Results 1 to 4 of 4
- Bad reputation [videorecording] / by Armstrong, Billie Joe,1972-on-screen participant.; Bingenheimer, Rodney,on-screen participant.; Brinkman, Carianne,on-screen participant.; Jett, Joan,on-screen participant.; Kerslake, Kevin,film director.; Magnolia Home Entertainment (Firm),publisher.;
Joan Jett, Billie Joe Armstrong, Rodney Bingenheimer, Carianne Brinkman.It's true, Joan Jett became mega-famous from the number-one hit "I Love Rock n Roll," but that's only part of the story. This documentary gives a wild ride as Jett and her close friends tell you how it really was in the burgeoning's 70s punk scene and the rocky road to rock stardom decades on. Their interviews are laced with amazing archival footage.Canadian Home Video Rating: 14A.MPAA Rating: R; for language, sexual references, some drug use and brief nudity.DVD ; widescreen presentation ; Dolby Digital 5.1.- Subjects: Documentary films.; Nonfiction films.; Biographical films.; Jett, Joan.; Rock musicians; Women rock musicians; Guitarists;
- For private home use only.
- Available copies: 1 / Total copies: 1
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- How women made music : a revolutionary history from NPR Music / by Fensterstock, Alison,editor.; Powers, Ann,1964-writer of introduction.; National Public Radio (U.S.);
"Drawn from NPR Music's acclaimed, groundbreaking series Turning the Tables, the definitive book on the vital role of Women in Music-from Beyoncé to Odetta, Taylor Swift to Joan Baez, Joan Jett to Dolly Parton-featuring archival interviews, essays, photographs, and illustrations. Turning the Tables, launched in 2017, has revolutionized recognition of female artists, whether it be in best album lists or in the Rock and Roll Hall of Fame How Women Made Music: A Revolutionary History from NPR Music brings this impressive reshaping to the page and includes material from more than fifty years of NPR's coverage plus newly commissioned work. A must-have for music fans, songwriters, feminist historians, and those interested in how artists think and work, including: Joan Baez talking about nonviolence as a musical principle in 1971 ; Dolly Parton's favorite song and the story behind it ; Patti Smith describing art as her 'jealous mistress' in 1974 ; Nina Simone, in 2001, explaining how she developed the edge in her voice as a tool against racism ; Taylor Swift talking about when she had no idea if her musical career might work ; Odetta on how shifting from classical music to folk allowed her to express her fury over Jim Crow."--- Subjects: Essays.; Women in music.; Women musicians.; Women musicians; Musical criticism.;
- Available copies: 0 / Total copies: 1
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- Rebel girl : my life as a feminist punk / by Hanna, Kathleen,1968-author.;
"An electric, searing memoir by the original rebel girl and legendary front woman of Bikini Kill and Le Tigre. Hey girlfriend I got a proposition, goes something like this: Dare ya to do what you want. Kathleen Hanna's rallying cry to feminists echoed far and wide through the punk scene of the '90s and beyond. Her band Bikini Kill embodies this iconic time, and today her personal yet feminist lyrics on anthems like "Rebel Girl" and "Double Dare Ya" are more powerful than ever. But where did this transformative voice come from? In Rebel Girl, Hanna's raw and insightful new memoir, she takes us from her tumultuous childhood home to her formative college years in Olympia, Washington, and on to her first years on tour, fighting hard for gigs and for her band. As Hanna makes clear, being in a "girl band," especially a punk girl band, in those years was not a simple or safe prospect. Male violence and antagonism threatened at every turn, and surviving as a singer who was a lightning rod for controversy took limitless amounts of determination. But the relationships she developed during those years buoyed her -- including with her bandmates, Tobi Vail, Kathi Wilcox, and Johanna Fateman; her friendships with Kurt Cobain and Ian MacKaye; and her introduction to Joan Jett -- were all a testament to how the punk world could nurture and care for its own. Hanna opens up about falling in love with Ad-Rock of the Beastie Boys and her debilitating battle with Lyme disease, and she brings us behind the scenes of her musical growth in her bands Le Tigre and The Julie Ruin. She also writes candidly about the Riot Grrrl movement, documenting with love its grassroots origins but critiquing its later exclusivity. In an uncut voice all her own, Hanna reveals the hardest times along with the most joyful-and how it continues to fuel her revolutionary art and music"--- Subjects: Biographies.; Autobiographies.; Hanna, Kathleen, 1968-; Bikini Kill (Musical group); Tigre (Punk rock group); Punk rock musicians; Riot grrrl movement.; Singers; Women punk rock musicians;
- Available copies: 1 / Total copies: 1
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- This woman's work : essays on music / by Gleeson, Sinéad,editor.; Gordon, Kim,editor.;
"THIS WOMAN'S WORK is a collection of essays by 18 female writers, writing about exclusively female experiences in music, co-edited by Sonic Youth co-founder Kim Gordon and Irish author Sinead Gleeson. This book celebrates the instrument makers, the experimentalists, the harmonizers, the avant-garde, the genre-breakers, the pop queens, and all those on the margins who expose the lack of intersectionality in this industry. For a long time, the narrative of music has been male-centered and hyper-masculine. The purpose of the women within it was to orbit these men: swooning to Elvis, screaming en-masse at Beatles gigs, or trying to get backstage to sleep with the rock bad boys. When women gained visibility in the music of the 1960s, they were-again-allocated specific tropes: backing singer, lone woman in the band, Motown trios singing innocuous love songs. In the 1970s, at the time Kate Bush became the first woman (at just 17) to have a number one with song she'd written herself, the women of punk began to make their voices heard. But many didn't like these acts of assertion; the femaleness, the raging against gender stereotypes, the Amazonian loudness of it all. Joan Jett recalls being knocked over on stage by flying bottles; The Slits were chased and threatened after gigs and their singer Ari Up was stabbed twice. Even as late as the 1980s, as hip hop gained prominence, it made room for only a handful of women, while trading in misogynist rhymes, where women could only be hoes, bitches or gold diggers. How were young female rappers of color to participate when they didn't see themselves represented in that culture? Trapped within an entertainment industry relentlessly catering to men, these rappers, and many other budding female musicians across a variety of genres in modern music, were often othered and exoticized-until the moment when they dared to own it. To speak up. To shout louder. Digging into the depths of an industry hard-coded for sexism, THIS WOMAN'S WORK is an ode to the thousands of women in music whose stories we don't know. Pioneers whose achievements are undervalued, often by virtue of their gender, or because someone else (many times, a man) took credit for it. Featuring brand new essays from notable feminist writers like Ottessa Moshfegh, Juliana Huxtable, Maggie Nelson, Rachel Kushner, Leslie Jamison, and more, THIS WOMAN'S WORK reminds us to pay our respects to the women who shattered ceilings and kicked in doors, vastly expanding the spectrum of women's influence in the world of modern music"--- Subjects: Essays.; Misogyny.; Music.; Women musicians.;
- Available copies: 1 / Total copies: 1
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Results 1 to 4 of 4