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The song of significance : a new manifesto for teams / by Godin, Seth,author.;
"From the bestselling author of Linchpin and Tribes comes a new challenge to leaders of all stripes. The workplace has undergone a massive shift. Remote work and economic instability have depressed innovation and left us disconnected and disengaged. Paychecks no longer buy loyalty, happiness, and effort. Quiet quitting runs rampant, and people show up without truly showing up. Alarmed managers are doubling down on keystroke surveillance, productivity tracking and back-to-the-office mandates, when what they should be doing is the opposite--affording employees the dignity necessary to inject purpose and motivation into their work. In The Song of Significance, legendary author and business thinker Seth Godin posits a new view of what industry leaders must do now. The choice is simple: either keep treating your people as disposable and join in the AI-fueled race to the bottom, or build a significant organization that enrolls, empowers, and trusts employees to deliver their best work, no matter where they're working from. If you want your employees to turn their cameras on, participate in conversations, and live up to their full professional potential, you must give them the respect and autonomy they deserve as humans. Godin offers a series of commitments leaders must make, and a list of organizational milestones on the way to significance. It's time for leaders to make and keep a new promise, and to recognize that, as Godin says, "Humans aren't a resource. They are the point.""--
Subjects: Employee motivation.; Leadership.; Organizational behavior.;

City of girls [sound recording] / by Gilbert, Elizabeth,1969-author.; Brown, Blair,narrator.; Penguin Audio (Firm),publisher.; Books on Tape, Inc.,publisher.;
Read by Blair Brown.Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love. In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves - and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest. Now eighty-nine years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it.
Subjects: Audiobooks.; Domestic fiction.; Historical fiction.; Young women; Theaters; Entertainers;

We, the data : human rights in the digital age / by Wong, Wendy H.,1980-author.;
Includes bibliographical references and index.Our data-intensive world is here to stay, but does that come at the cost of our humanity in terms of autonomy, community, dignity, and equality? In We, the Data, Wendy H. Wong argues that we cannot allow that to happen. Exploring the pervasiveness of data collection and tracking, Wong reminds us that we are all stakeholders in this digital world, who are currently being left out of the most pressing conversations around technology, ethics, and policy. This book clarifies the nature of datafication and calls for an extension of human rights to recognize how data complicate what it means to safeguard and encourage human potential. As we go about our lives, we are co-creating data through what we do. We must embrace that these data are a part of who we are, Wong explains, even as current policies do not yet reflect the extent to which human experiences have changed. This means we are more than mere "subjects" or "sources" of data "by-products" that can be harvested and used by technology companies and governments. By exploring data rights, facial recognition technology, our posthumous rights, and our need for a right to data literacy, Wong has crafted a compelling case for engaging as stakeholders to hold data collectors accountable. Just as the Universal Declaration of Human Rights laid the global groundwork for human rights, We, the Data gives us a foundation upon which we claim human rights in the age of data --
Subjects: Data protection; Electronic information resources; Human rights;

Entitled : how male privilege hurts women / by Manne, Kate,author.;
Includes bibliographical references and index."An urgent exploration of men's entitlement and how it serves to police and punish women, from the acclaimed author of Down Girl, which Rebecca Traister called "jaw-droppingly brilliant." In this bold and stylish critique, Cornell philosopher Kate Manne offers a radical new framework for understanding misogyny. Ranging widely across the culture, from the Kavanaugh hearings and "Cat Person" to Harvey Weinstein and Elizabeth Warren, Manne shows how privileged men's sense of entitlement--to sex, yes, but more insidiously to admiration, medical care, bodily autonomy, knowledge, and power--is a pervasive social problem with often devastating consequences. In clear, lucid prose, she argues that male entitlement can explain a wide array of phenomena, from mansplaining and the undertreatment of women's pain to mass shootings by incels and the seemingly intractable notion that women are "unelectable." Moreover, Manne implicates each of us in toxic masculinity: It's not just a product of a few bad actors; it's something we all perpetuate, conditioned as we are by the social and cultural currents of our time. The only way to combat it, she says, is to expose the flaws in our default modes of thought, while enabling women to take up space, say their piece, and muster resistance to the entitled attitudes of the men around them. With wit and intellectual fierceness, Manne sheds new light on gender and power and offers a vision of a world in which women are just as entitled as men to our collective care and concern"--
Subjects: Entitlement attitudes.; Male domination (Social structure); Misogyny.; Privilege (Social psychology); Sex role.;

