Search results for [Social distance] at Tsuga Consortium

Results 21 to 29 of 29 | « previous

The swimmer : a novel / by White, Loreth Anne,author.;

Socially awkward Chloe Cooper divides her time between dog walking, bartending, caring for her ailing mother, and at a safe distance, watching people and inventing the stories of their lives. Like Chloe's new neighbors: glamorous influencer Jemma Spengler and Jemma's husband, Adam, a renowned surgeon. They're attractive, wealthy, and in a house of open windows, so exposed. A move to the Pacific Northwest is supposed to be a fresh start for Jemma and Adam. It's a renewed commitment to a marriage fractured by secrets. A chance to work through the tragic losses in their past. For Jemma, however, this new beginning also comes with an unnerving sensation that she's being watched. Then, on a fog-shrouded beach early in the morning, Chloe witnesses the murder of a swimmer. Her suspicions aroused, she suddenly sees her neighbors in a sinister new light. But as a detective and her partner close in, nothing is quite as it seems. Because the Spenglers are not the only ones with secrets. And Chloe isn't the only one who's been watching.

Subjects: Thrillers (Fiction); Novels.; Married people; Murder; Neighbors; Secrecy; Voyeurism;

Available copies: 1 / Total copies: 1

unAPI

The undertaker's assistant / by Skenandore, Amanda,author.;

"The dead can't hurt you. Only the living can." Effie Jones, a former slave who escaped to the Union side as a child, knows the truth of her words. Taken in by an army surgeon and his wife during the War, she learned to read and write, to tolerate the sight of blood and broken bodies-and to forget what is too painful to bear. Now a young freedwoman, she has returned south to New Orleans and earns her living as an embalmer, her steady hand and skillful incisions compensating for her white employer's shortcomings. Tall and serious, Effie keeps her distance from the other girls in her boarding house, holding tight to the satisfaction she finds in her work. But despite her reticence, two encounters--with a charismatic state legislator named Samson Greene, and a beautiful young Creole, Adeline--introduce her to new worlds of protests and activism, of soirees and social ambition. Effie decides to seek out the past she has blocked from her memory and try to trace her kin. As her hopes are tested by betrayal, and New Orleans grapples with violence and growing racial turmoil, Effie faces loss and heartache, but also a chance to finally find her place.

Subjects: Historical fiction.; Bildungsromans.; African American women political activists; Undertakers and undertaking;

Available copies: 1 / Total copies: 1

unAPI

The heiress's daughter / by Gracie, Anne,author.;

Heiress Clarissa Studley yearns to be loved for more than her fortune. Warmhearted, but plain and shy, she wishes to marry, but has two firm rules: no rakes and no fortune-hunters -- her father was both, and she'll never forget the misery he caused. So, when Race, Lord Randall, starts to pay Clarissa attention, she knows she must keep him at a distance. Attractive and charming he might be, Race's reputation precedes him and she's observed first hand his flirtatious ways with London society beauties. But Race sees a beauty in Clarissa that others cannot, and for the first time in his life, he is truly in love. And when a rival for Clarissa's affections appears -- a handsome, wounded war hero, heir to his great-aunt's fortune -- Race becomes desperate as Clarissa seems tempted to make a safer, tamer choice. Can Race convince Clarissa that his love is true and that she can trust him with her heart? And can Clarissa put aside her unhappy past, and follow her heart, despite the risk of loving a rake?

Subjects: Romance fiction.; Novels.; Heiresses; Man-woman relationships; Regency;

Available copies: 1 / Total copies: 1

unAPI

The handmaid's tale. [videorecording] / by Bledel, Alexis,1981-actor.; Dowd, Ann,actor.; Fagbenle, O-T,1980-actor.; Fiennes, Joseph,1970-actor.; Minghella, Max,1985-actor.; Moss, Elisabeth,1982-actor.; Strahovski, Yvonne,1982-actor.; Whitford, Bradley,actor.; Wiley, Samira,actor.; television adaptation of (work):Atwood, Margaret,1939-Handmaid's tale.; Warner Bros. Entertainment,distributor.;

