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War at the margins : Indigenous experiences in World War II / by Poyer, Lin,1953-author.;
Includes bibliographical references (pages 259-306) and index."War at the Margins offers a broad comparative view of the impact of World War II on Indigenous societies. Using historical and ethnographic sources, Lin Poyer examines how Indigenous communities emerged from the trauma of the wartime era with social forms and cultural ideas that laid the foundations for their twenty-first century emergence as players on the world's political stage. With a focus on Indigenous voices and agency, a global overview reveals the enormous range of wartime activities and impacts on these groups, connecting this work with comparative history, Indigenous studies, and anthropology. The distinctiveness of Indigenous peoples offers a valuable perspective on World War II, as those on the margins of Allied and Axis empires and nation-states were drawn in as soldiers, scouts, guides, laborers, and victims. Questions of loyalty and citizenship shaped Indigenous combat roles-from integration in national armies to service in separate ethnic units to unofficial use of their special skills, where local knowledge tilted the balance in military outcomes. Front lines crossed Indigenous territory most consequentially in northern Europe, Southeast Asia, and the Pacific Islands, but the impacts of war go well beyond combat. Like others around the world, Indigenous civilian men and women suffered bombing and invasion, displacement, forced labor, military occupation, and economic and social disruption. Infrastructure construction and demand for key resources affected even areas far from front lines. World War II dissolved empires and laid the foundation for the postcolonial world. Indigenous people in newly independent nations struggled for autonomy, while other veterans returned to home fronts still steeped in racism. National governments saw military service as evidence that Indigenous peoples wished to assimilate, but wartime experiences confirmed many communities' commitment to their home cultures and opened new avenues for activism. By century's end, Indigenous Rights became an international political force, offering alternative visions of how the global order might make room for greater local self-determination and cultural diversity. In examining this transformative era, War at the Margins adds an important contribution to both World War II history and to the development of global Indigenous identity"--
Subjects: Indigenous peoples; World War, 1939-1945; World War, 1939-1945;
Available copies: 1 / Total copies: 1
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real ones a novel [electronic resource] : by vermette, katherena.aut; cloudLibrary;
From the author of the nationally bestselling Strangers saga comes a heartrending story of two Michif sisters who must face their past trauma when their mother is called out for false claims to Indigenous identity. June and her sister, lyn, are NDNs—real ones. Lyn has her pottery artwork, her precocious kid, Willow, and the uncertain terrain of her midlife to keep her mind, heart and hands busy. June, a Métis Studies professor, yearns to uproot from Vancouver and move. With her loving partner, Sigh, and their faithful pup, June decides to buy a house in the last place on earth she imagined she’d end up: back home in Winnipeg with her family. But then into lyn and June’s busy lives a bomb drops: their estranged and very white mother, Renee, is called out as a “pretendian.” Under the name (get this) Raven Bearclaw, Renee had topped the charts in the Canadian art world for winning awards and recognition for her Indigenous-style work. The news is quickly picked up by the media and sparks an enraged online backlash. As the sisters are pulled into the painful tangle of lies their mother has told and the hurt she has caused, searing memories from their unresolved childhood trauma, which still manages to spill into their well curated adult worlds, come rippling to the surface. In prose so powerful it could strike a match, real ones is written with the same signature wit and heart on display in The Break, The Strangers and The Circle. An energetic, probing and ultimately hopeful story, real ones pays homage to the long-fought, hard-won battles of Michif (Métis) people to regain ownership of their identity and the right to say who is and isn’t Métis.
