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Rough Aunties. by Longinotto, Kim,film director.; Royal Anthropological Institute (Firm),dst; Kanopy (Firm),dst;
Originally produced by Royal Anthropological Institute in 2008.Jackie, Mildred, Eureka and Thuli are the women behind Bobbi Bear, a nonprofit organization based in Durban, South Africa, that counsels sexually abused children and works to bring their abusers to justice. Born out of recognition of cultural stigmas that discourage reporting abuse and inadequate methods of communicating with young victims, Bobbi Bear developed a method of letting children use teddy bears to explain their abuse. Since 1992, the multiracial staff has become the fearless and powerful voice for those victims who would otherwise continue to live in fear, powerless against their oppressors and ignored by the legal system.Mode of access: World Wide Web.
Subjects: Documentary films.; Health.; Social sciences.; African studies.; Foreign study.; Child welfare.; Human rights.; Sociology.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Children.; Humanitarianism.; South Africa.; Africa.; Social justice.; Child abuse.;

Sisters in Law. by Ayisi, Florence,film director.; Longinotto, Kim,film director.; Royal Anthropological Institute (Firm),dst; Kanopy (Firm),dst;
Originally produced by Royal Anthropological Institute in 2005.Six year old Manka has run away from home, fleeing her abusive aunt. Sonita has daringly accused her neighbor of rape. Amina has decided to end her brutal marriage by taking her husband to court. Set in Kumba, a small town in Southwest Cameroon, SISTERS IN LAW follows the work of the female State Counsel and Court President as they try to help women to change their lives. Incredibly moving and at times disturbing, Kim Longinotto’s latest film spectacularly encompasses courage, hope, and the possibility of change. Longinotto is known for her insightful, compassionate studies of women’s lives, and the pull between tradition and change.Mode of access: World Wide Web.
Subjects: Documentary films.; Criminal law.; Social sciences.; African studies.; Foreign study.; Human rights.; Sociology.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Women--Africa.; Africa.; Abuse.; Rape.; Lawyers.;

Evolution under pressure : how we change nature and how nature changes us / by Ridge, Yolanda,1973-; Thibeault, Dane.;
Includes bibliographical references and index."Immersive non-fiction with STEM and social justice themes that proves that the future of the environment is in our hands--and helps pave the way forward. Evolution isn't just a thing of the past. It is happening right now, in every species across the world--and our influence on the future of the plants and animals around us is much bigger than we might think. A closer look at the science behind evolution shows how human behaviors like hunting, farming, and urban development have contributed to major physical changes in everything from rhinos to pigs to lizards. And these changes impact us in turn--triggering environmental shifts and contributing to climate change. The good news is there's hope: by learning to see how everything is connected, we can weigh the consequences of our choices and help shape a world that works for plants, animals, and humans alike. Making connections across anthropology, biology, and ecology, award-winning author Yolanda Ridge takes an intersectional approach to a challenging topic--examining the factors that influence human behavior while looking forward to explain the changes we can make and the ethics of those choices. Profiles of young activists and innovators highlight the ways readers can contribute to restoring ecological balance, while vibrant illustrations by Dane Thibeault evoke the energy and beauty of the natural world we are working to preserve."--
Subjects: Nature; Human beings; Human ecology; Sustainability;

Wired for music : a search for health and joy through the science of sound / by Barton, Adriana(Journalist),author.;
Includes bibliographical references and index."In this captivating blend of science and memoir, a health journalist and former cellist explores music as a source of health, resilience, connection, and joy. Music isn't just background noise or a series of torturous exercises we remember from piano lessons. In the right doses, it can double as a mild antidepressant, painkiller, sleeping pill, memory aid-and enhance athletic performance while supporting healthy aging. Though music has been used as a healing strategy since ancient times, neuroscientists have only recently discovered how melody and rhythm stimulate core memory, motor, and emotion centers in the brain. But here's the catch: We can tune into music every day and still miss out on some of its potent effects. Adriana Barton learned the hard way. Starting at age five, she studied the cello for nearly two decades, a pursuit that left her with physical injuries and emotional scars. In Wired for Music, she sets out to discover what music is really for, combing through medical studies, discoveries by pioneering neuroscientists, and research from biology and anthropology. Traveling from state-of-the-art science labs to a remote village in Zimbabwe, her investigation gets to the heart of music's profound effects on the human body and brain. Blending science and story, Wired for Music shows how our species' age-old connection to melody and rhythm is wired inside us."--
Subjects: Barton, Adriana (Journalist); Music; Music;

