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Nobody ever asked me about the girls : women, music, and fame / by Robinson, Lisa(Music journalist),author.;
"From the effects of fame on family and vice versa to motherhood and drugs, sex, and romance, Lisa Robinson has discussed every taboo topic with nearly every significant living female artist to pass through the pages of Rolling Stone and Vanity Fair. Here, her interviews with and observations of fabulous female pop and rock stars, from Tina Turner and Alanis Morrissette to Rihanna, show how these powerhouse women, all with vastly different life experiences, fell in love with music, seized their ambitions, and changed pop culture. Grouped by topic, ranging from hair and makeup to sexual and emotional abuse, Robinson's interviews reveal each individual artist's sense of humor, private hopes, and personal devastations-along with the grit and fire that brought each woman to the stage in the first place and empowered her to leave her mark on the world"--
Subjects: Women musicians.; Women singers.; Women in the music trade.; Fame.;
Available copies: 1 / Total copies: 1
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Whitney Houston [videorecording] : I wanna dance with somebody / by Ackie, Naomi,actor.; Lemmons, Kasi,film director.; McCarten, Anthony,1961-screenwriter.; Peters, Clarke,actor.; Sanders, Ashton,1995-actor.; Tucci, Stanley,actor.; Tunie, Tamara,actor.; Williams, Nafessa,1989-actor.; Sony Pictures Home Entertainment (Firm),film distributor.;
Naomi Ackie, Stanley Tucci, Ashton Sanders, Tamara Tunie, Nafessa Williams, Clarke Peters.A feature film about the late musical icon, Whitney Houston. Naomi Ackie stars as Whitney Houston in the musical biopic, which is based on the epic life and music of the iconic singer. Directed by Kasi Lemmons and written by Academy Award Nominee Anthony McCarten, the film will take audiences on an emotional, energetic journey through Houston's career and music.Canadian Home Video Rating: PG.Described video for the blind and visually impaired.Subtitled for the deaf and hard-of-hearing (SDH).DVD ; wide screen presentation ; Dolby Digital 5.1.
Subjects: Biographical films.; Feature films.; Fiction films.; Video recordings for people with visual disabilities.; Video recordings for the hearing impaired.; Houston, Whitney; African American women singers; Man-woman relationships; Popular music; Rhythm and blues music; Women in the music trade;
For private home use only.
Available copies: 1 / Total copies: 1
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The Lightning Bottles / by Stapley, Marissa,author.;
"He was the troubled face of rock 'n' roll ... until he suddenly disappeared without a trace. Jane Pyre was once one half of one of the most famous rock 'n' roll duos in the world, the Lightning Bottles. Years later, she's perhaps the most hated--and least understood--woman in music. She was never as popular with fans as her bandmate (and soulmate), Elijah Hart--even if Jane was the one who wrote the songs that catapulted the Lightning Bottles to instant, dizzying fame, first in the Seattle grunge scene, then around the world. But ever since Elijah disappeared four years earlier and the band's meteoric rise to fame came crashing down, the public hatred of Jane has taken on new levels, and all she wants to do is retreat. What she doesn't anticipate is the bombshell that awaits her at her new home in the German countryside. A bombshell in the form of the sullen teenaged girl next door--a Lightning Bottles superfan--who claims to have proof that not only is Elijah still alive, he's also been leaving secret messages for Jane. And they need to find them right away. A cross-continent road trip about two misunderstood outsiders brought together by their shared love of music, The Lightning Bottles is both a love letter to music and a searing portrait of the cost of fame."--
Subjects: Psychological fiction.; Novels.; Fame; Fans (Persons); Man-woman relationships; Missing persons; Quests (Expeditions); Teenage girls; Voyages and travels; Women musicians; Women rock musicians;
Available copies: 2 / Total copies: 3
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We oughta know : how Céline, Shania, Alanis, and Sarah ruled the '90s and changed music / by Warner, Andrea,author.; Shraya, Vivek,1981-writer of foreword.;
Includes bibliographical references."A lively collection of essays that re-examines the extraordinary legacies of the four Canadian women who dominated '90s music and changed the industry forever. Fully revised and updated, with a foreword by Vivek Shraya In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became legit global superstars and revolutionized '90s music. In an era when male-fronted musical acts were given magazine covers, Grammys and Junos, and serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes even as their recordings were demolishing sales records. The world is now reconsidering the treatment and reputations of key women in '90s entertainment, and We Oughta Know is a crucial part of that conversation. With empathy, humor, and reflections on her own teenaged perceptions of Céline, Shania, Alanis, and Sarah, Warner offers us a new perspective on the music and legacies of the four Canadian women who dominated the '90s airwaves and influenced an entire generation of current-day popstars with their voices, fashion, and advocacy."--
