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Christmas at the Cupcake Café [text (large print)] : a novel / by Colgan, Jenny,author.;
"Life is sweet for Issy Randall, owner of the Cupcake Cafe. Taught how to bake by her beloved late grandfather, she is proudly carrying on the family tradition with her London eatery. Not only is business thriving, the icing on the cupcake is that she also happens to be head over heels in love. Plus she's surrounded and supported by close friends, even if her cupcake colleagues Pearl and Caroline don't seem quite as upbeat about the upcoming season of snow and merriment. But when her boyfriend Austin is scouted for a possible move to New York, Issy is forced to contemplate the prospect of a long-distance romance. And when the Christmas rush at the cafe--with its increased demand for her delectable creations--begins to take its toll, Issy has to decide what she holds most dear"--
Subjects: Christmas fiction.; Chick lit.; Psychological fiction.; Large type books.; Recipes.; Novels.; Bakers; Businesswomen; Coffeehouses; Confectioners; Long-distance relationships; Man-woman relationships; Women in the food industry;
Available copies: 1 / Total copies: 1
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This woman's work : essays on music / by Gleeson, Sinéad,editor.; Gordon, Kim,editor.;
"THIS WOMAN'S WORK is a collection of essays by 18 female writers, writing about exclusively female experiences in music, co-edited by Sonic Youth co-founder Kim Gordon and Irish author Sinead Gleeson. This book celebrates the instrument makers, the experimentalists, the harmonizers, the avant-garde, the genre-breakers, the pop queens, and all those on the margins who expose the lack of intersectionality in this industry. For a long time, the narrative of music has been male-centered and hyper-masculine. The purpose of the women within it was to orbit these men: swooning to Elvis, screaming en-masse at Beatles gigs, or trying to get backstage to sleep with the rock bad boys. When women gained visibility in the music of the 1960s, they were-again-allocated specific tropes: backing singer, lone woman in the band, Motown trios singing innocuous love songs. In the 1970s, at the time Kate Bush became the first woman (at just 17) to have a number one with song she'd written herself, the women of punk began to make their voices heard. But many didn't like these acts of assertion; the femaleness, the raging against gender stereotypes, the Amazonian loudness of it all. Joan Jett recalls being knocked over on stage by flying bottles; The Slits were chased and threatened after gigs and their singer Ari Up was stabbed twice. Even as late as the 1980s, as hip hop gained prominence, it made room for only a handful of women, while trading in misogynist rhymes, where women could only be hoes, bitches or gold diggers. How were young female rappers of color to participate when they didn't see themselves represented in that culture? Trapped within an entertainment industry relentlessly catering to men, these rappers, and many other budding female musicians across a variety of genres in modern music, were often othered and exoticized-until the moment when they dared to own it. To speak up. To shout louder. Digging into the depths of an industry hard-coded for sexism, THIS WOMAN'S WORK is an ode to the thousands of women in music whose stories we don't know. Pioneers whose achievements are undervalued, often by virtue of their gender, or because someone else (many times, a man) took credit for it. Featuring brand new essays from notable feminist writers like Ottessa Moshfegh, Juliana Huxtable, Maggie Nelson, Rachel Kushner, Leslie Jamison, and more, THIS WOMAN'S WORK reminds us to pay our respects to the women who shattered ceilings and kicked in doors, vastly expanding the spectrum of women's influence in the world of modern music"--
Subjects: Essays.; Misogyny.; Music.; Women musicians.;
Available copies: 1 / Total copies: 1
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The blue collar CEO : my gutsy journey from rookie contractor to multi-millionaire construction boss / by Rennehan, Mandy,author.;
"Born in Yarmouth, Nova Scotia, Mandy Rennehan began her business career at ten-years-old by catching bait and selling it to local fishermen. She was so good at her job, she was soon out-earning her father, a local lobster fisherman. At the age of seventeen, Rennehan decided to strike out on her own, so she packed a hockey bag full of her belongings and fled to Halifax, where she began cold calling construction companies, volunteering to work for free, so she could learn more about contracting and the trades. Three years later, Rennehan had garnered all the experience she needed to start her own company Freshco, a boutique retail maintenance and construction company. Still in her early twenties, Rennehan's reputation as a knowledgeable and trustworthy contractor, led to her first corporate contract with The Gap. Freshco has since gone on to become a multi-million-dollar company whose clients are some of the top corporations in North America, including Apple, Lululemon, Tiffany's, Sephora, Anthropologie, Nike, and Home Depot, to name but a few. Known as the Blue-Collar CEO for her ability to seamlessly navigate between the white- and blue-collar worlds, and as a tireless advocate for the trades, Rennehan's savvy business skills and innovative thinking, led her to the top of a male-dominated industry before she reached the age of thirty. This book is the "respectfully uncensored" story of how Rennehan succeeded in business through honesty, integrity, and most of all, authenticity - by always remaining true to herself and her vision for success."--
Subjects: Biographies.; Autobiographies.; Personal narratives.; Rennehan, Mandy.; Businesswomen; Construction industry; Women chief executive officers;
Available copies: 1 / Total copies: 1
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How to make herself agreeable to everyone : a memoir / by Russell, Cameron,1987-author.;
Includes bibliographical references."Scouted by a modeling agent when she was just sixteen years old, Cameron Russell first approached her job with some reservations: She was a precocious and serious student with her sights set on college--not the runway. But it was a job, and modeling seemed to offer young women like herself access to wealth, fame, and influence. Besides, as she was often reminded, "there are a million girls in line" who would eagerly replace her. A ferocious, visceral memoir, How to Make Herself Agreeable to Everyone chronicles how Russell learned to navigate the dizzying space between physical appearance and interiority, and making money in an often-exploitative system. Being "agreeable" led to more success, more bookings, more opportunities to work with the world's top photographers and biggest brands. As her prominence in fashion grew, Cameron discovered the work of modeling to be deeply isolating and frustrating. Instead of giving her freedom, her job required her to perform the role of compliant femme fatale, in which she found little room for transformation or growth. So she began organizing with her peers, and together they began finding their place in movements for labor rights, climate and racial justice, and brought MeToo to the fashion industry"--
Subjects: Biographies.; Autobiographies.; Russell, Cameron, 1987-; Clothing trade; Models (Persons); Models (Persons);
Available copies: 1 / Total copies: 1
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Second act [text (large print)] : a novel / by Steel, Danielle,author.;
"As the head of a prestigious movie studio for nearly two decades, Andy Westfield has had every conceivable professional luxury: a stunning office on the forty-fourth floor, a loyal assistant who can all but read his mind, access to a private jet and company cars. The son of Hollywood royalty, Andy always put his career before his marriage, and now, besides his daughter and young grandchildren, it's the only thing he truly loves. But then Andy's world is upended. The studio is sold, and the buyer's son demands the top seat. Out of a job and humiliated, Andy spirals. When his head clears, he decides to get as far away from Los Angeles as possible until the dust settles and he can find a new way forward. Andy signs a six-month rental agreement for a luxurious home in a tiny, forgotten coastal town two hours from London. When he arrives, he hires a local woman to help get his affairs in order. A former journalist, Violet Smith is at a crossroads as well, and this temporary job is exactly what she needs to tide her over. But when Violet leaves the manuscript of her unfinished novel behind after work one day, Andy lets his curiosity get the best of him and is captivated by a story that begs to be adapted for the big screen. Could this be the miracle they've both been looking for?"--
Subjects: Domestic fiction.; Large print books.; Psychological fiction.; Novels.; Americans; Life change events; Man-woman relationships; Motion picture industry; Women authors;
Available copies: 1 / Total copies: 1
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