Swimming in Paris A Life in Three Stories [electronic resource] : by Schneck, Colombe.aut; Huber, Hillary.nrt; CloudLibrary;
A Natalie Portman Book Club Pick “Sinewy, tough, sharp . . . Even though Schneck works at a scale that is deliberately small, insistently concrete, and extremely lean, her writing somehow exposes whole vistas of the female experience.” —Katie Roiphe, The Atlantic From the award-winning and bestselling French author Colombe Schneck, a woman’s personal journey through abortion, sex, friendship, love, and swimming At fifty years old, while taking swimming lessons, I finally realized that my body was not actually as incompetent as I’d thought. My physical gestures had been, until then, small, worried, tense. In swimming I learned to extend them. I saw male bodies swimming beside me, and I swam past them, I was delighted, my breasts got smaller, my uterus stopped working. My body, by showing me who I was, allowed me to become fully myself. In Seventeen, Friendship, and Swimming, Colombe Schneck orchestrates a coming-of-age in three movements. Beautiful, masterfully controlled, yet filled with pathos, they invite the reader into a decades-long evolution of sexuality, bodily autonomy, friendship, and loss. Schneck’s prose maintains an unwavering intimacy, whether conjuring a teenage abortion in the midst of a privileged Parisian upbringing, the nuance of a long friendship, or a midlife romance. Swimming in Paris is an immersive, propulsive triptych—fundamentally human in its tender concern for every messy and glorious reality of the body, and deeply wise in its understanding of both desire and of letting go.
Subjects: Audiobooks.; Biographical;
© 2024., Penguin Random House,

Heiresses : the lives of the million dollar babies / by Thompson, Laura,1964-author.;
Includes bibliographical references and index."New York Times bestselling author Laura Thompson returns with Heiresses, a fascinating look at the lives of heiresses throughout history and the often tragic truth beneath the gilded surface. Heiresses: surely they are among the luckiest women on earth. Are they not to be envied, with their private jets and Chanel wardrobes and endless funds? Yet all too often those gilded lives have been beset with trauma and despair. Before the 20th century a wife's inheritance was the property of her husband, making her vulnerable to kidnap, forced marriages, even confinement in an asylum. And in modern times, heiresses fell victim to fortune-hunters who squandered their millions. Heiresses tells the stories of these women: Mary Davies, who inherited London's most valuable real estate, and was bartered from the age of twelve; Consuelo Vanderbilt, the original American "Dollar Heiress", forced into a loveless marriage; Barbara Hutton, the Woolworth heiress who married seven times and died almost penniless; Patty Hearst, heiress to a newspaper fortune who was arrested for terrorism. However, there are also stories of achievement: Angela Burdett-Coutts, who became one of the greatest philanthropists of Victorian England; Nancy Cunard, who lived off her mother's fortune and became a pioneer of the civil rights movement; Daisy Fellowes, elegant linchpin of interwar high society and noted fashion editor. Heiresses is about the lives of the rich, who-as F. Scott Fitzgerald said-are 'different'. But it is also a bigger story about how all women fought their way to equality, and sometimes even found autonomy and fulfilment"--
Subjects: Biographies.; Anecdotes.; Personal narratives.; Heiresses; Rich people; Upper class women; Women;

Nobody's magic / by Birdsong, Destiny O.,1981-author.;
"In this glittering triptych novel, Suzette, Maple and Agnes, three Black women with albinism, call Shreveport, Louisiana, home. At the bustling intersection of the American South and Southwest, these three women find themselves at the crossroads of their own lives. Suzette, a pampered twenty-year-old, has been sheltered from the outside world since a dangerous childhood encounter. Now, a budding romance with a sweet mechanic allows Suzette to seek independence, which unleashes dark reactions in those closest to her. In discovering her autonomy, Suzette is forced to decide what she is willing to sacrifice in order to make her own way in the world. Maple is reeling from the unsolved murder of her free-spirited mother. She flees the media circus and her judgmental grandmother by shutting herself off from the world in a spare room of the motel where she works. One night, Maple connects with Chad, someone who may understand her pain more than she realizes, and discovers that the key to her mother's death may be within her reach. Agnes is far from home, working yet another mind-numbing job. She attracts the interest of a lonely security guard and army veteran who's looking for a traditional life for himself and his young son. He's convinced that she wields a certain "magic," but Agnes soon unleashes a power within herself that will shock them both and send her on a trip to confront not only her family and her past, but also herself. This novel, told in three parts, is a searing meditation on grief, female strength, and self-discovery set against a backdrop of complicated social and racial histories. Nobody's Magic is a testament to the power of family-the ones you're born in and the ones you choose. And in these three narratives, among the yearning and loss, each of these women may find a seed of hope for the future"--
Subjects: Bildungsromans.; Psychological fiction.; African American women; Albinos and albinism; Man-woman relationships; Self-actualization (Psychology) in women;