Subjects: Dion, Céline.; McLachlan, Sarah.; Morissette, Alanis.; Twain, Shania.; Music, Influence of.; Popular music; Women singers;
Available copies: 1 / Total copies: 1
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She's a lamb! : a novel / by Hambrock, Meredith,author.;
"A darkly comic suspense in the vein of All's Well and Yellowface, She's a Lamb! is an edgy and incisive novel that marches toward showtime with a growing unease about the dangers of magical thinking and the depths of delusion. Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver's smallest regional theaters. No, she is bound for greatness, and that's why the part of Maria in the theater's upcoming production of The Sound of Music is hers. Or it's going to be. Jessamyn may have been relegated to the position of childminder for the little brats playing the von Trapp children, but it's so obvious she's there for a different reason -- the director wants her close to the role so when Samantha, the lead, inevitably fails, Jessamyn will be there to take her place in the spotlight. This must be it. Because if it isn't, well, then every skipped meal, every brutal rehearsal, every inch won against a man attempting to drag her down will have all been for nothing. Sharp, relentless, and darkly funny, She's a Lamb! is a cutting satire about the grotesque pall patriarchy casts over one woman's delusional quest to achieve her dreams and the depths she will sink to for a chance at the life she's convinced she deserves."--
Subjects: Black humor.; Psychological fiction.; Satirical fiction.; Novels.; Acting in musical theater; Actresses; Narcissism; Patriarchy; Women in musical theater;
Available copies: 1 / Total copies: 1
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The high notes [text (large print)] : a novel / by Steel, Danielle,author.;
Iris Cooper has been singing ever since she can remember, hitting the high notes like no one else. When she is twelve, her father convinces the owner of a bar in Lake City, Texas, to let her perform, and she stuns the audience. In the ensuing years, never staying anywhere for long, father and daughter move from one dusty town to the next, her passion for music growing every time she takes the mike in another roadhouse. But it is not an easy life for Iris with her father in charge and using her income to pay for gambling, women, and booze. When she starts to tour at age eighteen, she takes on a real manager. Yet he exploits her too, and the singers and musicians she tours with are really the only family she has. It is they who give Iris the courage to finally fly free, leave the tour, and follow her dreams. After years of enduring the hardships of the road, exploitation, and abuse to do what she loves, Iris's big chance comes as her talent soars. But at the top at last, Iris still has to fight every step of the way. In The High Notes, Danielle Steel delivers an inspiring story about finding the strength to stand up for yourself and your dreams, no matter what it takes.
Subjects: Domestic fiction.; Large type books.; Novels.; Country musicians; Exploitation; Fame; Fathers and daughters; Singers; Women country musicians;
Available copies: 1 / Total copies: 1
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Spider-Gwen. [graphic novel] / by Flores, Melissa,author.; Balám, Enid,illustrator.; Cowles, Clayton,letterer.; D'Amico, Elisabetta(Illustrator),illustrator.; Glez, Alba,illustrator.; Maher, Ariana,letterer.; Sifuentes, Fernando(Colorist),colourist.;
"It's time to face the music when the Mary Janes head off on a four-city tour as the opening act to one of Earth-65's biggest rock stars! Gwen has promised the band that this big break will be all about the music. No web-slinging, just drums. But when a mysterious assassin targets the headliner, Gwen begins to wonder how she got this gig in the first place. And as the tour continues, she'll share the stage with stunning new versions of some of your favorite characters - pulling double duty as drummer and secret bodyguard for Dazzler!"--Back cover.T.
Subjects: Graphic novels.; Superhero comics.; Dazzler (Fictitious character); Stacy, Gwen (Fictitious character); Teenage superheroes; Women superheroes;
Available copies: 1 / Total copies: 1
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Only one survives / by McKinnon, Hannah Mary,author.;
All drummer Vienna Taylor ever wanted was to make music. If that came with fame, she'd take it--as long as her best friend, guitarist Madison Pierce, was sharing the spotlight and singing lead. And with their new all-female pop rock band gaining traction, soon everyone would hear their songs ... Except, on the way to an event, the Bittersweet's van careened off an icy mountain road during a blizzard--leaving one member dead and another severely injured. In order to survive the frigid night, the rest took shelter in a nearby abandoned cabin. But Vienna's dreams devolved into a terrifying nightmare as, one by one, her fellow band members met a gruesome end ... and Madison simply vanished in the night. What really happened to the Bittersweet? Did Vienna's closest friend finally decide to take center stage on her own terms? She doesn't want to believe it. But guilty people run.
