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Confident women : swindlers, grifters, and shapeshifters of the feminine persuasion / by Telfer, Tori,author.;
Includes bibliographical references."Why do we love stories about scammers so much? Journalist Tori Telfer dives into the stories of historical female con women and explains why we are so enamored by their scams"--
Subjects: Biographies.; Swindlers and swindling.; Swindlers and swindling; Women; Women in popular culture.;
Available copies: 1 / Total copies: 1
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Miss representation [videorecording] / by Cho, Margaret.; Congdon, Jessica,1972-; Couric, Katie,1957-; Cvetko, Svetlana.; Davis, Geena.; Dawson, Rosario.; Durham, Meenakshi Gigi.; Feinstein, Dianne,1933-; Fonda, Jane,1937-; Heldman, Caroline,1972-; Holland, Eric.; Huerta, Dolores,1930-; Katz, Jackson.; Kilbourne, Jean.; Lauzen, Martha M.; Ling, Lisa.; Maddow, Rachel.; Mitchell, Pat,1943-; Newsom, Jennifer Siebel,1974-; Pelosi, Nancy,1940-; Pozner, Jennifer L.; Rice, Condoleezza,1954-; Scully, Regina Kulik.; Steinem, Gloria.; Girls Club Entertainment.; Roco Films Educational (Firm); Virgil Films (Firm);
Director of photography, Svetlana Cvetko ; editor, Jessica Congdon ; composer, Eric Holland.Featured in the film: Caroline Heldman, Condoleezza Rice, Dianne Feinstein, Dolores Huerta, Geena Davis, Gloria Steinem, Jackson Katz, Jane Fonda, Jean Kilbourne, Jennifer Pozner, Katie Couric, Lisa Ling, M. Gigi Durham, Margaret Cho, Martha Lauzen, Nancy Pelosi, Pat Mitchell, Rachel Maddow, Rosario Dawson.As the most persuasive and pervasive force of communication in our culture, media is educating yet another generation that a woman's primary value lay in her youth, beauty and sexuality, and not in her capacity as a leader, making it difficult for women to obtain leadership positions and for girls to reach their full potential. The film accumulates startling facts and statistics that leave audiences shaken and armed with a new perspective.E.DVD; NTSC; widescreen presentation (16:9) aspect ratio; Dolby digital 2.0.
Subjects: Documentary films.; Gender identity in mass media.; Leadership in women.; Women in mass media.; Women in popular culture; Women; Women;
© c2012., Virgil Films,
Available copies: 1 / Total copies: 1
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I am not a slut : slut-shaming in the age of the Internet. by Tanenbaum, Leora,1969-;
Includes bibliographical references and index.
Subjects: Girls; Sex discrimination against women; Sex in popular culture; Stereotypes (Social psychology); Teenage girls;
Available copies: 1 / Total copies: 1
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Superfan : how pop culture broke my heart : a memoir / by Lee, Jen Sookfong,author.;
Includes bibliographical references."A memoir in pieces that uses one woman's life-long obsession with pop culture as a lens to explore family, grief, the power of female rage, Asian fetish, and what it's cost her to resist the trap of being a "good Chinese girl." For most of Jen Sookfong Lee's life, pop culture was an escape from family tragedy and a means of fitting in with the larger culture around her. Anne of Green Gables assured her that, despite losing her father at the age of twelve, one day she might still have the loving family of her dreams, and Princess Diana was proof that maybe there was more to being a good girl after all. And yet as Jen grew up, she began to recognize the ways in which pop culture was not made for someone like her-the child of Chinese immigrant parents who looked for safety in the invisibility afforded by embracing Model Minority myths. Ranging from the rise of Gwyneth Paltrow, the father-figure familiarity of Bob Ross, and the surprising maternal legacy of the Kardashians, to the long shadow cast by The Joy Luck Club, Jen uses pop culture icons to understand her emotionally fraught upbringing. She also dissects how pop culture created both unrealistic ideals and harmful stereotypes that would devastate her as she struggled to carve out her own path as an Asian woman, single mother, and writer. With great wit, bracing honesty, and a deep appreciation for the ways culture shapes us, Jen draws direct lines between the spectacle of the popular, the intimacy of our personal bonds, and the social foundations of our collective obsessions."--
Subjects: Biographies.; Autobiographies.; Personal narratives.; Lee, Jen Sookfong.; Asians in mass media.; Model minority stereotype; Popular culture; Stereotypes (Social psychology) in mass media.; Women authors; Authors, Canadian (English); Chinese Canadian women; Chinese Canadians; Popular culture;
Available copies: 1 / Total copies: 1
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Pursuing play : women's leisure in small-town Ontario, 1870-1914 / by Beausaert, Rebecca,author.;