Pride of Place. by Gazidis, Dorthea,film director.; Longinotto, Kim,film director.; Royal Anthropological Institute (Firm),dst; Kanopy (Firm),dst;
Originally produced by Royal Anthropological Institute in 1976.A rarely seen classic, PRIDE OF PLACE was made as a first project while Longinotto was a student at England’s National School of Television and Film. As a teenager, the filmmaker had been condemned to a girls’ boarding school in an old, isolated castle in Buckinghamshire. Wisely, she ran away at the age of 17, and years later took the opportunity for sweet revenge. In this dark and expressive film, Longinotto exposes the repressive school from the students’ perspective—as a kind of miniature state with bizarre rules, indigestible food and absurd punishments. One year after the release of the film, the boarding school was closed down. With PRIDE OF PLACE, Longinotto sets the tone for a long career of films in which individuals revolt against oppressive authorities and stifling traditions.Mode of access: World Wide Web.
Subjects: Documentary films.; Education.; Balts (Indo-European people).; Foreign study.; Documentary films.; Current affairs.; Children.; England.; British Isles.;

We keep the dead close : a murder at Harvard and a half century of silence / by Cooper, Becky,author.;
Includes bibliographical references."1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school and the year that Jane Britton, an ambitious 23-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment. Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. WE KEEP THE DEAD CLOSE is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history"--
Subjects: Biographies.; True crime stories.; Britton, Jane Sanders, 1945-1969.; Harvard University; Murder; Cold cases (Criminal investigation); Murder victims; Women graduate students; Women in higher education; Sex discrimination in higher education;

The stolen queen : a novel / by Davis, Fiona,1966-author.;
Includes bibliographical references."Egypt, 1936. When anthropology student Charlotte Cross is offered a coveted spot on an archaeological dig in Egypt's Valley of the Kings, she leaps at the opportunity. But after an unbearable tragedy strikes, Charlotte knows her future will never be the same. New York City, 1978: Eighteen-year-old Annie Jenkins is thrilled when she lands an opportunity to work for iconic former Vogue fashion editor Diana Vreeland, who's in the midst of organizing the famous Met Gala, hosted at the museum and known across the city as the "party of the year." Though Annie soon realizes she'll have her work cut out for her, scrambling to meet Diana's capricious demands and exacting standards. Meanwhile, Charlotte, now leading a quiet life as the associate curator of the Met's celebrated Department of Egyptian Art, wants little to do with the upcoming gala. She's consumed with her research on Hathorkare -- a rare female pharaoh dismissed by most other Egyptologists as unimportant. That is, until the night of the gala. When one of the Egyptian art collection's most valuable artifacts goes missing ... and there are signs Hathorkare's legendary curse might be reawakening. As Annie and Charlotte team up to search for the missing antiquity, a desperate hunch leads the unlikely duo to one place Charlotte swore she'd never return: Egypt. But if they're to have any hope of finding the artifact, Charlotte will need to confront the demons of her past -- which may mean leading them both directly into danger"--
Subjects: Historical fiction.; Novels.; Costume Institute (New York, N.Y.); Archaeology and history; Art, Egyptian; Curatorship; Pharaohs; Theft of relics; Women Egyptologists;

The stolen queen [text (large print)] : a novel / by Davis, Fiona,1966-author.;
Includes bibliographical references."Egypt, 1936. When anthropology student Charlotte Cross is offered a coveted spot on an archaeological dig in Egypt's Valley of the Kings, she leaps at the opportunity. But after an unbearable tragedy strikes, Charlotte knows her future will never be the same. New York City, 1978: Eighteen-year-old Annie Jenkins is thrilled when she lands an opportunity to work for iconic former Vogue fashion editor Diana Vreeland, who's in the midst of organizing the famous Met Gala, hosted at the museum and known across the city as the "party of the year." Though Annie soon realizes she'll have her work cut out for her, scrambling to meet Diana's capricious demands and exacting standards. Meanwhile, Charlotte, now leading a quiet life as the associate curator of the Met's celebrated Department of Egyptian Art, wants little to do with the upcoming gala. She's consumed with her research on Hathorkare -- a rare female pharaoh dismissed by most other Egyptologists as unimportant. That is, until the night of the gala. When one of the Egyptian art collection's most valuable artifacts goes missing ... and there are signs Hathorkare's legendary curse might be reawakening. As Annie and Charlotte team up to search for the missing antiquity, a desperate hunch leads the unlikely duo to one place Charlotte swore she'd never return: Egypt. But if they're to have any hope of finding the artifact, Charlotte will need to confront the demons of her past -- which may mean leading them both directly into danger"--
Subjects: Historical fiction.; Large print books.; Novels.; Costume Institute (New York, N.Y.); Archaeology and history; Art, Egyptian; Curatorship; Pharaohs; Theft of relics; Women Egyptologists;

