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Marmee : a novel / by Miller, Sarah,author.; Based on (work):Alcott, Louisa May,1832-1888.Little women.;
Includes bibliographical references.In 1861, war is raging in the South, but in Concord, Massachusetts, Margaret March has her own battles to fight. With her husband serving as an army chaplain, the comfort and security of Margaret's four daughters-- Meg, Jo, Beth, and Amy--now rest on her shoulders alone. Money is tight and every month, her husband sends less and less of his salary with no explanation. Worst of all, Margaret harbors the secret that these financial hardships are largely her fault, thanks to a disastrous mistake made over a decade ago which wiped out her family's fortune and snatched away her daughters' chances for the education they deserve. Yet even with all that weighs upon her, Margaret longs to do more--for the war effort, for the poor, for the cause of abolition, and most of all, for her daughters. Living by her watchwords, "Hope and keep busy," she fills her days with humdrum charity work to keep her worries at bay. All of that is interrupted when Margaret receives a telegram from the War Department, summoning her to her husband's bedside in Washington, D.C. While she is away, her daughter Beth falls dangerously ill, forcing Margaret to confront the possibility that the price of her own generosity toward others may be her daughter's life. A stunning portrait of the paragon of virtue known as Marmee, a wife left behind, a mother pushed to the brink, a woman with secrets.
Subjects: Historical fiction.; Novels.; Alcott, Louisa May, 1832-1888.; Families; March family (Fictitious characters); Mothers and daughters; Secrecy; Women;
Available copies: 2 / Total copies: 2
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Guide me home / by Locke, Attica,author.;
Texas Ranger Darren Mathews isn't sure he's been a good cop, but believes he's got a shot at being a good man--if he manages to dodge the potential indictment hanging over his head and if he, from here on out, pledges allegiance to the truth. It's a virtue the country appears to have wholly lost its grip on, but one Darren sees as his salvation. He is in the midst of remaking his life with the woman he loves, hoping for the peace of country living at his beloved farmhouse, when he is visited by someone who couldn't hold the truth on her tongue if it was dipped in sugar, a woman who's always been bent of tearing his life apart. His mother. Armed with a tall tale about a missing Black college student, Sera (whose white sorority sisters insist she isn't missing at all). Darren must decide if his can trust his mother is telling the truth--and what her ulterior motive may be, and what if that motive has to do with a grand jury deciding his fate. Darren gets his hooks into the investigation, along the way discovering things about Sera's family and her hometown that are odd at best, vaguely sinister at worst. Hamstrung by local law enforcement and the Texas Rangers who likewise doubt the account of a missing girl, if Darren wants answers, he'll need help from the person whom he swore to never trust again--his mother.
Subjects: Detective and mystery fiction.; Noir fiction.; Novels.; Texas Rangers; African American police; Missing persons; Mothers and sons; Race relations; Secrecy; Truthfulness and falsehood;
Available copies: 1 / Total copies: 1
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Marmee [text (large print)] : a novel / by Miller, Sarah,author.; Based on (work):Alcott, Louisa May,1832-1888.Little women.;
Includes bibliographical references.In 1861, war is raging in the South, but in Concord, Massachusetts, Margaret March has her own battles to fight. With her husband serving as an army chaplain, the comfort and security of Margaret's four daughters-- Meg, Jo, Beth, and Amy--now rest on her shoulders alone. Money is tight and every month, her husband sends less and less of his salary with no explanation. Worst of all, Margaret harbors the secret that these financial hardships are largely her fault, thanks to a disastrous mistake made over a decade ago which wiped out her family's fortune and snatched away her daughters' chances for the education they deserve. Yet even with all that weighs upon her, Margaret longs to do more--for the war effort, for the poor, for the cause of abolition, and most of all, for her daughters. Living by her watchwords, "Hope and keep busy," she fills her days with humdrum charity work to keep her worries at bay. All of that is interrupted when Margaret receives a telegram from the War Department, summoning her to her husband's bedside in Washington, D.C. While she is away, her daughter Beth falls dangerously ill, forcing Margaret to confront the possibility that the price of her own generosity toward others may be her daughter's life. A stunning portrait of the paragon of virtue known as Marmee, a wife left behind, a mother pushed to the brink, a woman with secrets.
Subjects: Historical fiction.; Large type books.; Novels.; Alcott, Louisa May, 1832-1888.; Families; March family (Fictitious characters); Mothers and daughters; Secrecy; Women;
Available copies: 1 / Total copies: 1
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Westworld. [videorecording] / by Barnes, Ben,1981-actor.; Berdal, Ingrid Bolsø,1980-actor.; Collins, Clifton,Jr,actor.; Harris, Ed,1950-actor.; Hopkins, Anthony,1937-actor.; Lewis, R. J.(Richard J.),film director.; Marsden, James,1973-actor.; Newton, Thandie,1972-actor.; Thompson, Tessa,1983-actor.; Toye, Fred,1967-film director.; Wood, Evan Rachel,1987-actor.; Wright, Jeffrey,actor.; HBO Films,production company.; HBO Home Entertainment (Firm),production company.; Warner Home Video (Firm),distributor.;
Evan Rachel Wood, Thandie Newton, Tessa Thompson, James Marsden, Jeffrey Wright.Originally broadcast on television in 2018.Welcome back to Westworld, where the puppet show is over and the newly liberated 'hosts' are coming for humankind. In Season Two, Dolores takes charge, Maeve is on a mission and the Man in Black is back. Chaos takes control in this dark odyssey about the dawn of artificial consciousness, the birth of a new form of life, and the evolution of sin.Canadian Home Video Rating: 18A.DVD ; widescreen presentation ; Dolby Digital 5.1, 2.0.