Subjects: Thrillers (Fiction); Psychological fiction.; Novels.; Female friendship; Murder; Survival; Traffic accidents; Women musicians; Women's bands (Music);
Available copies: 1 / Total copies: 1
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The Griffin Sisters' greatest hits [text (large print)] : a novel / by Weiner, Jennifer,author.;
"Cassie and Zoe Griffin were born just a year apart, but the sisters could not have been more different. Zoe, beautiful and charming, grew up with a burning desire for fame, making up for a lack of natural talent with hard work and determination. Cassie, though, had a gift. She was uncomfortable in her plus-sized body and preferred to be in the shadows, she was a musical prodigy. On the threshold of adulthood, the sisters are discovered by a record label and become the Griffin Sisters, a band that quickly skyrockets to fame, reaching the heights of pop stardom: MTV, VH1, the Billboard charts, and every marker of a dream come true. Cassie's musical gifts make her the voice of a generation and while the spotlight tests her spirit, it also opens her heart to possibilities for connection she has never considered. Zoe gets everything she thought she wanted: international fame and the paparazzi, the couture-and the man-that go with it. But twenty years later, everything has changed. Cassie lives in seclusion in Alaska. Zoe has abandoned her music dreams for suburban motherhood in New Jersey. The Griffin Sisters are long gone, and the devil's bargain of celebrity has exacted a high price that drives the sisters apart and nearly destroys them both. And yet Zoe's teenage daughter Cherry has inherited her family's talent and stage presence, and will stop at nothing to achieve the very dream of pop stardom her mother has warned her against-opening the wounds of their shared history in the process. Both sisters must face the consequences of choices from the past: the ones they made and the ones the music industry made for them. Can the mistakes of the past be redeemed, and can broken bonds be repaired? In this stirring and soul-bearing novel, Jennifer Weiner brings to life the heartache, joy, and glory of the glamorous but shattering Golden Age of pop music, and a celebrates the power of love and forgiveness, even after the music stops"--
Subjects: Bildungsromans.; Domestic fiction.; Large print books.; Novels.; Bands (Music); Fame; Man-woman relationships; Mothers and daughters; Secrecy; Sisters; Triangles (Interpersonal relations); Women's bands (Music);
Available copies: 1 / Total copies: 1
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This woman's work : essays on music / by Gleeson, Sinéad,editor.; Gordon, Kim,editor.;
"THIS WOMAN'S WORK is a collection of essays by 18 female writers, writing about exclusively female experiences in music, co-edited by Sonic Youth co-founder Kim Gordon and Irish author Sinead Gleeson. This book celebrates the instrument makers, the experimentalists, the harmonizers, the avant-garde, the genre-breakers, the pop queens, and all those on the margins who expose the lack of intersectionality in this industry. For a long time, the narrative of music has been male-centered and hyper-masculine. The purpose of the women within it was to orbit these men: swooning to Elvis, screaming en-masse at Beatles gigs, or trying to get backstage to sleep with the rock bad boys. When women gained visibility in the music of the 1960s, they were-again-allocated specific tropes: backing singer, lone woman in the band, Motown trios singing innocuous love songs. In the 1970s, at the time Kate Bush became the first woman (at just 17) to have a number one with song she'd written herself, the women of punk began to make their voices heard. But many didn't like these acts of assertion; the femaleness, the raging against gender stereotypes, the Amazonian loudness of it all. Joan Jett recalls being knocked over on stage by flying bottles; The Slits were chased and threatened after gigs and their singer Ari Up was stabbed twice. Even as late as the 1980s, as hip hop gained prominence, it made room for only a handful of women, while trading in misogynist rhymes, where women could only be hoes, bitches or gold diggers. How were young female rappers of color to participate when they didn't see themselves represented in that culture? Trapped within an entertainment industry relentlessly catering to men, these rappers, and many other budding female musicians across a variety of genres in modern music, were often othered and exoticized-until the moment when they dared to own it. To speak up. To shout louder. Digging into the depths of an industry hard-coded for sexism, THIS WOMAN'S WORK is an ode to the thousands of women in music whose stories we don't know. Pioneers whose achievements are undervalued, often by virtue of their gender, or because someone else (many times, a man) took credit for it. Featuring brand new essays from notable feminist writers like Ottessa Moshfegh, Juliana Huxtable, Maggie Nelson, Rachel Kushner, Leslie Jamison, and more, THIS WOMAN'S WORK reminds us to pay our respects to the women who shattered ceilings and kicked in doors, vastly expanding the spectrum of women's influence in the world of modern music"--
Subjects: Essays.; Misogyny.; Music.; Women musicians.;
Available copies: 1 / Total copies: 1
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Results 1 to 10 of 31 |