Pathogenesis : a history of the world in eight plagues / by Kennedy, Jonathan,author.;
Includes bibliographical references and index."A sweeping look at how the major transformations in history--from the rise of Homo sapiens to the birth of capitalism--have been shaped not by humans but by germs. According to the accepted narrative of progress, humans have thrived thanks to their brains and brawn, collectively bending the arc of history. But in this revelatory book, professor Jonathan Kennedy argues that the myth of human exceptionalism overstates the role that we play in social and political change. Instead, it is the humble microbe that wins wars and topples empires. Drawing on the latest research in fields ranging from genetics and anthropology to archaeology and economics, Pathogenesis takes us through 60,000 years of history, exploring eight major outbreaks of infectious disease that have made the modern world. Bacteria and viruses were protagonists in the demise of the Neanderthals, the growth of Islam, the transition from feudalism to capitalism, the devastation wrought by European colonialism, and the evolution of the United States from an imperial backwater to a global superpower. Even Christianity rose to prominence in the wake of a series of deadly pandemics that swept through the Roman Empire in the second and third centuries: Caring for the sick turned what was a tiny sect into one of the world's major religions. By placing disease at the center of his wide-ranging history of humankind, Kennedy challenges some of the most fundamental assumptions about our collective past--and urges us to view this moment as another disease-driven inflection point that will change the course of history. Provocative and brimming with insight, Pathogenesis transforms our understanding of the human story"--
Subjects: Diseases and history.; Epidemics; Plague;

War at the margins : Indigenous experiences in World War II / by Poyer, Lin,1953-author.;
Includes bibliographical references (pages 259-306) and index."War at the Margins offers a broad comparative view of the impact of World War II on Indigenous societies. Using historical and ethnographic sources, Lin Poyer examines how Indigenous communities emerged from the trauma of the wartime era with social forms and cultural ideas that laid the foundations for their twenty-first century emergence as players on the world's political stage. With a focus on Indigenous voices and agency, a global overview reveals the enormous range of wartime activities and impacts on these groups, connecting this work with comparative history, Indigenous studies, and anthropology. The distinctiveness of Indigenous peoples offers a valuable perspective on World War II, as those on the margins of Allied and Axis empires and nation-states were drawn in as soldiers, scouts, guides, laborers, and victims. Questions of loyalty and citizenship shaped Indigenous combat roles-from integration in national armies to service in separate ethnic units to unofficial use of their special skills, where local knowledge tilted the balance in military outcomes. Front lines crossed Indigenous territory most consequentially in northern Europe, Southeast Asia, and the Pacific Islands, but the impacts of war go well beyond combat. Like others around the world, Indigenous civilian men and women suffered bombing and invasion, displacement, forced labor, military occupation, and economic and social disruption. Infrastructure construction and demand for key resources affected even areas far from front lines. World War II dissolved empires and laid the foundation for the postcolonial world. Indigenous people in newly independent nations struggled for autonomy, while other veterans returned to home fronts still steeped in racism. National governments saw military service as evidence that Indigenous peoples wished to assimilate, but wartime experiences confirmed many communities' commitment to their home cultures and opened new avenues for activism. By century's end, Indigenous Rights became an international political force, offering alternative visions of how the global order might make room for greater local self-determination and cultural diversity. In examining this transformative era, War at the Margins adds an important contribution to both World War II history and to the development of global Indigenous identity"--
Subjects: Indigenous peoples; World War, 1939-1945; World War, 1939-1945;

Results 61 to 70 of 77 | « previous |