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A hidden life [videorecording] / by Bentley, Elisabeth,film producer.; Bergesio, Dario,film producer.; Diehl, August,1976-actor.; Hill, Grant,film producer.; Jeter, Josh,film producer.; Malick, Terrence,1943-screenwriter,film director.; Nyqvist, Michael,1960-2017,actor.; Pachner, Valerie,1987-actor.; Schoenaerts, Matthias,1977-actor.; Fox Searchlight Pictures,production company.; Twentieth Century Fox Home Entertainment, Inc.,publisher.;
August Diehl, Valerie Pachner, Michael Nyqvist, Matthias Schoenaerts, Jurgen Prochnow, Bruno Ganz, Alexander Fehling, Ulrich Matthes, Karl Markovics, Franz Rogowski, Tobias Moretti.Based on real events, this is the story of an unsung hero, Franz Jägerstätter, who refused to fight for the Nazis in World War II. When the Austrian peasant farmer is faced with the threat of execution for treason, it is his unwavering faith and his love for his wife Fani and children that keep his spirit alive.Canadian Home Video Rating: PG.MPAA rating: PG-13; for thematic material including violent images.DVD ; widescreen presentation ; Dolby Digital 5.1 DVS, 2.0.
Subjects: War films.; Fiction films.; Feature films.; Biographical films.; Historical films.; Video recordings for people with visual disabilities.; Video recordings for the hearing impaired.; Jägerstätter, Franz, 1907-1943; Christian martyrs; World War, 1939-1945; Conscientious objectors;
For private home use only.
Available copies: 1 / Total copies: 1
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Thomas Becket : warrior, priest, rebel : a nine-hundred-year-old story retold / by Guy, John,1952 Nov. 17-;
Includes bibliographical references and index.Ancestry -- Upbringing -- Politics -- Paris -- A fresh start -- Apprentice -- Into the limelight -- Arrival at court -- Royal minister -- Bureaucrat and judge -- Warrior -- A solitary man -- Render unto Caesar -- Archbishop -- A broken relationship -- Conversion -- The clash -- Clarendon -- Northampton -- Exile -- Attack and counter-attack -- Search for a settlement -- The case against Becket -- Cat and mouse -- A trial of strength -- Return to Canterbury -- Murder in the cathedral -- Aftermath -- Martyr.
Subjects: Thomas, à Becket, Saint, 1118?-1170.; Christian martyrs; Christian saints; Statesmen;
© c2012., Random House,
Available copies: 1 / Total copies: 1
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Uncle : race, nostalgia, and the politics of loyalty / by Thompson, Cheryl,1977-author.;
Includes bibliographical references and index."Jackie Robinson, President Barack Obama, Supreme Court Justice Clarence Thomas, O. J. Simpson, and Christopher Darden have all been accused of being an Uncle Tom during their careers. How, why, and with what consequences for our society did Uncle Tom morph first into a servile old man and then into a racial epithet hurled at African American men deemed, by other Black people, to have betrayed their race? Uncle Tom, the eponymous figure in Harriet Beecher Stowe's sentimental anti-slavery novel, Uncle Tom's Cabin, was a loyal Christian who died a martyr's death. But soon after the best-selling novel appeared, theatre troupes across North America and Europe transformed Stowe's story into minstrel shows featuring white men in blackface. In Uncle, Cheryl Thompson traces Tom's journey from literary character to racial trope. She exposes the relentless reworking of Uncle Tom into a nostalgic, racial metaphor with the power to shape how we see Black men, a distortion visible in everything from Uncle Ben and Rastus the Cream of Wheat chef to the first interracial dance partners in Hollywood, Shirley Temple and Bill ‘Bojangles' Robinson. In a post-truth North America, where nostalgia is used as a political tool to rewrite history, Uncle makes the case for why understanding the production of racial stereotypes matters more than ever before."-- Provided by publisher.
Subjects: Stowe, Harriet Beecher, 1811-1896.; Uncle Tom (Fictitious character); African Americans in mass media.; African Americans in popular culture.; African Americans; Stereotypes (Social psychology);
Available copies: 1 / Total copies: 1
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We don't know ourselves : a personal history of modern Ireland / by O'Toole, Fintan,1958-author.;
Includes bibliographical references and index."A celebrated Irish writer's magisterial, brilliantly insightful chronicle of the wrenching transformations that dragged his homeland into the modern world. Fintan O'Toole was born in the year the revolution began. It was 1958, and the Irish government?in despair, because all the young people were leaving?opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don't Know Ourselves, O'Toole, one of the Anglophone world's most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary "backwater" to an almost totally open society-perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O'Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland's main export was beef and it was still not unknown for herds of cattle to clatter down Dublin's streets. Yet the Westerns were a sign of what was to come. O'Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O'Toole's telling, America became a lodestar, from John F. Kennedy's 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O'Toole in coruscating prose captures the peculiar Irish habit of "deliberate unknowing," which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don't Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us"--
Subjects: Biographies.; Personal narratives.; O'Toole, Fintan, 1958-;
Available copies: 1 / Total copies: 1
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