Search:

The human scale [text (large print)] / by Wright, Lawrence,1947-author.;
"Tony Malik is a half-Irish, half-Arab New York based FBI agent, specializing in money flowing from drug and arms deals. The novel opens in shocking fashion, with Malik seriously injured by a terrorist-planted bomb. During his lengthy recuperative process, his life changes radically. A long-term relationship ends, and his job is on the verge of being taken away from him. During this period he learns more about his roots and becomes interested in his father's past and family - his father came to America years ago from Palestine. He decides to make a trip to his father's homeland to attend the wedding of his niece, whom he has never met. As a result of his plans, he is given a simple assignment by his boss at the FBI, partly to see how well he can still do his job. That simple assignment becomes extremely complicated. As soon as he arrives in Gaza, the Israeli police chief overseeing the area is murdered. Malik is at first a suspect. Then, due to his superior investigative skills, he is invited into the Israeli investigation, seeking the murderer. At the center of this novel is Malik's relationship with Yossi, the hardline anti-Arab Israeli police officer leading the investigation. They must learn to trust each other because, as they move closer to solving the case, they realize there is no one else they can trust on either side. Extraordinary three dimensional characters populate this novel: Yossi's daughter, studying in Paris, trying to escape the violence that surrounds her in Israel; Malik's niece, whose wedding and life are shattered by the murder; her fiancé, a peacenik whose existence is complicated by the fact that his cousin is high up in the Hamas command; religious leaders on both sides; corrupt Israeli cops; Palestinians thirsting for violence against Israel; Israelis determined to crush the Palestinians. Lawrence Wright brings a wide and complicated tapestry to life, one that culminates on October 7 with the deadly Hamas attack on Israel. But he has written more than just a thriller, or even just an examination of all these complicated lives. He has written a novel that manages to explore and explain much of the devastating history that encompasses the relationship between Israel and Palestine-and shows it to us in a way that poignantly reveals the tragic human scale that is involved"--
Subjects: Thrillers (Fiction); Large print books.; Novels.; United States. Federal Bureau of Investigation; Ḥarakat al-Muqāwamah al-Islāmīyah; Interpersonal relations; Murder; Police;
Available copies: 0 / Total copies: 1
unAPI

Truth be told : my journey through life and the law / by McLachlin, Beverley,1943-author.;
"Former Chief Justice of the Supreme Court of Canada, Beverley McLachlin, offers an intimate and revealing look at her life and shares her insights into the most pressing legal and social questions we face today. As a young girl, Beverley McLachlin's world was often full of wonder--at the expansive Prairie vistas around her, at the stories she discovered in the books at her local library, and at the diverse people who passed through her parents' door. While her family was poor, their lives were rich in the ways that mattered most. Even at a young age, she had an innate sense of justice, which was reinforced by the lessons her parents taught her: Everyone deserves dignity. All people are equal. Those who work hard reap the rewards. Willful, spirited, and unusually intelligent, she discovered in Pincher Creek an extraordinary tapestry of people and perspectives that informed her worldview going forward. Still, life in the rural Prairies was lonely, and gaining access to education--especially for girls--wasn't always easy. As a young woman, McLachlin moved to Edmonton to pursue a degree in philosophy. There, she discovered her passion lay not in the ivory towers of academia, but in the real world, solving problems directly related to the lives of the people around her. And in the law, she found the tools to do exactly that. She soon realized, though, that the world was not always willing to accept her. In her early years as an articling student and lawyer, she encountered sexism, exclusion, and old boys' clubs at every turn. And outside the courtroom, personal loss and tragedies struck close to home. Nonetheless, McLachlin was determined to prove her worth, and her love of the law and the pursuit of justice pulled her through the darkest moments. McLachlin's meteoric rise through the courts soon found her serving on the highest court in the country, becoming the first woman to be named Chief Justice of the Supreme Court of Canada. She rapidly distinguished herself as a judge of renown, one who was never afraid to take on morally complex or charged debates. Over the next eighteen years, McLachlin presided over the most prominent cases in the country--involving Charter challenges, same-sex marriage, and euthanasia. One judgment at a time, she laid down a legal legacy that proved that fairness and justice were not luxuries of the powerful but rather obligations owed to each and every one of us. With warmth, honesty, and deep wisdom, McLachlin invites us into her legal and personal life--into the hopes and doubts, the triumphs and losses on and off the bench. Through it all, her constant faith in justice remained her true north. In an age of division and uncertainty, McLachlin's memoir is a reminder that justice and the rule of law remain our best hope for a progressive and bright future."-- Provided by publisher.
Subjects: Autobiographies.; Biographies.; McLachlin, Beverley, 1943-; Canada. Supreme Court.; Judges;
Available copies: 1 / Total copies: 1
unAPI

Under the Fig Trees. by Sehiri, Erige,film director.; Fdhili, Ameni,actor.; Fdhili, Feten,actor.; Fdhili, Fide,actor.; Ben, Hneya,actor.; Ouhebi, Leila,actor.; Sifi, Samar,actor.; Film Movement (Firm),dst; Kanopy (Firm),dst;
Ameni Fdhili, Feten Fdhili, Fide Fdhili, Hneya Ben Elhedi Sbahi, Leila Ouhebi, Samar SifiOriginally produced by Film Movement in 2021.On a hot summer day, a crew of workers - men and women, young and old - arrive at dawn at a picturesque fig orchard in northwest Tunisia. We eavesdrop, through the sun-dappled leaves of the fig trees, on the young women stealing away precious moments from the foreman's watchful gaze. Meanwhile, the older women, tasked with the careful job of packing the tender fruit, watch and reminisce together as well. They joke, argue, debate, gossip, flirt, all the while painting an unhurried but riveting portrait of everyday life in the rural society, where class, gender, and circumstance often don't allow for such personal freedoms. Set over the course of a single day, and with a cast made up of an intergenerational ensemble of non-professional actors, UNDER THE FIG TREES is "an elegant, understated tapestry of complex interactions [and] a pleasurable and immersive experience" (The Hollywood Reporter) that ultimately reveals the ways in which sisterhood itself becomes an act of resistance.Mode of access: World Wide Web.
Subjects: Feature films.; Foreign films.; Motion pictures.; Drama.;
unAPI

Lyd. by Younis, Rami,film director.; Ema Friedland, Sarah,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Icarus Films in 2024.LYD (the Arabic name of Lod, a city now in Israel) is about a 5,000-year-old bustling Palestinian town that was taken over when Israel was established in 1948. An exploration of what it once was, and what it is now, in the context of the continuing conflicts and the war in Gaza, LYD’s excavation of one community’s complex history offers us not only lessons, but possible futures.As the film unfolds, a chorus of characters creates a tapestry of the Palestinian experience of this city and the trauma left by the massacre and expulsion, while vivid animations envision an alternate reality where the same characters live free from the trauma of the past and the violence of the present. Using never-before-seen archival footage of the Israeli soldiers who carried out the massacre and expulsion, the personified city explains that these events were so devastating that they fractured reality, and now there are two Lyds — one occupied and one free. As the film cuts between fantastical and documentary realities, it ultimately leaves the viewer questioning what future should prevail.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; History, Modern.; Human rights.; Foreign study.; Documentary films.; Middle East.; Current affairs.; History.; War.; Israel.; Palestine.; Psychic trauma.;
unAPI