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Tales from a not-so-popular party girl [sound recording] / by Russell, Rachel Renee.; Quintal, Lana.;
Director and producer, Karen DiMattia.Read by Lana Quintal.Nikki's diary describes a frightful Halloween, on which she helps with her sister's ballet class party at the same time she is Brandon's date for their middle school Halloween dance.009-013.
Subjects: Children's audiobooks.; Diaries; Friendship; Halloween; Middle schools;
© p2010., Simon & Schuster Audio,

Angelina Ballerina tries again / by Holabird, Katharine.; Craig, Helen.; Deas, Mike,1982-;
Angelina is chosen as the lead dancer in the upcoming ballet at the Royal Palace. But she is so nervous that she keeps falling during her dance. Will she get it right before the big performance?LSC
Subjects: Angelina Ballerina (Fictitious character); Mice; Dancers; Ballerinas; Persistence;

Crushed / by Zuravicky, Orli.;
Lucy is ready for her next challenge at Limbo Central Middle School: joining a club. Or actually, forming one. Lucy and her best friend Cecily were awesome ballet dancers in life, so obviously they can start a Dance Club in the Afterlife! Not according to Georgia Sinclaire. The head of the Cheerleading squad wants to forbid cheerleaders from even trying out for Dance Club! Who knew starting a Dance Club would be all about drama?Grade 4.4th-7th graders.LSC
Subjects: Future life; Middle schools; Dance; Clubs; Friendship; Paranormal fiction.;

Don't think, dear : on loving & leaving ballet / by Robb, Alice,author.;
Includes bibliographical references and index."An incisive exploration of ballet's role in the modern world, told through the experience of the author and her classmates at the most elite ballet school in the country: the School of American Ballet. Ballet is an art full of hyper-feminine trappings, but beneath the ornate costumes and exaggerated stage makeup, traits like thinness, stoicism, and submission are valued above all else. Journalist Alice Robb spent years immersed in that universe as a child, but as an adult, she couldn't shake the feeling that the same laws that governed the dance world still applied in the regular one. Certain bodies hold more value than others, and men oftentimes hold the most power of all. Pain is best left concealed, along with sexuality, in all of its messiness. Obedience and conformity are rewarded, while standing out comes at a cost. Profound, nuanced, and obsessively researched, Don't Think, Dear, is Robb's excavation of her adolescent years as a dancer, and an exploration of how those days informed her life for years to come. As she grapples with the pressure she faced as a student at the storied School of American Ballet, she explores the fates of her former classmates as well. From sweet and shy Emily--whose body was deemed "thin enough" only when she was too ill to eat--to the precocious and talented Meiying--who despite her success, had to contend with the fact that she was the only Vietnamese-American in the school. Altogether, their stories are ones of heartbreak and resilience, of reinvention and regret. Along the way, Robb weaves in the myths of famous ballerinas past and present, from the groundbreaking Misty Copeland, to the controversial George Balanchine. Ballet does not exist in a vacuum, it is a laboratory of womanhood, a test-tube world in which traditional femininity is exaggerated. By exploring the psyche of a dancer, Don't Think, Dear grapples with the contradictions and challenges of being a woman today. It's also a story about chasing your dreams, however complicated, and learning when to let them go"--
Subjects: Biographies.; Personal narratives.; Robb, Alice.; School of American Ballet; Ballerinas; Ballerinas; Ballet;

Dancing with Diana / by Allan, Anne(Dance teacher),author.;
""Dancing makes you feel heaps better" -- Diana. In 1981, after the wedding of the century, Anne Allan, a dancer, and ballet mistress with the London City Ballet, was offered an unusual assignment. Her Royal Highness Diana, the Princess of Wales, wanted dance lessons. Would Anne be her teacher? Anne and her royal pupil were soon meeting at a private studio for the first of hundreds of secret weekly one-hour lessons that were never on the princess's official schedule and never be discovered by the ever-lurking press. Under Anne's direction, Diana mounted her spectacular debut on the stage of Covent Garden, videotaped a solo performance at Her Majesty's Theatre, and made clandestine backstage visits to ballets and West End shows for the Princess to get as close as she could to the lives and work of real dancers. Over the course of nine years, teacher and pupil became close friends. Diana appreciated having an outsider to whom she could speak candidly about her personal challenges and her place in the royal world. They would talk, laugh, cry, and -- always -- dance. Most importantly, Diana learned to express her true self in physical movement. By her last class, the Princess had learned to carry herself with confidence, poise, and grace, both inside and outside the studio. Dance, says Anne, had "nourished and renewed her soul.""--
Subjects: Biographies.; Autobiographies.; Personal narratives.; Allan, Anne (Dance teacher); Diana, Princess of Wales, 1961-1997.; Dance teachers; Dance teachers; Dance;

