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Under the Fig Trees. by Sehiri, Erige,film director.; Fdhili, Ameni,actor.; Fdhili, Feten,actor.; Fdhili, Fide,actor.; Ben, Hneya,actor.; Ouhebi, Leila,actor.; Sifi, Samar,actor.; Film Movement (Firm),dst; Kanopy (Firm),dst;
Ameni Fdhili, Feten Fdhili, Fide Fdhili, Hneya Ben Elhedi Sbahi, Leila Ouhebi, Samar SifiOriginally produced by Film Movement in 2021.On a hot summer day, a crew of workers - men and women, young and old - arrive at dawn at a picturesque fig orchard in northwest Tunisia. We eavesdrop, through the sun-dappled leaves of the fig trees, on the young women stealing away precious moments from the foreman's watchful gaze. Meanwhile, the older women, tasked with the careful job of packing the tender fruit, watch and reminisce together as well. They joke, argue, debate, gossip, flirt, all the while painting an unhurried but riveting portrait of everyday life in the rural society, where class, gender, and circumstance often don't allow for such personal freedoms. Set over the course of a single day, and with a cast made up of an intergenerational ensemble of non-professional actors, UNDER THE FIG TREES is "an elegant, understated tapestry of complex interactions [and] a pleasurable and immersive experience" (The Hollywood Reporter) that ultimately reveals the ways in which sisterhood itself becomes an act of resistance.Mode of access: World Wide Web.
Subjects: Feature films.; Foreign films.; Motion pictures.; Drama.;
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Lyd. by Younis, Rami,film director.; Ema Friedland, Sarah,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Icarus Films in 2024.LYD (the Arabic name of Lod, a city now in Israel) is about a 5,000-year-old bustling Palestinian town that was taken over when Israel was established in 1948. An exploration of what it once was, and what it is now, in the context of the continuing conflicts and the war in Gaza, LYD’s excavation of one community’s complex history offers us not only lessons, but possible futures.As the film unfolds, a chorus of characters creates a tapestry of the Palestinian experience of this city and the trauma left by the massacre and expulsion, while vivid animations envision an alternate reality where the same characters live free from the trauma of the past and the violence of the present. Using never-before-seen archival footage of the Israeli soldiers who carried out the massacre and expulsion, the personified city explains that these events were so devastating that they fractured reality, and now there are two Lyds — one occupied and one free. As the film cuts between fantastical and documentary realities, it ultimately leaves the viewer questioning what future should prevail.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; History, Modern.; Human rights.; Foreign study.; Documentary films.; Middle East.; Current affairs.; History.; War.; Israel.; Palestine.; Psychic trauma.;
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