Subjects: Science fiction television programs.; Television programs.; Amusement parks; Androids; Artificial intelligence; Human-robot interaction;
For private home use only.
Available copies: 1 / Total copies: 1
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The eye test : a case for human creativity in the age of analytics / by Jones, Chris,1973-author.;
Includes bibliographical references and index."THE EYE TEST is a necessary course correction, a call for a more balanced, personal approach to problem solving. Award-winning journalist Chris Jones makes the case for the human element--for what smart, practiced, devoted people can bring to situations that have proved resistant to analytics. Jones shares what he's learned from an army of extraordinary talents, including some of the best doctors, executives, athletes, meteorologists, magicians, designers, astrophysicists, and detectives in the world. There are lessons in their mastery. Of course there is a place for numbers in decision making. No baseball player should be judged by his jawline. But the analytics revolution sparked by Michael Lewis's Moneyball now threatens to replace one kind of absurdity with another. We have developed a blind faith in the machine, the way a driver overly reliant on his GPS might be led off the edge of a cliff. Not all statistical analysis is sound. Algorithms aren't infallible, and spreadsheets aren't testaments. Trust in them too much, and they risk becoming instruments of destruction rather than understanding. Worse, data's supremacy in our daily lives has led to a dangerous strain of anti-expertise: the belief that every problem is a math problem, and anyone given access to the right information will find the right answer. That taste doesn't matter, experience doesn't matter, creativity doesn't matter. That we can't believe our eyes, no matter how much they've seen. There is also hope. THE EYE TEST serves as a reminder that if beauty is less of a virtue in the age of analytics, a good eye still is. This book is a celebration of our greatest beholders-and an absorbing, inspiring guide for how you might become one, too"--
Subjects: Creative thinking.; Data mining.; Decision making.; Problem solving.;
Available copies: 1 / Total copies: 1
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Clyde Fans [electronic resource] : by Seth.aut; cloudLibrary;
Legendary Canadian cartoonist Seth’s magnus opus Clyde Fans, two decades in the making, appeared on twenty best of 2019 lists, including those from the New York Times, the Guardian, and Washington Post, and was nominated for an Eisner Award and the Giller Prize. Clyde Fans peels back the optimism of mid-twentieth century capitalism, showing the rituals, hopes, and delusions of a vanished middle-class—garrulous self-made men in wool suits extolling the virtues of their wares to taciturn shopkeepers. Much like the myth of an ever-growing economy, the Clyde Fans family business is a fraud. The patriarch has abandoned it to mismatched sons, one who strives to keep the company afloat and the other who retreats into his memories. Abe and Simon Matchcard are brothers, struggling to save their archaic family business selling oscillating fans in a world switching to air conditioning. Simon flirts with becoming a salesman as a last-ditch effort to leave the protective walls of the family home, but is ultimately unable to escape Abe’s critical voice in his head. As Clyde Fans Co. crumbles, so does the relationship between the two men, who choose very different life paths but both end up utterly unhappy. Seth’s intimate storytelling and gorgeous art allow cityscapes and detailed period objects to tell their own stories as the brothers struggle to find themselves suffocating in an airless home. Twenty years in the making, Clyde Fans peels back the optimism of mid-twentieth century capitalism. Legendary Canadian cartoonist Seth lovingly shows the rituals, hopes, and delusions of a middle-class that has long ceased to exist in North America—garrulous men in wool suits extolling the virtues of the wares to taciturn shopkeepers with an eye on the door. Much like the myth of an ever-growing economy, the Clyde Fans family unit is a fraud—the patriarch has abandoned the business to mismatched sons, one who strives to keep the business afloat and the other who retreats into the arms of the remaining parent. Abe and Simon Matchcard are brothers, the second generation struggling to save their archaic family business of selling oscillating fans in a world switching to air conditioning. At Clyde Fans’ center is Simon, who flirts with becoming a salesman as a last-ditch effort to leave the protective walls of the family home, but is ultimately unable to escape Abe’s critical voice in his head. As the business crumbles so does any remaining relationship between the two men, both of whom choose very different life paths but still end up utterly unhappy. Seth’s intimate storytelling and gorgeous art allow urban landscapes and detailed period objects to tell their own stories as the brothers struggle to find themselves suffocating in an airless city home. An epic time capsule of a storyline that begs rereading.The first graphic novel ever nominated for the Scotiabank Giller Prize! Legendary Canadian cartoonist Seth’s magnus opus Clyde Fans, two decades in the making, appeared on twenty best of 2019 lists, including those from the New York Times, the Guardian, and Washington Post, and was nominated for an Eisner