to national prominence, went on to win a number of National Magazine Awards and catapulted its author into the public sphere. Cole used his newfound profile to draw insistent, unyielding attention to the injustices faced by Black Canadians on a daily basis: the devastating effects of racist policing; the hopelessness produced by an education system that expects little of its black students and withholds from them the resources they need to succeed more fully; the heartbreak of those vulnerable before the child welfare system and those separated from their families by discriminatory immigration laws. Both Cole's activism and journalism find vibrant expression in his first book, The Skin We're In. Puncturing once and for all the bubble of Canadian smugness and naïve assumptions of a post-racial nation, Cole chronicles just one year-- 2017-- in the struggle against racism in this country. It was a year that saw calls for tighter borders when African refugees braved frigid temperatures to cross into Manitoba from the States, racial epithets used by a school board trustee, a six-year-old girl handcuffed at school. The year also witnessed the profound personal and professional ramifications of Desmond Cole's unwavering determination to combat injustice. In April, Cole disrupted a Toronto police board meeting by calling for the destruction of all data collected through carding. Following the protest, Cole, a columnist with the Toronto Star, was summoned to a meeting with the paper's opinions editor and was informed that his activism violated company policy. Rather than limit his efforts defending Black lives, Cole chose to sever his relationship with the publication. Then in July, at another TPS meeting, Cole challenged the board publicly, addressing rumours of a police cover-up of the brutal beating of Dafonte Miller by an off-duty police officer and his brother. When Cole refused to leave the meeting until the question was publicly addressed, he was arrested. The image of Cole walking, handcuffed and flanked by officers, out of the meeting fortified the distrust between the city's Black community and its police force. In a month-by-month chronicle, Cole locates the deep cultural, historical and political roots of each event so that what emerges is a personal, painful and comprehensive picture of entrenched, systemic inequality. Urgent, controversial and unsparingly honest, The Skin We're In is destined to become a vital text for anti-racist and social justice movements in Canada, as well as a potent antidote to the all-too-present complacency of many white Canadians."-- Provided by publisher.
Subjects: Black Canadians; Discrimination in criminal justice administration; Discrimination in law enforcement; Minorities; Police brutality; Police misconduct; Police-community relations; Race discrimination;
Available copies: 2 / Total copies: 2
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The Graham effect : a novel / by Kennedy, Elle,author.;
"Gigi Graham has exactly three goals: qualify for the women's national hockey team, win Olympic gold, and step out of her famous father's shadow. So far, so good, except for two little things. Fine -- a little thing and a big, grumpy thing. She needs to improve her game behind the net, and she needs help from Luke Ryder. Ryder is six-foot five, built, opinionated, rude ... and sexy as hell. But he's still the enemy. Briar's new hockey co-captain has his reasons, though. The men's team just merged with a rival program, leaving Ryder with an angry roster where everyone hates one another's guts. To make matters worse, the summer coaching spot he's angling for with the legendary Garrett Graham is out of reach after he makes the worst possible first impression on his hero. So, really, this compromise with Gigi is win-win. He helps her make the national team, she puts in a good word with her dad. The only potential snag? This bone-deep, body-numbing, mind-spinning chemistry they're trying to ignore. It's a dangerous game they're playing, but the risks just might be worth it"--
Subjects: Romance fiction.; Campus fiction.; Sports fiction.; Novels.; College stories; Hockey; Love;
Available copies: 1 / Total copies: 1
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Results 51 to 60 of 105 | « previous |