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The extended moment : fifty years of collecting photographs at the National Gallery of Canada / by Thomas, Ann,author.; McElhone, John P.,author.;
Includes bibliographical references.A sumptuous celebration of one of the world's most striking photograph collections from 1967 up to 2017. This publication celebrates fifty years of collecting photographs at the National Gallery of Canada. In 1967, when the collection was established, the photography market was in its infancy and the collection reflects the availability of in depth collections of work by some of the forefathers of the medium such as Charles Nègre, William Henry Fox Talbot, Gustave Le Gray and Roger Fenton, among others. Within a few short years of starting to build the collection the science of photographic preservation and conservation was making remarkable strides and influencing the acquisition and exhibition of photographs in museums. This publication celebrates the collecting of photographs, the historical and art historical context of their making, and the deepening of our understanding of their physical nature.
Subjects: Catalogs.; Canadian Photography Institute; National Gallery of Canada; National Gallery of Canada; Photography; Photography; Photography, Artistic;
Available copies: 1 / Total copies: 1
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Wabanaki modern : the artistic legacy of the 1960s "Micmac Indian Craftsmen" = Wabanaki Kiskukewey : Natawitekemkewe'k naqtmi'tipp 1960s "Mi'kmawe'k L'nu'k Natawiteka'tij" = Wabanaki moderne : héritage artistique des Micmac Indian Craftsmen des années 1960 / by Hassencahl-Perley, Emma,author.; Hassencahl-Perley, Emma,author.; Leroux, John,1970-author.; Beaverbrook Art Gallery,publisher,host institution.; Container of (work):Micmac Indian Craftsmen.Works.Selections.;
Includes bibliographical references."The "Micmac Indian Craftsmen" of Elsipogtog (then known as Big Cove) rose to national prominence in the early 1960s. At their peak, they were featured in print media from coast to coast, their work was included in books and exhibitions--including at Expo 67--and their designs were featured on prints, silkscreened notecards, jewelry, tapestries, and even English porcelain. Primarily self-taught, deeply rooted in their community, and fluent Mi'kmaw speakers, they were among the first modern Indigenous artists in Atlantic Canada. Inspired by traditional Wabanaki stories, they produced an eclectic range of handmade objects that were sophisticated, profound, and eloquent. By 1966, the withdrawal of government support compromised the Craftsmen's resources, production soon ceased, and their work faded from memory. Now, for the first time, the story of this ground-breaking co-operative and their art is told in full. Accompanying a major exhibition at the Beaverbrook Art Gallery opening in 2022, Wabanaki Modern features essays on the history of this vibrant art workshop, archival photographs of the artisans, and stunning full-colour images of their art."--
Subjects: Exhibition catalogs.; Beaverbrook Art Gallery; Micmac Indian Craftsmen; Art, Canadian; Indigenous art; Indigenous art; Indigenous peoples; Indigenous peoples; Micmac art; First Nations art; First Nations; First Nations; Mi'kmaq;
Available copies: 1 / Total copies: 1
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Early days : indigenous art from the McMichael / by Devine, Bonnie,1952-editor.; Geoghegan, John(Associate curator),editor.; Milroy, Sarah,editor.; McMichael Canadian Collection.;
Published on the occasion of the exhibition Early Days: Indigenous Art from the McMichael, this collection gathers the insights of myriad Indigenous cultural stakeholders, informing us on everything from goose hunting techniques, to the history of Northwest Coast mask making, to the emergence of the Woodland style of painting and printmaking, to the challenges of art making in the Arctic, to the latest developments in contemporary art by Indigenous peoples from across Turtle Island. This book also traces the emergence and increasing participation of many Indigenous artists in the contemporary art world.