The wind at my back : resilience, grace, and other gifts from my mentor, Raven Wilkinson / by Copeland, Misty,author.;
Includes bibliographical references and index."Misty Copeland made history as the first African-American principal ballerina at the American Ballet Theatre. Her talent, passion, and perseverance enabled her to make strides no one had accomplished before. But as she will tell you, achievement never happens in a void. Behind her, supporting her rise was her mentor, Raven Wilkinson, who had been virtually alone in her quest to breach the all-white ballet world when she fought to be taken seriously as a black ballerina in the 1950s and 60s. A trailblazer in the world of ballet decades before Misty's time, Raven faced overt and casual racism, hostile crowds, and death threats for having the audacity to dance ballet. The Wind at My Back tells the story of two unapologetically Black ballerinas, their friendship, and how they changed each other--and the dance world--forever. Misty Copeland shares her own struggles with racism and exclusion in her pursuit of this dream career and honors the women like Raven who paved the way for her but whose contributions have gone unheralded. She celebrates the connection she made with Raven, the only teacher who could truly understand the obstacles she faced, beyond the technical or artistic demands. A beautiful and wise memoir of intergenerational friendship and the impressive journeys of two remarkable women, The Wind at My Back captures the importance of mentorship, of shared history, and of respecting the past to ensure a stronger future"--
Subjects: Biographies.; Personal narratives.; Copeland, Misty.; Wilkinson, Raven.; African American ballerinas; African American ballerinas; Ballerinas; Ballet dancers; Ballet; Mentoring in the arts; Racism;

Cats [videorecording] / by Corden, James,actor.; Dench, Judi,1934-actor.; Derulo, Jason,1989-actor.; Elba, Idris,actor.; Hayward, Francesca,1992-actor.; Hudson, Jennifer,1981-actor.; McKellen, Ian,actor.; Swift, Taylor,1989-actor.; Wilson, Rebel,actor.; Winstone, Ray,1957-actor.; Hooper, Tom,1972-film director.; Universal Pictures Home Entertainment (Firm),film distributor.;
Idris Elba, Ian Mckellen, Rebel Wilson, Judi Dench, Taylor Swift, James Corden, Ray Winstone, Francesca Hayward, Jennifer Hudson, Jason Derulo.Oscar-winning director Tom Hooper transforms Andrew Lloyd Webber's record-shattering stage musical into a breakthrough cinematic event. The film reimagines the musical for a new generation with spectacular production design, state-of-the-art technology, and dance styles ranging from classical ballet to contemporary, hip-hop to jazz, street dance to tap. One of the longest-running shows in West End and Broadway history, it won seven Tony Awards, including Best Musical, and ran for eighteen years.Canadian Home Video Rating: G.Blu-ray disc (requires Blu-ray player for playback) ; anamorphic widescreen format (2.39:1 aspect ratio) ; Dolby Atmos, 2.0 DVS ; DTS-HD Digital surround 5.1.
Subjects: Musical films.; Feature films.; Video recordings for the hearing impaired.; Video recordings for people with visual disabilities.; Cats;
For private home use only.

The turnout : a novel / by Abbott, Megan E.,1971-author.;
Dara and Marie Durant have been dancers since they can remember. Now, they both teach in the family dance studio. When a suspicious accident occurs right before a big performance, the balance of sisterhood is threatened and family tensions rise.
Subjects: Thrillers (Fiction); Psychological fiction.; Ballet dancers; Businesswomen; Sisters;

The turnout [sound recording] : a novel / by Abbott, Megan E.,1971-author.; Campbell, Cassandra,narrator.; Penguin Audio (Firm),publisher.;
Read by Cassandra Campbell.Dara and Marie Durant have been dancers since they can remember. Now, they both teach in the family dance studio. When a suspicious accident occurs right before a big performance, the balance of sisterhood is threatened and family tensions rise.
Subjects: Audiobooks.; Psychological fiction.; Thrillers (Fiction); Ballet dancers; Businesswomen; Sisters;

They're going to love you : a novel / by Howrey, Meg,author.;
"A magnetic tale of betrayal, art, and ambition, set in the world of professional ballet, New York City during the AIDS crisis, and present-day Los Angeles. Carlisle Martin dreams of becoming a professional ballet dancer just like her mother, Isabel, a former Balanchine ballerina. Since they live in Ohio, she only gets to see her father Robert for a few precious weeks a year when she visits Greenwich Village, where he lives in an enchanting apartment on Bank Street with his partner, James. Brilliant but troubled, James gives Carlisle an education in all that he holds dear in life-literature, music, and most of all, dance. Seduced by the heady pull of mentorship and the sophistication of their lives, Carlisle's aspiration to become a dancer herself blooms, born of her desire to be asked to stay at Bank Street, to be included in Robert and James' world even as AIDS brings devastation to their community. Instead, a passionate love affair creates a rift between them, with devastating consequences that reverberate for decades to come. Nineteen years later, Carlisle receives a phone call which unravels the fateful events of her life, causing her to see with new eyes how her younger self has informed the woman she's become."--
Subjects: Bildungsromans.; Novels.; AIDS (Disease); Ballerinas; Gay men;

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