Elisabeth Moss, Yvonne Strahovski, Joseph Fiennes, Ann Dowd, Samira Wiley, Alexis Bledel, O.T. Fagbenle, Bradley Whitford, Max Minghella.In the fifth season of The Handmaid's Tale, June faces consequences for killing Commander Waterford while struggling to redefine her identity and purpose. The widowed Serena attempts to raise her profile in Toronto as Gilead's influence creeps into Canada. Commander Lawrence works with Nick and Aunt Lydia as he tries to reform Gilead and rise in power. June, Luke and Moira fight Gilead from a distance as they continue their mission to save and reunite with Hannah.Canadian Home Video Rating: 14A.Subtitled for the deaf and hard-of-hearing (SDH).DVD ; wide screen presentation ; Dolby Digital 5.1.

Subjects: Dystopian television programs.; Fiction television programs.; Television programs.; Video recordings for the hearing impaired.; Dystopias; Man-woman relationships; Misogyny; Pregnancy; Theocracy;

For private home use only.

Available copies: 1 / Total copies: 1

unAPI

Fleabag. [videorecording] / by Bradbeer, Harry,television director.; Clifford, Sian,actor.; Colman, Olivia,actor.; Gelman, Brett,1976-actor.; Kirkby, Tim,television director.; Paterson, Bill,1945-actor.; Rainsford, Jenny,actor.; Scott, Andrew,actor.; Skinner, Hugh,actor.; Waller-Bridge, Phoebe,1985-actor,screenwriter,creator.; Screen Media Films (Firm),publisher.;

Phoebe Waller-Bridge, Sian Clifford, Olivia Colman, Jenny Rainsford, Bill Paterson, Brett Gelman, Andrew Scott, Hugh Skinner.A dry-witted, sexual, angry, grief-riddled woman hurls herself at modern living in London. She often escapes into momentary fantasy asides -- letting an imaginary audience hear her unspoken gibes -- as she navigates her father's emotional distance, her godmother-turned-stepmother, her perfect sister and horrible brother-in-law as well as her seemingly-doomed love life.14A.DVD ; widescreen presentation ; 2.0 stereophonic.

Subjects: Television comedies.; Television programs.; Video recordings for the hearing impaired.; Interpersonal relations; Man-woman relationships; Women; Young women;

For private home use only.

Available copies: 1 / Total copies: 1

unAPI

Trudeaumania : the rise to power of Pierre Elliott Trudeau / by Wright, Robert A.(Robert Anthony),1960-author.;

Includes bibliographical references and index."Nearly twenty years after his death and more than thirty since his retirement from active politics, Pierre Elliott Trudeau is at long last receding from the lived memory of Canadians. But despite the distance of time, he still holds court in the minds of many, and today his son Justin now lives at 24 Sussex Drive, his own man, though still a Trudeau holding Canada's highest office. Trudeaumania is about Pierre Trudeau's rise to power in 1968. This is a story we thought we knew--the epic saga of the hipster Montrealer who drove up to Ottawa in his Mercedes in 1965, wowed the country with his dictum that “the state has no business in the bedrooms of the nation,” rocked the new medium of television like no one since JFK, and in scant months rode the crest of Canadians' Centennial-era euphoria into power. This is Canada's own Camelot myth. It embodies the quirkiness, the passion and the youthful exuberance we ascribe to the 1960s even now. Many of us cherish it. Unfortunately, it is almost entirely wrong. In 1968 Trudeau put forward his vision for Canada's second century, without guile, without dissembling and without a hard sell. Take it or leave it, he told Canadians. If you do not like my ideas, vote for someone else. We took it. By bestselling and award-winning author Robert Wright, Trudeaumania sets the record straight even as it illuminates this important part of our history and shines a light on our future.--

Subjects: Trudeau, Pierre Elliott, 1919-2000.; Canada. Prime Minister (1968-1979 : Trudeau); Nationalism;

Available copies: 1 / Total copies: 1

unAPI

The damages / by Scott, Genevieve,1978-author.;