Subjects: Electronic books.; Native American & Aboriginal; Literary; Contemporary Women;
© 2024., Penguin Canada,
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Real ones : a novel / by Vermette, Katherena,1977-author.;
"From the nationally bestselling author of the Strangers saga comes a heartrending story of two Métis sisters who must face their past trauma when their mother is called out as a pretendian. Lyn and her sister, June, are NDNs -- real ones. Lyn is still suffering after a break-up, but has her pottery artwork and her bubbly kid, Willow, to keep her mind, heart, and hands busy. Happily married June, a Métis Studies professor, yearns to uproot from Vancouver and move. With her husband, Sigh, and their faithful pup, June decides to buy a house in the last place on earth she'd imagine she'd end up: back home in Winnipeg. Close to Lyn, her dad, little sister Yoyo, Grandma Genie -- close to family. But then into Lyn and June's busy lives a bomb drops: their estranged and very white mother, Renee, is called out as a "pretendian." Under the name (get this) Raven Bearclaw, Renee had recently begun to top the charts in the Canadian painting scene for having a wholly new take on the Woodlands tradition, winning awards and recognition for her fraudulent work. The news is quickly picked up by the media and sparks an enraged online backlash. As the sisters are pulled into the painful tangle of lies their mother has told and the hurt she has caused, searing memories from their unresolved childhood trauma, which still manages to spill into their well curated adult worlds, come rippling to the surface. With the same signature wit and heart on display in The Break, The Strangers, and The Circle, and in prose so powerful it could strike a match, real ones offers us a heartbreaking and ultimately hopeful story that runs parallel with the long-fought, hard-won battles of Métis people to regain ownership of their identity and the right to say who is and isn't Métis."--
Subjects: Domestic fiction.; Novels.; Identity (Philosophical concept); Métis women; Métis; Mothers and daughters; Psychic trauma; Sisters;
Available copies: 3 / Total copies: 3
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The mind electric : a neurologist on the strangeness and wonder of our brains / by Anand, Pria,author.;
Includes bibliographical references and index.In this collection of medical tales a neurologist reckons with the stories we tell about our brains, and the stories our brains tell us. A girl believes she has been struck blind for stealing a kiss. A mother watches helplessly as each of her children is replaced by a changeling. A woman is haunted each month by the same four chords of a single song. In neurology, illness is inextricably linked with narrative, the clues to unravelling these mysteries hidden in both the details of a patient's story and the tells of their body. Stories are etched into the very structure of our brains, coded so deeply that the impulse for storytelling survives and even surges after the most devastating injuries. But our brains are also porous -- the stories they concoct shaped by cultural narratives about bodies and illness that permeate the minds of doctors and patients alike. In the history of medicine, some stories are heard, while others -- the narratives of women, of Black and brown people, of displaced people, of disempowered people -- are too often dismissed. In The Mind Electric, neurologist Pria Anand reveals -- through case study, history, fable, and memoir -- all that the medical establishment has overlooked: the complexity and wonder of brains in health and in extremis, and the vast grey area between sanity and insanity, doctor and patient, and illness and wellness, each separated from the next by the thin veneer of a different story. Moving from the Boston hospital where she treats her patients, to her childhood years in India, to Isla Providencia in the Caribbean and to the Republic of Guinea in West Africa, she demonstrates again and again the compelling paradox at the heart of neurology: that even the most peculiar symptoms can show us something universal about ourselves as humans.