Includes bibliographical references and index."Life in the Canadian countryside at the turn of the twentieth century is often generalized as insular, backwards, and defined by drudgery. These assumptions are redressed in Rebecca Beausaert's Pursuing Play, which highlights the complexity of small-town culture through a lively examination of women's efforts to negotiate space for themselves and their leisure pursuits. Amply illustrated, Pursuing Play draws on diaries, letters, newspapers, and census records to investigate women's recreational activities in three southern Ontario towns -- Dresden, Tillsonburg, and Elora -- between 1870-1914. Though women's recreational choices were restricted by pervasive ideas about propriety, Beausaert reveals how they increasingly spearheaded both formal and informal clubs, events, and social gatherings, and integrated them into their daily lives. In telling the story of what small-town women did for fun while navigating social hierarchies, nurturing ties of kinship and friendship, and advancing community development, Pursuing Play adds a new dimension to Canadian histories of gender, leisure, and popular culture. Encompassing public and private pastimes, the growth of sports, the phenomenon of "armchair travelling," and how easily recreation can slip from reputable to disreputable, this rich study uncovers how gender, class, and ethnicity shaped the nature and scope of women's leisure in small-town Ontario and beyond."--
Subjects: City and town life; City and town life; Leisure; Leisure; Women; Women; Women; Women;
Available copies: 1 / Total copies: 1
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The riddles of the sphinx : inheriting the feminist history of the crossword puzzle / by Shechtman, Anna,author.;
Includes bibliographical references.Combining the soul-baring confessional of Brain on Fire and the addictive storytelling of The Queen's Gambit, a renowned puzzle creator's compulsively readable memoir and history of the crossword puzzle as an unexpected site of women's work and feminist protest. The indisputable "queen of crosswords," Anna Shechtman published her first New York Times puzzle at age nineteen, and later, spearheaded the The New Yorker's popular crossword section. Working with a medium often criticized as exclusionary, elitist, and out-of-touch, Anna is one of very few women in the field of puzzle making, where she strives to make the everyday diversion more diverse. In this fascinating work-part memoir, part cultural analysis-she excavates the hidden history of the crossword and the overlooked women who have been central to its creation and evolution, from the "Crossword Craze" of the 1920s to the role of digital technology today. As she tells the story of her own experience in the CrossWorld, she analyzes the roles assigned to women in American culture, the boxes they've been allowed to fill, and the ways that they've used puzzles to negotiate the constraints and play of desire under patriarchy. The result is an unforgettable and engrossing work of art, a loving and revealing homage to one of our most treasured, entertaining, and ultimately political pastimes.
Subjects: Biographies.; Autobiographies.; Personal narratives.; Shechtman, Anna.; Crossword puzzle makers; Crossword puzzles; Feminism; Journalists; Women;
Available copies: 1 / Total copies: 1
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We Oughta Know How Céline, Shania, Alanis, and Sarah Ruled the ’90s and Changed Music [electronic resource] : by Warner, Andrea.aut; Shraya, Vivek.; cloudLibrary;
A lively collection of essays that re-examines the extraordinary legacies of the four Canadian women who dominated ’90s music and changed the industry forever Fully revised and updated, with a foreword by Vivek Shraya “A fascinating, fun, and infuriating read.” — Tegan Quin, Tegan and Sara In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became bonafide global superstars while revolutionizing ’90s music. In an era when male-fronted musical acts dominated radio and were given serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes, even as their albums were topping the charts and demolishing sales records. With empathy, humor, and reflections on her own teenaged perceptions of Céline, Shania, Alanis, and Sarah, Andrea offers us a revised and expanded edition of her 2015 book, providing a new perspective on the legacies of the four Canadian women who dominated the ’90s airwaves and influenced an entire generation of current day popstars with their voices, fashion, and advocacy. As the world is now reconsidering the treatment and reputations of key women in ’90s entertainment, We Oughta Know is definitively entering the chat.General adult.