Subjects: Exhibition catalogs.; Indigenous art; Indigenous art; Indigenous peoples;
Available copies: 1 / Total copies: 1
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Moving the museum : Indigenous + Canadian art at the AGO / by Nanibush, Wanda,editor.; Uhlyarik, Georgiana,editor.; Art Gallery of Ontario,publisher,host institution.; J.S. McLean Centre for Indigenous + Canadian Art,host institution.;
"Moving the museum : Indigenous & Canadian Art at the AGO documents the reopening of the J.S. McLean Centre for Indigenous + Canadian Art with a renewed focus on the AGO's Indigenous art collection. The volume reflects the nation to nation treaty relationship that is the foundation of Canada, asking questions, discovering truths, and leading conversations that address the weight of history. Lavishly illustrated with more than 100 reproductions, Indigenous & Canadian Art at the AGO features the work of First Nations artists--including Carl Beam, Rebecca Belmore, and Kent Monkman--along with work by Inuit artists like Shuvinai Ashoona and Annie Pootoogook. Canadian artists include Lawren Harris, Kazuo Nakamura, Joyce Wieland, and many others. Drawing from stories about our origins and identities, the featured artists and essayists invite readers to engage with issues of land, water, transformation, and sovereignty and to contemplate the historic representation of Indigenous and Canadian art in museums. Contains a list of works at the back."--
Subjects: Exhibition catalogs.; Art, Canadian; Indigenous art;
Available copies: 1 / Total copies: 1
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A like vision : the Group of Seven & Tom Thomson / by Dejardin, Ian,editor.; Milroy, Sarah,editor,writer of introduction.; McMichael Canadian Art Collection,host institution.;
"A like vision is a lavish celebration of the legacy of Tom Thomson and the Group of Seven, Canada's canonical landscape painters. The Group's depiction of the rugged beauty of the Canadian landscape - from the coastal mountains of British Columbia to the north shore of Lake Superior, the villages of rural Quebec, and the rocky, windswept coves of Newfoundland - charged Canadians to experience their country in a bold new light and changed the face of Canadian art forever. Through their vigorous and expressive painterly style and vibrant colours, the Group of Seven significantly contributed to Canada's sense of autonomy and identity as a modern state in the aftermath of the First World War. Featuring three hundred full-colour images, A Like Vision includes a lead essay by Ian A.C. Dejardin, Executive Director of the McMichael Canadian Art Collection, and contributions by a host of artists, curators, and writers. Among them are Indigenous art historian and curator Gerald McMaster, filmmaker Jennifer Baichwal, novelists David Macfarlane and Jane Urquhart, painters John Hartman and Robert Houle, and Inuk writer Tarrilik Duffy. One hundred years on from the Group's first exhibition in 1920, A Like Vision is both a chance to review the Group's legacy and a tribute to these giants of Canadian art and culture."--Provided by publisher.
Subjects: Exhibition catalogs.; Thomson, Tom, 1877-1917; Group of Seven (Group of artists); McMichael Canadian Art Collection; Landscape painting, Canadian; Landscapes in art; Painting;
Available copies: 1 / Total copies: 1
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Ai Weiwei / by Gaensheimer, Susanne,editor.; Krystof, Doris,editor.; Wolf, Falk,editor.; Kunstsammlung Nordrhein-Westfalen (Germany),host institution.;
Everything is art. Everything is politics, says internationally renowned artist Ai Weiwei. His statement informs this comprehensive book that features sculptural installations, photographs, and videos from every aspect of the artist's forty year career and touches on many contemporary social issues. The works featured in the book include Straight, Ai's gigantic installation made from 150 tons of rebar salvaged from the 2008 Sichuan earthquake, which comments on governmental corruption and negligence, and Sunflower Seeds for which the artist filled the enormous Turbine Hall of London's Tate Modern with 100,000,000 porcelain seeds, each made by Chinese craftspeople. Also highlighted are his most recent works addressing the refugee crisis, such as Laundromat and Life Cycle; his provocative ventures into social media; and several early works. Wide-ranging and penetrating, this collection of Ai's most important work to date illustrates the depth of his conviction that art is most powerful when it raises awareness and incites change.
Subjects: Exhibition catalogs.; Ai, Weiwei; Ai, Weiwei; Art, Chinese;
Available copies: 1 / Total copies: 1
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Christopher Pratt : the places I go. by Rooms Provincial Art Gallery (N.L.);
Foreword / by Vicky Chainey Gagnon -- Foreword / Christopher Pratt -- The form of the seasons, the proportions of life / Mireille Eagan -- The places I go / Christopher Pratt -- Pratt, the archivist / Larry Dohey -- Biography -- List of works.A collection of works by Christopher Pratt, one of Canada's most prominent painters and printmakers.LSC
Subjects: Pratt, Christopher, 1935-; Painters;
Available copies: 1 / Total copies: 1
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Colville / by Colville, Alex,1920-Works.Selections.; Hunter, Andrew,1963-Welcome to Colville.; Art Gallery of Ontario,issuing body,host institution.; National Gallery of Canada,issuing body,host institution.;
Opening photomontage / John Reeves -- Director's foreword / Matthew Teitelbaum -- Welcome to Colville / Andrew Hunter -- Influences and inspirations -- Works -- Colville comics / Dave Collier -- List of works -- Credits -- Closing photomontage / Andreas Shultz.Co-published by: Art Gallery of Ontario, Toronto and National Gallery of Canada, Ottawa.
Subjects: Colville, Alex, 1920-;
Available copies: 1 / Total copies: 1
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Results 1 to 8 of 8