Subjects: Brain; Brain; Mental illness.; Neurology.; Neurosciences.; Racism in medicine.; Sexism in medicine.;
Available copies: 1 / Total copies: 1
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real ones a novel [electronic resource] : by vermette, katherena.aut; vermette, katherena.nrt; Tailfeathers, Elle-Máijá.nrt; McCarthy, Sheila.nrt; Nepinak, Tracey.nrt; Stull, Caleb.nrt; cloudLibrary;
From the author of the nationally bestselling Strangers saga comes a heartrending story of two Michif sisters who must face their past trauma when their mother is called out for false claims to Indigenous identity. June and her sister, lyn, are NDNs—real ones. Lyn has her pottery artwork, her precocious kid, Willow, and the uncertain terrain of her midlife to keep her mind, heart and hands busy. June, a Métis Studies professor, yearns to uproot from Vancouver and move. With her loving partner, Sigh, and their faithful pup, June decides to buy a house in the last place on earth she imagined she’d end up: back home in Winnipeg with her family. But then into lyn and June’s busy lives a bomb drops: their estranged and very white mother, Renee, is called out as a “pretendian.” Under the name (get this) Raven Bearclaw, Renee had topped the charts in the Canadian art world for winning awards and recognition for her Indigenous-style work. The news is quickly picked up by the media and sparks an enraged online backlash. As the sisters are pulled into the painful tangle of lies their mother has told and the hurt she has caused, searing memories from their unresolved childhood trauma, which still manages to spill into their well curated adult worlds, come rippling to the surface. In prose so powerful it could strike a match, real ones is written with the same signature wit and heart on display in The Break, The Strangers and The Circle. An energetic, probing and ultimately hopeful story, real ones pays homage to the long-fought, hard-won battles of Michif (Métis) people to regain ownership of their identity and the right to say who is and isn’t Métis.
Subjects: Audiobooks.; Native American & Aboriginal; Literary; Contemporary Women;
© 2024., Penguin Random House,
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Heavy Hitter A Novel [electronic resource] : by Cotugno, Katie.aut; cloudLibrary;
The beloved New York Times bestselling author of Birds of California hits it out of the park with this smart, sexy, thrilling take on the celebrity-athlete story—a funny, sizzling, ripped-from-the-headlines romance between an international pop star and a major league baseball player who thought his best days were behind him. Taylor and Travis. Jennifer and A-Rod. Marilyn and Joe. When a professional athlete and a megawatt star fall in love, the world is obsessed . . . With four chart-topping albums, Lacey Logan is a superstar whose life no longer feels like her own. Her every move is photographed, videoed, and dissected online, and her carefully curated Instagram feed studied by fans worldwide. To maintain her privacy, Lacey skillfully controls her narrative, showing fans and paparazzi what she wants them to see. But when Lacey discovers her boyfriend is hiding two devastating secrets—a bad cocaine habit and a pregnant girlfriend—she begins to lose confidence and control of her own story. Then big-shouldered baseball player Jimmy Hodges, a former Rookie of the Year when Lacey was in high school, walks into the bar where she’s venting to a friend. With his shaggy beard and unfashionable button-down, Jimmy is the opposite of the picture-perfect guy Lacey thinks she wants. Soon, sparks fly and inhibitions go out the window when Lacey dares to take some chances. Lacey and Jimmy are polar opposites. But could this be the forever after they both need?
Subjects: Electronic books.; Contemporary; Romantic Comedy; Sports; Contemporary Women;
© 2024., HarperCollins,
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Wonder Woman 1984 [videorecording] / by Callaham, David,1977-screenwriter.; Gadot, Gal,1985-actor,film producer.; Jenkins, Patty,film director,film producer,screenwriter.; Johns, Geoff,1973-screenwriter.; Nielsen, Connie,1965-actor.; Pascal, Pedro,actor.; Pine, Chris,1980-actor.; Roven, Charles,film producer.; Warner Bros. Home Entertainment (Firm),publisher.;
Gal Gadot, Connie Nielsen, Pedro Pascal, Chris Pine, Kristen Wiig, Robin Wright, Gabriella Wilde, Kristoffer Polaha.Over 60 years after she first ventured into man's world, Amazon princess Diana (Gal Gadot) lived a quiet pose as a D.C. researcher ... until she looked into a legendary stone reputed to grant wishes. The artifact let her restore long-lost love Steve Trevor (Chris Pine) to life--but it also turned colorless colleague Barbara Minerva (Kristen Wiig) into the predatory Cheetah, before falling into the hands of power-mad industrialist Maxwell Lord (Pedro Pascal).Canadian Home Video Rating: PG.MPAA rating: PG-13; for sequences of action and violence.Described video for the blind and visually impaired.Subtitled for the deaf and hard-of-hearing (SDH).DVD ; wide screen presentation ; Dolby Digital 5.1.
