Search results for [Student movements] at Tsuga Consortium

Results 41 to 48 of 48 | « previous

Candace Pert : genius, greed, and madness in the world of science / by Ryckman, Pamela,author.;

Includes bibliographical references."Candace Pert stood at the dawn of three revolutions: the women's movement, integrative health, and psychopharmacology. A scientific prodigy, she was 30 years ahead of her time, preaching a holistic, interdisciplinary approach to healthcare and medicine long before yoga hit the mainstream and "wellness" took root in our vernacular. Her bestselling book Molecules of Emotion made her the mother of the Mind/Body Revolution, launching a paradigm shift in medicine. Deepak Chopra credits her with creating his career, and he said as much in his eulogy at her funeral. Candace began her career as an unbridled maverick. In 1972, as a 26-year-old graduate student at Johns Hopkins, she discovered the opiate receptor, revolutionizing her field and enabling pharmacologists to design new classifications of drugs from Prozac to Viagra to Percocet and OxyContin. The tragic irony of her breakthrough, touted as the first step to end heroin addiction, is that it helped spawn a virulent epidemic of drug dependence. Facing the largest public health crisis of the 21st century, Candace was incensed that the Hippocratic oath-"first, do no harm"--would succumb to greed, and as witness to this abuse of power, she was one of few scientists courageous enough to protest. Later, as Chief of Brain Biochemistry at the National Institutes of Health, Candace created Peptide T, the non-toxic treatment for HIV featured in Dallas Buyers Club. As the AIDS pandemic raged, triggering panic across Reagan-era America, the U.S. government poured massive amounts of money into finding a cure, sparking a battle among scientists for funding and power. Bested by rivals with competing drugs yet desperate to help, Candace went rogue, becoming a lynchpin in the black market for Peptide T. After a scandalous departure from her tenured position at the NIH, Candace launched a series of private companies with Michael Ruff, her second husband and collaborator. Naïve to the world of business, she was manipulated by investors keen to wrest control of her discoveries. But Candace too became tainted, believing that her noble ends would justify devious means. Like a mythic hero, she succumbed to a fatal flaw, and her greatest strengths--singularity of purpose and blind faith in her own virtuosity--would prove to be her undoing"--

Subjects: Biographies.; Pert, Candace B., 1946-2013.; Feminists; Integrative medicine; Psychopharmacologists;

Available copies: 1 / Total copies: 1

unAPI

Everything the light touches : a novel / by Pariat, Janice,author.;

Everything the Light Touches is Janice Pariat's magnificent epic of travelers, of discovery, of time, of science, of human connection, and of the impermanent nature of the universe and life itself--a bold and brilliant saga that unfolds through the adventures and experiences of four intriguing characters. Shai is a young woman in modern India. Lost and drifting, she travels to her country's Northeast and rediscovers, through her encounters with indigenous communities, ways of being that realign and renew her. Evelyn is a student of science in Edwardian England. Inspired by Goethe's botanical writings, she leaves Cambridge on a quest to wander the sacred forests of the Lower Himalayas. Linnaeus, a botanist and taxonomist who famously declared "God creates; Linnaeus organizes," sets off on an expedition to an unfamiliar world, the far reaches of Lapland in 1732. Goethe is a philosopher, writer, and one of the greatest minds of his age. While traveling through Italy in the 1780s, he formulates his ideas for "The Metamorphosis of Plants," a little-known, revelatory text that challenges humankind's propensity to reduce plants--and the world--into immutable parts. Drawn richly from scientific and botanical ideas, Everything the Light Touches is a swirl of ever-expanding themes: the contrasts between modern India and its colonial past, urban and rural life, capitalism and centuries-old traditions of generosity and gratitude, script and "song and stone." Pulsating at its center is the dichotomy between different ways of seeing, those that fix and categorize and those that free and unify. Pariat questions the imposition of fixity--of our obsession to place permanence on plants, people, stories, knowledge, land--where there is only movement, fluidity, and constant transformation. "To be still," says a character in the book, "is to be without life." Everything the Light Touches brings together, with startling and playful novelty, people and places that seem, at first, removed from each other in time and place. Yet as it artfully reveals, all is resonance; all is connection.

Subjects: Historical fiction.; Nature fiction.; Psychological fiction.; Novels.; Goethe, Johann Wolfgang von, 1749-1832; Linné, Carl von, 1707-1778; Botany; Women;

Available copies: 1 / Total copies: 1

unAPI

The Nickel boys : a novel / by Whitehead, Colson,1969-author.;

