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- So help me golf : why we love the game / by Reilly, Rick,author.;
"Beloved bestselling author and golf aficionado Rick Reilly channels his insatiable curiosity, trademark sense of humor, and vast knowledge of the game in a treasure trove of original pieces about what the game has meant to him and to others. This is the book Rick Reilly has been writing in the back of his head since he fell in love with the game of golf at eleven years old. He unpacks and explores all of the wonderful, maddening, heart-melting, heart-breaking, cool, and captivating things about golf that make the game so utterly addictive. We meet the PGA Tour player who robbed banks by night to pay his motel bills, the golf club maker who takes weekly psychedelic trips, and the caddy who kept his loop even after an 11-year prison stint. We learn how a man on his third heart nearly won the U.S. Open, how a Vietnam POW saved his life playing 18 holes a day in his tiny cell, and about the course that's absolutely free. Reilly mines all of the game's quirky traditions-from the shot of bourbon you take before you tee off at Peyton Manning's course, to the way the starter at St. Andrews announces to your group (and the hundreds of tourists watching), "You're on the first tee, gentlemen." He means that quite literally: St. Andrews has the first tee ever invented. We'll visit the eighteen most unforgettable holes around the world (Reilly has played them all), including the hole in Indonesia where the biggest hazard is monkeys, the one in the Caribbean that's underwater, and the one in South Africa that requires a shot over a pit of alligators; not to mention Reilly's attempt to play the most mini-golf holes in one day. Reilly expounds on all the great figures in the game, from Phil Mickelson to Bobby Jones to the simple reason Jack Nicklaus is better than Tiger Woods. He explains why we should stop hating Bryson DeChambeau unless we hate genius, the greatest upset in women's golf history, and why Ernie Els throws away every ball that makes a birdie. Plus all the Greg Norman stories Reilly has never been able to tell before, and the great fun of being Jim Nantz. Connecting it all will be the story of Reilly's own personal journey through the game, especially as it connects to his tumultuous relationship with his father, and how the two eventually reconciled through golf. This is Reilly's valentine to golf, a cornucopia of stories that no golfer will want to be without"--- Subjects: Anecdotes.; Golf;
- Available copies: 1 / Total copies: 1
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- Led Zeppelin : the biography / by Spitz, Bob,author.;
Includes bibliographical references and index."From the author of the definitive New York Times bestselling history of the Beatles comes the authoritative account of the group Jack Black and many others call the greatest rock band of all time, arguably the most successful, and certainly one of the most notorious. Rock stars. Whatever those words mean to you, chances are, they owe a debt to Led Zeppelin. No one before or since has lived the dream quite like Jimmy Page, Robert Plant, John Paul Jones, and John Bonham. In Led Zeppelin, Bob Spitz takes their full measure, for good and sometimes for ill, separating the myth from the reality with the connoisseurship and storytelling flair that are his trademarks. From the opening notes of their first album, the band announced itself as something different, a collision of grand artistic ambition and brute primal force, of delicate English folk music and hard-driving African-American blues. That record sold over 10 million copies, and it was the merest beginning; Led Zeppelin's albums have sold over 300 million certified copies worldwide, and the dust has never settled. Taken together, Led Zeppelin's discography has spent an almost incomprehensible ten-plus years on the album charts. The band is notoriously guarded, and previous books shine more heat than light. But Bob Spitz's authority is undeniable and irresistible. His feel for the atmosphere, the context--the music, the business, the recording studios, the touring life, the radio stations, the fans, the whole ecosystem of popular music--is unparalleled. His account of the melding of Page and Jones, the virtuosic London sophisticates, with Plant and Bonham, the wild men from the Midlands, into a band out of the ashes of the Yardbirds, in a scene dominated by the Beatles and the Stones but changing fast, is in itself a revelation. Spitz takes the music seriously, and brings the band's artistic journey to full and vivid life. The music is only part of the legend, however: Led Zeppelin is also the story of how the 60's became the 70's, of how playing in clubs became playing in stadiums and flying your own jet, of how innocence became decadence. Led Zeppelin may not have invented the groupie, and they weren't the first rock band to let loose on the road, but they took it to an entirely new level, as with everything else. Not all the legends are true, but in Bob Spitz's careful accounting, what is true is astonishing, and sometimes disturbing. Led Zeppelin gave no quarter, and neither has Bob Spitz. Led Zeppelin is the full and honest reckoning the band has long awaited, and richly deserves"--- Subjects: Biographies.; Led Zeppelin (Musical group); Rock musicians;
- Available copies: 1 / Total copies: 1
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- Traffic : genius, rivalry, and delusion in the billion-dollar race to go viral / by Smith, Ben(Journalist),author.;