Subjects: Video recordings for people with visual disabilities.; Video recordings for the hearing impaired.; Action and adventure films.; Feature films.; Superhero films.; Wonder Woman (Fictitious character); Cheetah (Fictitious character); Supervillains; Women superheroes; Amazons;
For private home use only.
Available copies: 3 / Total copies: 3
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The Football Afficionado. by Khoshdel, Paliz,film director.; Mojtahedzadeh, Sharmin,film director.; Journeyman Pictures (Firm),dst; Kanopy (Firm),dst;
Originally produced by Journeyman Pictures in 2022.As women’s presence in stadiums is prohibited by the Iranian government, Zahra, a 27-year-old woman, and a football fan, disguises herself as a man to be able to watch a match. Thanks to social media, this simple initiative has led her to become a symbol of change and resistance of her generation.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Health.; Social sciences.; Physical education and training.; Foreign study.; Gender identity.; Documentary films.; Middle East.; Mass media and culture.; Women's studies.; Current affairs.; Social media.;
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Act & Punishment. by Mitta, Yevgeni,film director.; MVD Entertainment Group (Firm),dst; Kanopy (Firm),dst;
Originally produced by MVD Entertainment Group in 2015.Russian activists Nadezhda Tolokonnikova and Ekaterina Samutsevich left Viona, an established activist collective, in order to form their own feminist punk rock group dubbed Pussy Riot. A public performance of an original song accusing Russian authorities of sexism quickly drew international media attention; undeterred by the arrest of several members, Pussy Riot then decided to conduct a punk rock church service in the Moscow Cathedral of Christ the Savior. Three of the girls were again arrested and threatened with seven years in prison. Initially offered liberty if they agreed to confess and repent for their "crimes," the women refused to budge and were sentenced to two years in prison. This defeat in court becomes their moral victory, as Pussy Riot is cheered on by thousands of new-found fans and worldwide supporters."… A busy and interesting documentary that will provide international audiences with a much richer appreciation of the Pussy Riot phenomenon." - Jennie Kermode, Eye for FilmMode of access: World Wide Web.
Subjects: Documentary films.; Political science.; Social sciences.; Arts.; Music.; Balts (Indo-European people).; Foreign study.; Human rights.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Russia (Federation).; Political participation.; Social problems.; Businesswomen.; Sex role.; Women's rights.; Women social reformers.; Political activists.; Current events.; Performing arts.;
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Act & Punishment. by Mitta, Yevgeni,film director.; MVD Entertainment Group (Firm),dst; Kanopy (Firm),dst;
Originally produced by MVD Entertainment Group in 2015.Russian activists Nadezhda Tolokonnikova and Ekaterina Samutsevich left Viona, an established activist collective, in order to form their own feminist punk rock group dubbed Pussy Riot. A public performance of an original song accusing Russian authorities of sexism quickly drew international media attention; undeterred by the arrest of several members, Pussy Riot then decided to conduct a punk rock church service in the Moscow Cathedral of Christ the Savior. Three of the girls were again arrested and threatened with seven years in prison. Initially offered liberty if they agreed to confess and repent for their "crimes," the women refused to budge and were sentenced to two years in prison. This defeat in court becomes their moral victory, as Pussy Riot is cheered on by thousands of new-found fans and worldwide supporters."… A busy and interesting documentary that will provide international audiences with a much richer appreciation of the Pussy Riot phenomenon." - Jennie Kermode, Eye for FilmMode of access: World Wide Web.
Subjects: Documentary films.; Political science.; Social sciences.; Arts.; Music.; Balts (Indo-European people).; Foreign study.; Human rights.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Russia (Federation).; Political participation.; Social problems.; Businesswomen.; Sex role.; Women's rights.; Women social reformers.; Political activists.; Current events.; Performing arts.;
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Results 211 to 220 of 223 | « previous |