Subjects: Electronic books.; History & Criticism; Pop Vocal; Women's Studies; Popular Culture;
© 2024., ECW Press,
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We oughta know : how Céline, Shania, Alanis, and Sarah ruled the '90s and changed music / by Warner, Andrea,author.; Shraya, Vivek,1981-writer of foreword.;
Includes bibliographical references."A lively collection of essays that re-examines the extraordinary legacies of the four Canadian women who dominated '90s music and changed the industry forever. Fully revised and updated, with a foreword by Vivek Shraya In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became legit global superstars and revolutionized '90s music. In an era when male-fronted musical acts were given magazine covers, Grammys and Junos, and serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes even as their recordings were demolishing sales records. The world is now reconsidering the treatment and reputations of key women in '90s entertainment, and We Oughta Know is a crucial part of that conversation. With empathy, humor, and reflections on her own teenaged perceptions of Céline, Shania, Alanis, and Sarah, Warner offers us a new perspective on the music and legacies of the four Canadian women who dominated the '90s airwaves and influenced an entire generation of current-day popstars with their voices, fashion, and advocacy."--
Subjects: Dion, Céline.; McLachlan, Sarah.; Morissette, Alanis.; Twain, Shania.; Music, Influence of.; Popular music; Women singers;
Available copies: 1 / Total copies: 1
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Woman, captain, rebel : the extraordinary true story of a daring Icelandic sea captain / by Willson, Margaret,1953-author.;
Includes bibliographical references and index."A daring and magnificent account of Iceland's most famous female sea captain who constantly fought for women's rights and equality-and who also solved one of the country's most notorious robberies. Many people may have heard the old sailing superstition that having women onboard a ship was bad luck. Thus, the sea remains in popular knowledge a male realm. When we think of examples of daring sea captains, swashbuckling pirates, or wise fishermen, many men come to mind. Cultural anthropologist Margaret Willson would like to introduce a fearless woman into our imagination of the sea: Thurídur Einarsdóttir. Captain Thurídur was a controversial woman constantly contesting social norms while simultaneously becoming a respected captain fighting for dignity and equality for underrepresented Icelanders. Both horrifying and magnificent, this story will captivate readers from the first page and keep them thinking long after they turn the last page"--
Subjects: Biographies.; Personal narratives.; Þuríður Einarsdóttir, 1777-1863.; Ship captains; Women; Women;
Available copies: 1 / Total copies: 1
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Daytime Revolution. by Nelson, Erik,film director.; Seale, Bobby,actor.; Carlin, George,actor.; Rubin, Jerry,actor.; Lennon, John,actor.; Douglas, Mike,actor.; Ono, Yoko,actor.; Kino Lorber (Firm),dst; Kanopy (Firm),dst;
Bobby Seale, George Carlin, Jerry Rubin, John Lennon, Mike Douglas, Yoko OnoOriginally produced by Kino Lorber in 2024.For one extraordinary week beginning on February 14th, 1972, the Revolution WAS televised. DAYTIME REVOLUTION takes us back in time to the week that John Lennon and Yoko Ono descended upon a Philadelphia broadcasting studio to co-host the iconic Mike Douglas Show, at the time the most popular show on daytime television with an audience of 40 million viewers a week. What followed was five unforgettable episodes of television, with Lennon and Ono at the helm and Douglas bravely keeping the show on track. Acting as both producers and hosts, Lennon and Ono handpicked their guests, including controversial choices like Yippie founder Jerry Rubin and Black Panther Chairman Bobby Seale, as well as political activist Ralph Nader and comic truth teller George Carlin. Their version of daytime TV was a radical take on the traditional format, incorporating candid Q&A sessions with their transfixed audience, conversations about current issues like police violence and women’s liberation, conceptual art events, and one-of-a-kind musical performances, including a unique duet with Lennon and Chuck Berry and a poignant rendition of Lennon’s “Imagine.” A document of the past that speaks to our turbulent present, DAYTIME REVOLUTION captures the power that art can have when it reaches out to communicate, the prescience of that dialogue, and the bravery of two artists who never took the easy way out as they fought for their vision of a better world.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Journalism.; Documentary films.; Mass media and culture.; Popular culture.; Broadcast journalism.;
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