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Oral traditions and storytelling / by Yasuda, Anita.;
Includes bibliographical references, Internet addresses and index.Discusses the role that storytelling plays in indigenous culture and how they are keeping their oral traditions alive for the next generations.LSC
Subjects: Oral tradition; Oral history; Native peoples; Storytelling; Folklore; Collective memory; Indigenous peoples;
Available copies: 1 / Total copies: 1
unAPI

The little folk / by Illuitok, Levi.; James, Steve,1980-;
"This traditional story, retold by Kugaaruk Elder Levi Illuitok, tells the tale of a Inuk boy who is adopted by little folk--a magical race of small Arctic people called inugarulliit. The boy's adopted parents finally allow him to go hunting, where he catches a lemming. The little folk use their abilities to turn the lemming into a polar bear, and the catch is stored at their iglu. The boy's parents are proud that their son can provide lots of meat to share with the community. This is a magical introduction to a traditional Inuit story for young readers."--
Subjects: Picture books.; Inuit; Tales; Oral tradition;
Available copies: 0 / Total copies: 1
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Reconciling history : a story of Canada / by Wilson-Raybould, Jody,1971-author.; Danesh, R. P.(Roshan P.),author.;
Includes bibliographical references."From the #1 national bestselling author of 'Indian' in the Cabinet and True Reconciliation, a polyphonic history of our land -- powerful, devastating, remarkable -- as told through the voices of both Indigenous and non-Indigenous peoples. The totem pole forms the foundation for this unique and important oral history of Canada. Its goal is both toweringly ambitious and beautifully direct: To tell the story of this country in a way that prompts readers to look from different angles, to see its dimensions, its curves, and its cuts. To see that history has an arc, just as the totem pole rises, but to realize that it is in the details along the way that important meanings are to be found. To recognize, just as Indigenous carvers do, that the story of the past is always there to be retold and recast, and must be conveyed to generations to come. That in the act of re-telling, meaning is found, and strength is built. When it comes to telling the history of Canada, and in particular the history of the relationship between Indigenous and non-Indigenous peoples, we need to accept that the way in which our history has traditionally been told has not been a common or shared enterprise. In many ways, it has been a highly exclusive and even aggressively siloed one. Among the countless peoples and groups that make up this vast country, some have dominated and controlled how the nation's stories are told -- often emphasizing the voices and experiences of a certain few over those of many others. History-telling today is breaking away from this exclusivity. Our Story in Our Words shares voices that have traditionally been marginalized, and in this groundbreaking book they are telling and re-telling history from their perspectives. Born out of the oral history in True Reconciliation, and complemented throughout with stunning photography and art from the different periods of history, Our Story in Our Words takes this approach to telling our collective story to an entirely different level"--
Subjects: Indigenous peoples; Oral tradition;
Available copies: 1 / Total copies: 1
unAPI

The edge of memory : ancient stories, oral tradition and the post-glacial world / by Nunn, Patrick D.,1955-author.;
Subjects: Legends.; Floods; Environmental sciences; Science; Ocean; Storytelling; Oral tradition.; Oral history.; Aboriginal Australians; Indigenous peoples; Tales; Tales;
Available copies: 1 / Total copies: 1
unAPI