"1997: For Ros, starting university at Regis is an opportunity for reinvention-a chance to be seen as interesting, to be accepted by the in-crowd, and maybe even get a boyfriend. But when she meets her roommate, Megan, with her pleated jeans and horse-print bedding, she decides Megan is a loser, a liability. Outside of their dorm room, Ros distances herself from Megan and quickly befriends the cool kids-she'll do anything to stay in their circle, even tell lies. Just after winter break, an intense ice storm hits campus, triggering a reckless, week-long dorm party, during which Megan goes missing. Ros is blamed for the incident and abruptly dropped by her social circle, casting a shadow over the next two decades of her life. 2020: Ros's former partner, Lukas, the father of her eleven-year-old son, is accused of a sexual assault. In an unexpected weaving of two narratives, Ros is forced to revisit a dark moment from her past, and the events for which she has always held herself responsible. As new details of an old story come to light, Ros must take a hard look not only at the father of her child, but also at her own mistakes, her own trauma, and at the supposed liberal period she grew up in. The Damages is a page-turning, thought-provoking novel on the lies we tell other people and the lies we tell ourselves."--

Subjects: Psychological fiction.; Novels.; Memory; Missing persons; Secrecy;

Available copies: 1 / Total copies: 1

unAPI

Almost brown : a mixed-race family memoir / by Gill, Charlotte,1971-author.;

"An award-winning writer retraces her dysfunctional, biracial, globe-trotting family's journey as she reckons with ethnicity and belonging, diversity and race, and the complexities of life within a multicultural household. Charlotte Gill's father is Indian. Her mother is English. They meet in 1960's London when the world is not quite ready for interracial love. Their union, a revolutionary act, results in a total meltdown of familial relations, a lot of immigration paperwork, and three children, all in varying shades of tan. Together they set off on a journey from the United Kingdom to Canada and to the United States in elusive pursuit of life, liberty, and happiness--a dream that eventually tears them apart. Almost Brown is an exploration of diasporic intermingling involving parents of two different races and their half-brown children as they experience the paradoxes and conundrums of life as it's lived between race checkboxes. Eventually, her parents drift apart because they just aren't compatible. But as she finds herself distancing from her father too--why is she embarrassed to walk down the street with him and not her mom?--she doesn't know if it's because of his personality or his race. As a mixed-race child, was this her own unconscious bias favoring one parent over the other in the racial tug-of-war that plagues our society? Almost Brown looks for answers to questions shared by many mixed-race people: What are you? What does it mean to be a person of color when the concept is a societal invention and really only applies halfway if you are half white? And how does your relationship with your parents change as you change and grow older? In a funny, turbulent, and ultimately heartwarming story, Gill examines the brilliant messiness of ancestry, "diversity," and the idea of "race," a historical concept that still informs our beliefs about ethnicity today"--

Subjects: Biographies.; Autobiographies.; Personal narratives.; Gill, Charlotte, 1971-; Gill, Charlotte, 1971-; Identity (Psychology); Immigrants; Race awareness in children.; Racially mixed families; Racially mixed families; Racially mixed people; Racially mixed people; Racially mixed women; Women authors, Canadian; Race;

Available copies: 1 / Total copies: 1

unAPI

We don't know ourselves : a personal history of modern Ireland / by O'Toole, Fintan,1958-author.;

Includes bibliographical references and index."A celebrated Irish writer's magisterial, brilliantly insightful chronicle of the wrenching transformations that dragged his homeland into the modern world. Fintan O'Toole was born in the year the revolution began. It was 1958, and the Irish government?in despair, because all the young people were leaving?opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don't Know Ourselves, O'Toole, one of the Anglophone world's most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary "backwater" to an almost totally open society-perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O'Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland's main export was beef and it was still not unknown for herds of cattle to clatter down Dublin's streets. Yet the Westerns were a sign of what was to come. O'Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O'Toole's telling, America became a lodestar, from John F. Kennedy's 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O'Toole in coruscating prose captures the peculiar Irish habit of "deliberate unknowing," which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don't Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us"--

Subjects: Biographies.; Personal narratives.; O'Toole, Fintan, 1958-;

Available copies: 1 / Total copies: 1

unAPI

Results 21 to 29 of 29 | « previous