Open, Heaven [electronic resource] : by Hewitt, Seán.aut; CloudLibrary;
Named a Most Anticipated Release of 2025 by Vulture, Literary Hub, the BBC and RTÉ A stunning debut novel from the acclaimed young Irish poet Seán Hewitt, reminiscent of Garth Greenwell and Douglas Stuart in the intensity of its evocation of sexual awakening. Set in a remote village in the North of England, Open, Heaven unfolds over the course of one year in which two sixteen year old boys meet and transform each other’s lives. James—a sheltered, shy sixteen-year-old—is alone in his newly discovered sexuality, full of an unruly desire but entirely inexperienced. As he is beginning to understand himself and his longings, he also realizes how his feelings threaten to separate him from his family and the rural community in which he has grown up. He dreams of another life, fantasizing about what lies beyond the village’s leaf-ribboned boundaries, beyond his reach: autonomy, tenderness, sex. Then, in the autumn of 2002, he meets Luke, a slightly older boy, handsome, unkempt, who comes with a reputation for danger. Abandoned by his parents—his father imprisoned, and his mother having moved to France for another man—Luke has been sent to live with his aunt and uncle at their farm just outside the village. James is immediately drawn to him, "like the pull a fire makes on the air, dragging things into it and blazing them into its hot, white centre," drawn to this boy who is beautiful and impulsive, charismatic and troubled. Underneath Luke’s bravado is a deep wound—a longing for the love of his father and for the stability of family life. Open, Heaven is a novel about desire, yearning, and the terror of first love. With the striking economy and lyricism that animate his work as a poet, Hewitt has written a mesmerizing hymn to boyhood, sensuality, and love in all its forms. A truly exceptional debut.
Subjects: Electronic books.; Literary; Coming of Age; Gay;
© 2025., Knopf Canada,

Why we drive : toward a philosophy of the open road / by Crawford, Matthew B.,author.;
Includes bibliographical references and index.From the author of the landmark Shop Class as Soulcraft, a brilliant, first-of-its-kind celebration of driving as a unique pathway of human freedom, one now critically threatened by automation. Once we were drivers, the open road alive with autonomy, adventure, danger, trust, and speed. Today we are as likely to be in the back seat of an Uber as behind the wheel ourselves. Tech giants are hurling us toward a shiny, happy "self-driving" future, selling utopia but equally keen to advertise to a captive audience strapped into another expensive device. Are we destined, then, to become passengers, not drivers? Why We Drive reveals that much more may be at stake than we might think. Ten years ago, in the New York Times-bestselling Shop Class as Soulcraft, philosopher-mechanic Matthew B. Crawford--a University of Chicago PhD who owned his own motorcycle shop--made a revolutionary case for manual labor, one that ran headlong against the pretentions of white-collar office work. Now, using driving as a window through which to view the broader changes wrought by technology on all aspects of contemporary life, Crawford investigates the driver's seat as one of the few remaining domains of skill, exploration, play--and freedom. Blending philosophy and hands-on storytelling, Crawford grounds the narrative in his own experience in the garage and behind the wheel, recounting his decade-long restoration of a vintage Volkswagen as well as his journeys to thriving automotive subcultures across the country. Crawford leads us on an irreverent but deeply considered inquiry into the power of faceless bureaucracies, the importance of questioning mindless rules, and the battle for democratic self-determination against the surveillance capitalists. A meditation on the competence of ordinary people, Why We Drive explores the genius of our everyday practices on the road, the rewards of "folk engineering," and the existential value of occasionally being scared shitless. Witty and ingenious throughout, Why We Drive is a rebellious and daring celebration of the irrepressible human spirit.
Subjects: Crawford, Matthew B.; Automated vehicles; Technological innovations; Automobile driving;

War at the margins : Indigenous experiences in World War II / by Poyer, Lin,1953-author.;
Includes bibliographical references (pages 259-306) and index."War at the Margins offers a broad comparative view of the impact of World War II on Indigenous societies. Using historical and ethnographic sources, Lin Poyer examines how Indigenous communities emerged from the trauma of the wartime era with social forms and cultural ideas that laid the foundations for their twenty-first century emergence as players on the world's political stage. With a focus on Indigenous voices and agency, a global overview reveals the enormous range of wartime activities and impacts on these groups, connecting this work with comparative history, Indigenous studies, and anthropology. The distinctiveness of Indigenous peoples offers a valuable perspective on World War II, as those on the margins of Allied and Axis empires and nation-states were drawn in as soldiers, scouts, guides, laborers, and victims. Questions of loyalty and citizenship shaped Indigenous combat roles-from integration in national armies to service in separate ethnic units to unofficial use of their special skills, where local knowledge tilted the balance in military outcomes. Front lines crossed Indigenous territory most consequentially in northern Europe, Southeast Asia, and the Pacific Islands, but the impacts of war go well beyond combat. Like others around the world, Indigenous civilian men and women suffered bombing and invasion, displacement, forced labor, military occupation, and economic and social disruption. Infrastructure construction and demand for key resources affected even areas far from front lines. World War II dissolved empires and laid the foundation for the postcolonial world. Indigenous people in newly independent nations struggled for autonomy, while other veterans returned to home fronts still steeped in racism. National governments saw military service as evidence that Indigenous peoples wished to assimilate, but wartime experiences confirmed many communities' commitment to their home cultures and opened new avenues for activism. By century's end, Indigenous Rights became an international political force, offering alternative visions of how the global order might make room for greater local self-determination and cultural diversity. In examining this transformative era, War at the Margins adds an important contribution to both World War II history and to the development of global Indigenous identity"--
Subjects: Indigenous peoples; World War, 1939-1945; World War, 1939-1945;

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