Unikkaaqtuat : an introduction to traditional Inuit myths and legends / by Christopher, Neil,1972-; McDermott, Noel.; Flaherty, Louise.;
Includes bibliographical references (p. 286-287)A collection of ancient Inuit myths. This definitive collection of Inuit legends is carefully annotated to provide the historical and cultural context in which to understand this rich oral tradition. LSC
Subjects: Inuit; Inuit mythology.; Legends;
© c2011., Inhabit Media,
Available copies: 1 / Total copies: 1
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Lacrosse : the ancient game / by Calder, Jim,1957-; Fletcher, Ron,1945-; Jacobs, Delmor,1957-; Craig, David,1945-; Jacobs, Arnold,1942-;
Subjects: Lacrosse; Indians of North America; Six Nations;
© c2011., Ancient Game Press,
Available copies: 1 / Total copies: 1
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Scary stories to tell in the dark / by Schwartz, Alvin,1927-1992.; Gammell, Stephen.;
Includes bibliographical references.The big toe -- The walk -- "What do you come for?" -- Me tie dough-ty walker! -- A man who lived in Leeds -- Old woman all skin and bone -- The thing -- Cold as clay -- The white wolf -- The haunted house -- The guests -- The hearse song -- The girl who stood on a grave -- A new horse -- Alligators -- Room for one more -- The Wendigo -- The dead man's brains -- "May I carry your basket?" -- The hook -- The white satin evening gown -- High beams -- The babysitter -- The viper -- The attic -- The slithery-dee -- Aaron Kelly's bones -- Wait till Martin comes -- The ghost with the bloody fingers.Drawn from the oral traditions of American folklore, these ghost stories and tales of weird happenings, witches, and graveyards have startling, funny, or surprising endings.Ages 8-12.LSC
Subjects: Ghosts; Ghosts; Tales;
Available copies: 1 / Total copies: 1
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Serpents and other spiritual beings / by Bomgiizhik,1975-author,illustrator.; BigGeorge, Patricia,translator.;
Serpents and Other Spiritual Beings is a collection of traditional Ojibwe/Anishinaabe stories transliterated directly from Bomgiizhik Murdoch's oral storytelling. Part history, legend, and mythology, these are stories of tradition, magic and transformation, morality and object lessons, involving powerful spirit-beings in serpent form. Murdoch is from the fish clan and is from Serpent River First Nation in Ontario.
Subjects: Folk tales.; Indigenous peoples;
Available copies: 1 / Total copies: 1
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The library : a catalogue of wonders / by Kells, Stuart,author.;
From the Bodleian, the Folger and the Smithsonian to the fabled libraries of Middle Earth and other fictional libraries, Kells explores the bookish places that capture our imaginations. The result is a fascinating and engaging exploration of libraries as places of beauty and wonder, a celebration of books as objects and an account of the deeply personal nature of these hallowed spaces.
Subjects: Books and reading.; Libraries; Libraries;
Available copies: 1 / Total copies: 1
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Full-metal indigiqueer : poems / by Whitehead, Joshua,1989-author.;
"This poetry collection focuses on a hybridized Indigiqueer Trickster character named Zoa who brings together the organic (the protozoan) and the technologic (the binaric) in order to re-beautify and re-member queer Indigeneity. This Trickster is a Two-Spirit / Indigiqueer invention that resurges in the apocalypse to haunt, atrophy, and to reclaim. Following oral tradition (à la Iktomi, Nanaboozho, Wovoka), Zoa infects, invades, and becomes a virus to canonical and popular works in order to re-centre Two-Spirit livelihoods. They fiercely take on the likes of Edmund Spenser, Shakespeare, Charles Dickens, and John Milton while also not forgetting contemporary pop culture figures such as Lana Del Rey, Grindr, and Peter Pan. Zoa world-builds a fourth-dimension, lives in the cyber space, and survives in NDN-time -- they have learned to sing the skin back onto their bodies and remain #woke at the end of the world. "Do not read me as a vanished ndn," they ask, 'read me as a ghastly one.' Full-Metal Indigiqueer is influenced by the works of Jordan Abel, Tanya Tagaq, Daniel Heath Justice, Claudia Rankine, Vivek Shraya, Qwo-Li Driskill, Leanne Simpson, Kent Monkman, and Donna Haraway. It is a project of resurgence for Two-Spirit / Indigiqueer folk who have been ghosted in policy, page, tradition, and hi/story -- the very lives of Two-Spirit / Indigiqueer youth are rarely mentioned (and even dispossessed in our very mandates for reconciliation), our lives are precarious but they too are precious. We find ourselves made spectral in settler and neocolonial Indigenous nationalisms -- if reconciliation is a means of 'burying the hatchet,' Zoa seeks to unearth the bones buried with those hatched scalps and perform a séance to ghost dance Indigiqueerness into existence. Zoa world-destroys in order to world-build a new space -- they care little for reconciliation but rather aim to reterroritorialize space in literature, pop culture, and oral storytelling. This project follows in the tradition of the aforementioned authors who, Whitehead believes, utilize deconstruction as a means of decolonization. This is a sex-positive project that tirelessly works to create coalition between those who have, as Haraway once noted, 'been injured, profoundly'"--
Subjects: Canadian poetry;
Available copies: 1 / Total copies: 1
unAPI

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