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To kill a troubadour / by Walker, Martin,1947 January 23-author.;
"Les Troubadours, a folk music group that Bruno has long supported, go viral with their new number, 'Song for Catalonia,' when the Spanish government suddenly bans the song. The songwriter, Joel Martin, is a local enthusiast for the old Occitan language of Périgord and the medieval troubadours, and he sympathizes with the Catalan bid for independence. The success of his song provokes outrage among extreme Spanish nationalists. Then, in a stolen car found on a Périgord back road, police discover a distinctive bullet for a state-of-the-art sniper's rifle that can kill at three kilometers, and they fear that Joel might be the intended target. The French and Spanish governments agree to mount a joint operation to stop the assailants, and Bruno is the local man on the spot who mobilizes his resources to track them down. While Bruno tries to keep the peace, his friend Florence reaches out for help. Her abusive ex-husband is about to be paroled from prison and she fears he will return to reclaim their children. Will Bruno and Florence be able to prevent this unwanted visit? Despite the pressures, there is always time for Bruno to savor les plaisirs of the Dordogne around the table with friends."--
Subjects: Detective and mystery fiction.; Novels.; Courrèges, Bruno (Fictitious character); Abusive men; Attempted assassination; Composers; Criminal investigation; Folk music groups; Nationalism; Police chiefs; Police; Political ballads and songs;
Available copies: 1 / Total copies: 1
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Led Zeppelin : the biography / by Spitz, Bob,author.;
Includes bibliographical references and index."From the author of the definitive New York Times bestselling history of the Beatles comes the authoritative account of the group Jack Black and many others call the greatest rock band of all time, arguably the most successful, and certainly one of the most notorious. Rock stars. Whatever those words mean to you, chances are, they owe a debt to Led Zeppelin. No one before or since has lived the dream quite like Jimmy Page, Robert Plant, John Paul Jones, and John Bonham. In Led Zeppelin, Bob Spitz takes their full measure, for good and sometimes for ill, separating the myth from the reality with the connoisseurship and storytelling flair that are his trademarks. From the opening notes of their first album, the band announced itself as something different, a collision of grand artistic ambition and brute primal force, of delicate English folk music and hard-driving African-American blues. That record sold over 10 million copies, and it was the merest beginning; Led Zeppelin's albums have sold over 300 million certified copies worldwide, and the dust has never settled. Taken together, Led Zeppelin's discography has spent an almost incomprehensible ten-plus years on the album charts. The band is notoriously guarded, and previous books shine more heat than light. But Bob Spitz's authority is undeniable and irresistible. His feel for the atmosphere, the context--the music, the business, the recording studios, the touring life, the radio stations, the fans, the whole ecosystem of popular music--is unparalleled. His account of the melding of Page and Jones, the virtuosic London sophisticates, with Plant and Bonham, the wild men from the Midlands, into a band out of the ashes of the Yardbirds, in a scene dominated by the Beatles and the Stones but changing fast, is in itself a revelation. Spitz takes the music seriously, and brings the band's artistic journey to full and vivid life. The music is only part of the legend, however: Led Zeppelin is also the story of how the 60's became the 70's, of how playing in clubs became playing in stadiums and flying your own jet, of how innocence became decadence. Led Zeppelin may not have invented the groupie, and they weren't the first rock band to let loose on the road, but they took it to an entirely new level, as with everything else. Not all the legends are true, but in Bob Spitz's careful accounting, what is true is astonishing, and sometimes disturbing. Led Zeppelin gave no quarter, and neither has Bob Spitz. Led Zeppelin is the full and honest reckoning the band has long awaited, and richly deserves"--
Subjects: Biographies.; Led Zeppelin (Musical group); Rock musicians;
Available copies: 1 / Total copies: 1
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Echo in the canyon [videorecording] / by Barrett, Eric,film producer,screenwriter.; Browne, Jackson,interviewee.; Clapton, Eric,interviewee.; Crosby, David,1941-interviewee.; Dylan, Jakob,1969-on-screen participant,film producer.; McGuinn, Roger,interviewee.; Nash, Graham,1942-interviewee.; Petty, Tom,interviewee.; Phillips, Michelle,1944-interviewee.; Slater, Andrew(Filmmaker),film producer,film director,screenwriter.; Starr, Ringo,interviewee.; Stills, Stephen,interviewee.; Wilson, Brian,1942-interviewee.; Greenwich Entertainment (Firm),production company.; MPI Media Group,film distributor.;
Documentary celebrating the explosion of popular music that came out of LA's Laurel Canyon in the mid-'60s as folk went electric and the Byrds, the Beach Boys, Buffalo Springfield, and the Mamas and the Papas gave birth to the California Sound. Featuring Jakob Dylan, the film includes conversations and performances with Brian Wilson (the Beach Boys), Michelle Phillips (the Mamas & the Papas), Stephen Stills (Buffalo Springfield), David Crosby, Roger McGuinn (the Byrds), their contemporaries Ringo Starr, Eric Clapton, Graham Nash, and younger followers Jackson Browne and Tom Petty, as well as contemporary musicians influenced by their music.Canadian Home Video Rating: PG.MPAA rating: PG-13.DVD ; widescreen presentation ; Dolby Digital 5.1, 2.0.
Subjects: Documentary films.; Biographical films.; Nonfiction films.; Popular music;
For private home use only.
Available copies: 1 / Total copies: 1
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Utopia Avenue [sound recording] : a novel / by Mitchell, David(David Stephen),author.; Lister, Ralph,1971-narrator.; Random House Audio Publishing,publisher.;
Read by Ralph Lister."Soho, London, 1967. Folk-rock-psychedelic quartet Utopia Avenue is formed. Guitarist Jasper de Zoet, a shy, half-Dutch public-school musical prodigy, was hearing voices long before he dropped acid. Keyboardist Elf Holloway must defy the prejudices of her bank manager father, her housewife mother, and her age to forge her own career. Bassist Dean Moss cannot, will not, spend his life on the factory floor like everyone else in Gravesend. Band manager Levon Frankland--gay, Jewish, and Canadian--is not unduly burdened by conscience. The drummer is a drummer. Over two years and two albums, Utopia Avenue navigates the dark end of the Sixties: its parties, drugs and egos, political change and personal tragedy; and the trials of life as a working band in London, the provinces, European capitals and, finally, the promised land of America. What is art? What is fame? What is music? How can the whole be more than the sum of its parts? Can idealism change the world? How does your youth shape your life? This is the story of Utopia Avenue. Not everyone lives to the end"--
Subjects: Audiobooks.; Historical fiction.; Nineteen sixties; Rock groups;
Available copies: 1 / Total copies: 1
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