In this bravura follow-up to the Pulitzer Prize, and National Book Award-winning The Underground Railroad, Colson Whitehead brilliantly dramatizes another strand of American history through the story of two boys sentenced to a hellish reform school in Jim Crow-era Florida. As the Civil Rights movement begins to reach the black enclave of Frenchtown in segregated Tallahassee, Elwood Curtis takes the words of Dr. Martin Luther King to heart: He is "as good as anyone." Abandoned by his parents, but kept on the straight and narrow by his grandmother, Elwood is about to enroll in the local black college. But for a black boy in the Jim Crow South of the early 1960s, one innocent mistake is enough to destroy the future. Elwood is sentenced to a juvenile reformatory called the Nickel Academy, whose mission statement says it provides "physical, intellectual and moral training" so the delinquent boys in their charge can become "honorable and honest men." In reality, the Nickel Academy is a grotesque chamber of horrors where the sadistic staff beats and sexually abuses the students, corrupt officials and locals steal food and supplies, and any boy who resists is likely to disappear "out back." Stunned to find himself in such a vicious environment, Elwood tries to hold onto Dr. King's ringing assertion "Throw us in jail and we will still love you." His friend Turner thinks Elwood is worse than naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble. The tension between Elwood's ideals and Turner's skepticism leads to a decision whose repercussions will echo down the decades. Formed in the crucible of the evils Jim Crow wrought, the boys' fates will be determined by what they endured at the Nickel Academy.

Subjects: Bildungsromans.; Historical fiction.; Reformatories; African American teenagers; Racism;

Available copies: 1 / Total copies: 1

unAPI

So you want to talk about race / by Oluo, Ijeoma,author.;

Includes bibliographical references (pages 243-248)."A current, constructive, and actionable exploration of today's racial landscape, offering straightforward clarity that readers of all races need to contribute to the dismantling of the racial divide. In So You Want to Talk About Race, Editor at Large of The Establishment, Ijeoma Oluo offers a contemporary, accessible take on the racial landscape in America, addressing head-on such issues as privilege, police brutality, intersectionality, micro-aggressions, the Black Lives Matter movement, and the "N" word. Perfectly positioned to bridge the gap between people of color and white Americans struggling with race complexities, Oluo answers the questions readers don't dare ask, and explains the concepts that continue to elude everyday Americans. Oluo is an exceptional writer with a rare ability to be straightforward, funny, and effective in her coverage of sensitive, hyper-charged issues in America. Her messages are passionate but finely tuned, and crystalize ideas that would otherwise be vague by empowering them with aha-moment clarity. Her writing brings to mind voices like Ta-Nehisi Coates and Roxane Gay, and Jessica Valenti in Full Frontal Feminism, and a young Gloria Naylor, particularly in Naylor's seminal essay 'The Meaning of a Word.'"--Provided by publisher.

Subjects: Intercultural communication.; Racism; Race relations.;

Available copies: 1 / Total copies: 1

unAPI

The skin we're in : [Book Club Set] / by Cole, Desmond,1982-author.;

Includes bibliographical references."In May 2015, the cover story of Toronto Life magazine shook Canada's largest city to its core. Desmond Cole's "The Skin I'm In" exposed the racist practices of the Toronto police force, detailing the dozens of times Cole had been stopped and interrogated under the controversial practice of carding. The story quickly came to national prominence, went on to win a number of National Magazine Awards and catapulted its author into the public sphere. Cole used his newfound profile to draw insistent, unyielding attention to the injustices faced by Black Canadians on a daily basis: the devastating effects of racist policing; the hopelessness produced by an education system that expects little of its black students and withholds from them the resources they need to succeed more fully; the heartbreak of those vulnerable before the child welfare system and those separated from their families by discriminatory immigration laws. Both Cole's activism and journalism find vibrant expression in his first book, The Skin We're In. Puncturing once and for all the bubble of Canadian smugness and naïve assumptions of a post-racial nation, Cole chronicles just one year-- 2017-- in the struggle against racism in this country. It was a year that saw calls for tighter borders when African refugees braved frigid temperatures to cross into Manitoba from the States, racial epithets used by a school board trustee, a six-year-old girl handcuffed at school. The year also witnessed the profound personal and professional ramifications of Desmond Cole's unwavering determination to combat injustice. In April, Cole disrupted a Toronto police board meeting by calling for the destruction of all data collected through carding. Following the protest, Cole, a columnist with the Toronto Star, was summoned to a meeting with the paper's opinions editor and was informed that his activism violated company policy. Rather than limit his efforts defending Black lives, Cole chose to sever his relationship with the publication. Then in July, at another TPS meeting, Cole challenged the board publicly, addressing rumours of a police cover-up of the brutal beating of Dafonte Miller by an off-duty police officer and his brother. When Cole refused to leave the meeting until the question was publicly addressed, he was arrested. The image of Cole walking, handcuffed and flanked by officers, out of the meeting fortified the distrust between the city's Black community and its police force. In a month-by-month chronicle, Cole locates the deep cultural, historical and political roots of each event so that what emerges is a personal, painful and comprehensive picture of entrenched, systemic inequality. Urgent, controversial and unsparingly honest, The Skin We're In is destined to become a vital text for anti-racist and social justice movements in Canada, as well as a potent antidote to the all-too-present complacency of many white Canadians."-- Provided by publisher.