Includes bibliographical references and index."The origin story of the Age of Disinformation: the candid inside tale of two online media rivals, Jonah Peretti of HuffPost and Buzzfeed and Nick Denton of Gawker Media, whose delirious pursuit of attention at scale in the first two decades of the 21st century helped release the dark forces that would overtake the internet and American society. If attention is the new oil, Ben Smith's Traffic is the story of the time between the first gusher and the impact of climate change. The curtain opens in Soho in the early 2000's, in that brief moment after the first dotcom crash and before Google, Apple, and Facebook exploded, when it seemed that New York City rather than Silicon Valley might become tech's center of gravity. There, within a few square blocks, Nick Denton's merry band of nihilists at his growing Gawker empire and Jonah Peretti's sunnier crew at HuffPost and Buzzfeed were building the foundations of click-bait media. It was tech's age of innocence: the old establishment might have been discredited by the Iraq War, but digital news would facilitate the spread of truth. Progressive activists were first to the scene, and for a while it seemed they were the scene. After all, didn't they get Barack Obama elected? Ben Smith, who would go on to earn a controversial reputation as Buzzfeed's editor-in-chief, was either there or talked to everyone who was, and in his trademark fashion, he chronicles it all with marvelous lucidity scored with dark wit, sparing no one--and certainly not himself. Denton and Gawker were seen at the time as the black hats, but in Smith's hands the story is much more nuanced: yes, Denton's ideology of radical transparency was problematic, but at least he had an ideology. Jonah Peretti survived long after Denton's Gawker perished because his focus on clicks was relentlessly content-agnostic. But as with the proverbial sorcerer's apprentice, unintended consequences began to gain momentum. At the heart of Traffic is one of the great ironies of our time: the internet, which was going to help the left remake the world in its image, has become the motive force of right populism. As Smith and his colleagues and rivals thought they were inventing digital media, other figures, flickering around the margins of their story, had different designs. People like Steve Bannon and Andrew Breitbart and Gavin McInnes and Chris Poole, the creator of 4chan, all seemed like minor characters in the narrative in which Nick and Jonah and crew were the stars. By 2020, any reasonable observer might wonder if the opposite wasn't the case. To understand how we got here, Traffic is essential and enthralling reading"--- Subjects: Biographies.; Personal narratives.; Denton, Nicholas.; Peretti, Jonah.; Digital media; Internet industry; News Web sites;
- Available copies: 1 / Total copies: 1
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- Okja [videorecording] / by An, Seo-hyun,actor.; Bostick, Devon,1991-actor.; Byun, Hee-bong,actor.; Ch'oe, U-sik,1990-actor.; Choi, Dooho(Producer),film producer.; Collins, Lily,1989-actor.; Dano, Paul,1984-actor.; Esposito, Giancarlo,actor.; Gardner, Dede,film producer.; Gyllenhaal, Jake,1980-actor.; Henderson, Shirley,1965-actor.; Henshall, Daniel,1983-actor.; Kim, Lewis Taewan,film producer.; Kleiner, Jeremy,film producer.; Pong, Chun-ho,1969-film director,screenwriter,film producer.; Ronson, Jon,1967-screenwriter.; Sarandos, Ted,film producer.; Sŏ, U-sik,1967-film producer.; Swinton, Tilda,actor.; Yeun, Steven,actor.; Yun, Che-mun,1970-actor.; Criterion Collection (Firm),publisher.; Kate Street Picture Company,production company.; Lewis Pictures,production company.; Netflix (Firm),presenter.; Plan B Entertainment,production company.;
Music, Jaeil Jung ; editor, Yang Jinmo ; director of photography, Darius Khondji.Tilda Swinton, Paul Dano, An Seo Hyun, Byun Heebong, Steven Yeun, Lilly Collins, Yoon Je Moon, Shirley Henderson, Daniel Henshall, Devon Bostick, Woo Shik Choi, Giancarlo Esposito, Jake Gyllenhaal.Mija is a South Korean girl growing up on an Edenic mountainside with her grandfather and best friend: Okja, a giant, empathetic "super pig" created as part of a secret GMO experiment. When Okja is abruptly torn away from her, Mija embarks on a perilous rescue mission that places her at the center of a sinister corporate conspiracy. While Bong's trademark virtuosic set-pieces dazzle, Okja's beating heart is the connection between a girl and her super pig, made all the more poignant by the brilliant special effects that bring the animal star to unforgettable life.Canadian Home Video Rating: 14A.Subtitled for the deaf and hard-of-hearing (SDH).DVD ; wide screen presentation ; Dolby Digital 5.1.- Subjects: Action and adventure films.; Feature films.; Foreign films.; Motion pictures, Korean.; Video recordings for the hearing impaired.; Animal welfare; Girls; Human-animal communication; Human-animal relationships; Transgenic organisms; Swine;
- For private home use only.
- Available copies: 1 / Total copies: 1
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- There's No Tomorrow. by Ophuls, Max,film director.; Lecourtois, Daniel,actor.; Feuillère, Edwige,actor.; Rigaud, George,actor.; Kino Lorber (Firm),dst; Kanopy (Firm),dst;
Daniel Lecourtois, Edwige Feuillère, George RigaudOriginally produced by Kino Lorber in 1939.From the masterful Max Ophüls (Letter from an Unknown Woman, The Earrings of Madame de…) comes THERE'S NO TOMORROW, a bittersweet melodrama with a dash of film noir. Edwige Feuillère (From Mayerling to Sarajevo) commands the screen as a woman of bourgeois origin, now reduced to dancing in a disreputable nightclub to support her young son. When her lost love (George Rigaud, I Walk Alone), now a successful doctor, suddenly reappears, she puts on the charade that her life has been far more fortunate. But maintaining such an illusion won’t come easy. A ravishing and tragic screen romance, THERE'S NO TOMORROW glitters with Ophüls’ trademark sophistication and opulent camerawork.Mode of access: World Wide Web.- Subjects: Feature films.; Foreign films.; Motion pictures.; Drama.; Motion Pictures.;
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Results 181 to 185 of 185 | « previous