Award and the Giller Prize. Clyde Fans peels back the optimism of mid-twentieth century capitalism, showing the rituals, hopes, and delusions of a vanished middle-class—garrulous self-made men in wool suits extolling the virtues of their wares to taciturn shopkeepers. Much like the myth of an ever-growing economy, the Clyde Fans family business is a fraud. The patriarch has abandoned it to mismatched sons, one who strives to keep the company afloat and the other who retreats into his memories. Abe and Simon Matchcard are brothers, struggling to save their archaic family business selling oscillating fans in a world switching to air conditioning. Simon flirts with becoming a salesman as a last-ditch effort to leave the protective walls of the family home, but is ultimately unable to escape Abe’s critical voice in his head. As Clyde Fans Co. crumbles, so does the relationship between the two men, who choose very different life paths but both end up utterly unhappy. Seth’s intimate storytelling and gorgeous art allow cityscapes and detailed period objects to tell their own stories as the brothers struggle to find themselves suffocating in an airless home. Twenty years in the making, Clyde Fans peels back the optimism of mid-twentieth century capitalism. Legendary Canadian cartoonist Seth lovingly shows the rituals, hopes, and delusions of a middle-class that has long ceased to exist in North America—garrulous men in wool suits extolling the virtues of the wares to taciturn shopkeepers with an eye on the door. Much like the myth of an ever-growing economy, the Clyde Fans family unit is a fraud—the patriarch has abandoned the business to mismatched sons, one who strives to keep the business afloat and the other who retreats into the arms of the remaining parent. Abe and Simon Matchcard are brothers, the second generation struggling to save their archaic family business of selling oscillating fans in a world switching to air conditioning. At Clyde Fans’ center is Simon, who flirts with becoming a salesman as a last-ditch effort to leave the protective walls of the family home, but is ultimately unable to escape Abe’s critical voice in his head. As the business crumbles so does any remaining relationship between the two men, both of whom choose very different life paths but still end up utterly unhappy. Seth’s intimate storytelling and gorgeous art allow urban landscapes and detailed period objects to tell their own stories as the brothers struggle to find themselves suffocating in an airless city home. An epic time capsule of a storyline that begs rereading.General adult.
Subjects: Electronic books.; Literary;
© 2021., Drawn & Quarterly,
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This woman's work : essays on music / by Gleeson, Sinéad,editor.; Gordon, Kim,editor.;
"THIS WOMAN'S WORK is a collection of essays by 18 female writers, writing about exclusively female experiences in music, co-edited by Sonic Youth co-founder Kim Gordon and Irish author Sinead Gleeson. This book celebrates the instrument makers, the experimentalists, the harmonizers, the avant-garde, the genre-breakers, the pop queens, and all those on the margins who expose the lack of intersectionality in this industry. For a long time, the narrative of music has been male-centered and hyper-masculine. The purpose of the women within it was to orbit these men: swooning to Elvis, screaming en-masse at Beatles gigs, or trying to get backstage to sleep with the rock bad boys. When women gained visibility in the music of the 1960s, they were-again-allocated specific tropes: backing singer, lone woman in the band, Motown trios singing innocuous love songs. In the 1970s, at the time Kate Bush became the first woman (at just 17) to have a number one with song she'd written herself, the women of punk began to make their voices heard. But many didn't like these acts of assertion; the femaleness, the raging against gender stereotypes, the Amazonian loudness of it all. Joan Jett recalls being knocked over on stage by flying bottles; The Slits were chased and threatened after gigs and their singer Ari Up was stabbed twice. Even as late as the 1980s, as hip hop gained prominence, it made room for only a handful of women, while trading in misogynist rhymes, where women could only be hoes, bitches or gold diggers. How were young female rappers of color to participate when they didn't see themselves represented in that culture? Trapped within an entertainment industry relentlessly catering to men, these rappers, and many other budding female musicians across a variety of genres in modern music, were often othered and exoticized-until the moment when they dared to own it. To speak up. To shout louder. Digging into the depths of an industry hard-coded for sexism, THIS WOMAN'S WORK is an ode to the thousands of women in music whose stories we don't know. Pioneers whose achievements are undervalued, often by virtue of their gender, or because someone else (many times, a man) took credit for it. Featuring brand new essays from notable feminist writers like Ottessa Moshfegh, Juliana Huxtable, Maggie Nelson, Rachel Kushner, Leslie Jamison, and more, THIS WOMAN'S WORK reminds us to pay our respects to the women who shattered ceilings and kicked in doors, vastly expanding the spectrum of women's influence in the world of modern music"--
Subjects: Essays.; Misogyny.; Music.; Women musicians.;
Available copies: 1 / Total copies: 1
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