Subjects: Black Canadians; Discrimination in criminal justice administration; Discrimination in law enforcement; Minorities; Police brutality; Police misconduct; Police-community relations; Race discrimination;

Available copies: 1 / Total copies: 12

unAPI

The skin we're in : a year of Black resistance and power / by Cole, Desmond,1982-author.;

Includes bibliographical references."In May 2015, the cover story of Toronto Life magazine shook Canada's largest city to its core. Desmond Cole's "The Skin I'm In" exposed the racist practices of the Toronto police force, detailing the dozens of times Cole had been stopped and interrogated under the controversial practice of carding. The story quickly came to national prominence, went on to win a number of National Magazine Awards and catapulted its author into the public sphere. Cole used his newfound profile to draw insistent, unyielding attention to the injustices faced by Black Canadians on a daily basis: the devastating effects of racist policing; the hopelessness produced by an education system that expects little of its black students and withholds from them the resources they need to succeed more fully; the heartbreak of those vulnerable before the child welfare system and those separated from their families by discriminatory immigration laws. Both Cole's activism and journalism find vibrant expression in his first book, The Skin We're In. Puncturing once and for all the bubble of Canadian smugness and naïve assumptions of a post-racial nation, Cole chronicles just one year-- 2017-- in the struggle against racism in this country. It was a year that saw calls for tighter borders when African refugees braved frigid temperatures to cross into Manitoba from the States, racial epithets used by a school board trustee, a six-year-old girl handcuffed at school. The year also witnessed the profound personal and professional ramifications of Desmond Cole's unwavering determination to combat injustice. In April, Cole disrupted a Toronto police board meeting by calling for the destruction of all data collected through carding. Following the protest, Cole, a columnist with the Toronto Star, was summoned to a meeting with the paper's opinions editor and was informed that his activism violated company policy. Rather than limit his efforts defending Black lives, Cole chose to sever his relationship with the publication. Then in July, at another TPS meeting, Cole challenged the board publicly, addressing rumours of a police cover-up of the brutal beating of Dafonte Miller by an off-duty police officer and his brother. When Cole refused to leave the meeting until the question was publicly addressed, he was arrested. The image of Cole walking, handcuffed and flanked by officers, out of the meeting fortified the distrust between the city's Black community and its police force. In a month-by-month chronicle, Cole locates the deep cultural, historical and political roots of each event so that what emerges is a personal, painful and comprehensive picture of entrenched, systemic inequality. Urgent, controversial and unsparingly honest, The Skin We're In is destined to become a vital text for anti-racist and social justice movements in Canada, as well as a potent antidote to the all-too-present complacency of many white Canadians."-- Provided by publisher.

Subjects: Black Canadians; Discrimination in criminal justice administration; Discrimination in law enforcement; Minorities; Police brutality; Police misconduct; Police-community relations; Race discrimination;

Available copies: 2 / Total copies: 2

unAPI

Yuni. by Andini, Kamila,film director.; Kirana, Arawinda,actor.; Abigail, Asmara,actor.; Anita, Marissa,actor.; Sari, Sekar,actor.; Film Movement (Firm),dst; Kanopy (Firm),dst;

Arawinda Kirana, Asmara Abigail, Marissa Anita, Sekar SariOriginally produced by Film Movement in 2021.Having rejected a marriage proposal and now facing limited options after graduation, Indonesian high-school student Yuni (Arawinda Kirana) finds herself having to define her desires within a society attempting to prescribe her fate. Navigating her burgeoning sexuality and educational prospects while coming to terms with the rigid gender politics with which they collide, Yuni observes her peers and the women around her as they reject or give in to the expectations made of them and the consequences their decisions carry.Mode of access: World Wide Web.

Subjects: Feature films.; Foreign films.; Motion pictures.; Drama.; Coming-of-age films.; Motion pictures--Asia.;

unAPI

Alam. by Khoury, Firas,film director.; Bakri, Mahmoud,actor.; Karaki, Mohammad,actor.; Bakri, Saleh,actor.; Khass, Sereen,actor.; Film Movement (Firm),dst; Kanopy (Firm),dst;

Mahmoud Bakri, Mohammad Karaki, Saleh Bakri, Sereen KhassOriginally produced by Film Movement in 2022.Despite being part of a young generation of Palestinian Arabs whose families chose to stay and challenge the Israeli state after Al-Nakba, 17-year-old Tamer and his friends are just like any other group of teenage boys. They clumsily search for drugs, flirt with girls, play video games, and slack off at school. However, when a beautiful new student named Maysaá joins their class, Tamer immediately falls for her and, by association, is drawn into her political activism. Unsure of his own political convictions, Tamer must quickly determine what matters to him and what price he is willing to pay for freedom.Mode of access: World Wide Web.

Subjects: Feature films.; Foreign films.; Motion pictures.; Drama.; Coming of age.;

unAPI

Results 41 to 48 of 48 | « previous