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The four continents / by Monkman, William Kent.;
Explores the work of Kent Monkman, a Canadian artist of Cree ancestry who works with a variety of mediums, including painting, film, performance and installation.LSC
Subjects: Monkman, William Kent.; Indian art;
Available copies: 1 / Total copies: 1
unAPI

Native North American art / by Berlo, Janet Catherine.; Phillips, Ruth B.(Ruth Bliss),1945-;
Includes bibliographical references (p. 254-273) and index.
Subjects: Indian art;
© 1998., Oxford University Press,
Available copies: 1 / Total copies: 1
unAPI

Ayurveda : the ancient Indian healing art / by Gerson, Scott;
Includes bibliographical references (p. 112) and index.
Subjects: Medicine, Ayurvedic;
© [1997], c1993., Element,
Available copies: 0 / Total copies: 1
unAPI

Art of the Northwest coast / by Jonaitis, Aldona,1948-;
Includes bibliographical references (p. 297-313) and index.
Subjects: Indian art;
© c2006., Douglas & McIntyre ; University of Washington Press,
Available copies: 1 / Total copies: 1
unAPI

Arts & crafts of the Native American tribes / by Johnson, Michael,1937 Apr. 22-; Yenne, Bill,1949-;
Includes bibliographical references (p. 250-253) and index.LSC
Subjects: Indian art; Indian arts; Indians of North America;
© 2011., Firefly Books,
Available copies: 1 / Total copies: 1
unAPI

Sonny Assu : a selective history / by Assu, Sonny,author.; Hopkins, Candice,1977-author.;
"Stunning retrospective highlighting the playfulness, power, and subversive spirit of Northwest Coast Indigenous artist Sonny Assu. Through large-scale installation, sculpture, photography, printmaking, and painting, Sonny Assu merges the aesthetics of Indigenous iconography with a pop-art sensibility. This stunning retrospective spans over a decade of Assu's career, highlighting more than 120 full-colour works, including several never-before-exhibited pieces. Through analytical essays and personal narratives, Richard Van Camp, Marianne Nicolson, Candice Hopkins, and Ellyn Walker provide brilliant commentary on Assu's practice, its meaning in the context of contemporary art, and its wider significance in the struggle for Indigenous cultural and political autonomy. Exploring themes of Indigenous rights, consumerism, branding, humour, and the ways in which history informs contemporary ideas and identities, Sonny Assu: a selective history is the first major full-scale book to pay tribute to this important, prolific, and vibrant figure in the Canadian contemporary art world"--
Subjects: Assu, Sonny; Indian artists; Indian art; Art, Canadian.;
Available copies: 1 / Total copies: 1
unAPI

Exploring the life, myth, and art of Native Americans / by Zimmerman, Larry J.,1947-;
Includes bibliographical references and index.Explores the culture of Native Americans by studying their myths, their rituals, and their belief systems.
Subjects: Indians of North America; Indian mythology; Indians of North America; Indian art;
© 2010., Rosen,
Available copies: 1 / Total copies: 1
unAPI

Totem poles : an illustrated guide / by Halpin, Marjorie M.,1937-;
Includes bibliographical references (p. 57-58)
Subjects: University of British Columbia. Museum of Anthropology.; Totem poles; Indian art;
© c1981., University of British Columbia Press in association with the U.B.C. Museum of Anthropology,
Available copies: 1 / Total copies: 1
unAPI

The elders are watching / by Bouchard, David,1952-; Vickers, Roy Henry,1946-;
LSC
Subjects: Indians of North America; First Nations;
© 2003., Raincoast Books,
Available copies: 0 / Total copies: 1
unAPI

Wabanaki modern : the artistic legacy of the 1960s "Micmac Indian Craftsmen" = Wabanaki Kiskukewey : Natawitekemkewe'k naqtmi'tipp 1960s "Mi'kmawe'k L'nu'k Natawiteka'tij" = Wabanaki moderne : héritage artistique des Micmac Indian Craftsmen des années 1960 / by Hassencahl-Perley, Emma,author.; Hassencahl-Perley, Emma,author.; Leroux, John,1970-author.; Beaverbrook Art Gallery,publisher,host institution.; Container of (work):Micmac Indian Craftsmen.Works.Selections.;
Includes bibliographical references."The "Micmac Indian Craftsmen" of Elsipogtog (then known as Big Cove) rose to national prominence in the early 1960s. At their peak, they were featured in print media from coast to coast, their work was included in books and exhibitions--including at Expo 67--and their designs were featured on prints, silkscreened notecards, jewelry, tapestries, and even English porcelain. Primarily self-taught, deeply rooted in their community, and fluent Mi'kmaw speakers, they were among the first modern Indigenous artists in Atlantic Canada. Inspired by traditional Wabanaki stories, they produced an eclectic range of handmade objects that were sophisticated, profound, and eloquent. By 1966, the withdrawal of government support compromised the Craftsmen's resources, production soon ceased, and their work faded from memory. Now, for the first time, the story of this ground-breaking co-operative and their art is told in full. Accompanying a major exhibition at the Beaverbrook Art Gallery opening in 2022, Wabanaki Modern features essays on the history of this vibrant art workshop, archival photographs of the artisans, and stunning full-colour images of their art."--
Subjects: Exhibition catalogs.; Beaverbrook Art Gallery; Micmac Indian Craftsmen; Art, Canadian; Indigenous art; Indigenous art; Indigenous peoples; Indigenous peoples; Micmac art; First Nations art; First Nations; First Nations; Mi'kmaq;
Available copies: 1 / Total copies: 1
unAPI

Results 1 to 10 of 48 |