Search results for [Beatles.] at Tsuga Consortium

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Madonna : a rebel life / by Gabriel, Mary,author.;

Includes bibliographic key to online citations and index."With her arrival on the pop music scene in the early 1980s, Madonna generated nothing short of an explosion-as great as that of Elvis or the Beatles or Michael Jackson-taking the nation by storm with her liberated politics and breathtaking talent. Within two years of her 1983 debut album, a shopping mall in California was nicknamed "The Madonna Mall" because it was overrun with "Material Girls." Later that year, the flagship Macy's store in Manhattan held a Madonna lookalike contest featuring Andy Warhol as a judge, and opened a department called "Madonna-land." Everywhere, both women and men gravitated to the singer and actor as an emblem of a new age, one in which the women's liberation could shed the buttoned-down demeanor and reserved seriousness of the '60s and '70s and continue to make tremendous strides for a new generation. Topping charts again and again with provocative, visionary music and videos, Madonna brought queer and sexually-curious identities into the mainstream, fiercely defending a person's right to love whomever, and the space to be who they wanted. Even after almost 45 years in the spotlight, no stranger to controversy, Madonna stands as one of the staunchest supporters of women's rights and continues to represent a lionized emblem of women's liberation throughout the world"--

Subjects: Biographies.; Madonna, 1958-; Singers; Women singers;

72 stories : from the baseball collection of Geddy Lee / by Lee, Geddy,author.;

One of the greatest bass players of all time, Geddy Lee is also a self-proclaimed baseball geek who assembled a noted collection of baseballs signed by some of the game's greatest players--selections from which he recently auctioned at Christie's. In 72 Stories: From the Baseball Collection of Geddy Lee, Geddy shares his love of the game and the stories behind some of his favorite baseballs and other items from his vast collection. "Baseball was in my bones long before music started to seriously divert my attention," Geddy writes. He later sang the national anthem at the 1993 All-Star Game in Baltimore, cheers for the Toronto Blue Jays from his seat behind home plate and attends MLB games across Canada and the US. That lifelong love of the game comes through in 72 Stories. Told with the same charming candor that infused both of his memoir, My Effin' Life, and Geddy Lee's Big Beautiful Book of Bass, the stories told here relate to the legends of baseball--Satchel Paige, Joe Dimaggio, Shohei Ohtani among them--and to other famous figures who signed balls, such as the Beatles (during their final concert at Shea Stadium), Neil Armstrong, and John F. Kennedy. A lively personal tour through cultural and sports history, illustrated with more than 180 color photographs, 72 Stories: From the Baseball Collection of Geddy Lee is a delightful and loving tribute to the game.

Subjects: Lee, Geddy.; Baseballs; Baseball; Baseball; Baseball fans;

My effin' life / by Lee, Geddy,author.; Richler, Daniel,author.;

"The long-awaited memoir, generously illustrated with never-before-seen photos, from the iconic Rock and Roll Hall of Famer, Rush bassist, and bestselling author of Geddy Lee's Big Beautiful Book of Bass. Geddy Lee is one of rock and roll's most respected bassists. For nearly five decades, his playing and work as co-writer, vocalist and keyboardist has been an essential part of the success story of Canadian progressive rock trio Rush. Here for the first time is his account of life inside and outside the band. Long before Rush accumulated more consecutive gold and platinum records than any rock band after the Beatles and the Rolling Stones, before the seven Grammy nominations or the countless electrifying live performances across the globe, Geddy Lee was Gershon Eliezer Weinrib, after his grandfather murdered in the Holocaust. As he recounts the transformation, Lee looks back on his family, in particular his loving parents and their horrific experiences as teenagers during World War II. He talks candidly about his childhood and the pursuit of music that led him to drop out of high school. He tracks the history of Rush which, after early struggles, exploded into one of the most beloved bands of all time. He shares intimate stories of his lifelong friendships with bandmates Alex Lifeson and Neil Peart--deeply mourning Peart's recent passing--and reveals his obsessions in music and beyond. This rich brew of honesty, humor, and loss makes for a uniquely poignant memoir"--

Subjects: Biographies.; Autobiographies.; Lee, Geddy.; Rush (Musical group); Bass guitarists; Rock musicians;

My effin' life [sound recording] / by Lee, Geddy,author,narrator.; Lifeson, Alex,narrator.; Burnstein, Cliff,narrator.; Richler, Daniel,author.; Blackstone Audio, Inc.,publisher.; Harper Audio (Firm),publisher.;

Read by Geddy Lee, Alex Lifeson, Cliff Burnstein."The long-awaited memoir, generously illustrated with never-before-seen photos, from the iconic Rock and Roll Hall of Famer, Rush bassist, and bestselling author of Geddy Lee's Big Beautiful Book of Bass. Geddy Lee is one of rock and roll's most respected bassists. For nearly five decades, his playing and work as co-writer, vocalist and keyboardist has been an essential part of the success story of Canadian progressive rock trio Rush. Here for the first time is his account of life inside and outside the band. Long before Rush accumulated more consecutive gold and platinum records than any rock band after the Beatles and the Rolling Stones, before the seven Grammy nominations or the countless electrifying live performances across the globe, Geddy Lee was Gershon Eliezer Weinrib, after his grandfather murdered in the Holocaust. As he recounts the transformation, Lee looks back on his family, in particular his loving parents and their horrific experiences as teenagers during World War II. He talks candidly about his childhood and the pursuit of music that led him to drop out of high school. He tracks the history of Rush which, after early struggles, exploded into one of the most beloved bands of all time. He shares intimate stories of his lifelong friendships with bandmates Alex Lifeson and Neil Peart--deeply mourning Peart's recent passing--and reveals his obsessions in music and beyond. This rich brew of honesty, humor, and loss makes for a uniquely poignant memoir"--

Subjects: Biographies.; Audiobooks.; Autobiographies.; Lee, Geddy.; Rush (Musical group); Bass guitarists; Rock musicians; Rock groups;

The other fab four : the remarkable true story of The Liverbirds, Britain's first female rock band / by McGlory, Mary,author.; Saunders, Sylvia,author.;

Includes bibliographical references."When John Lennon told the four members of The Liverbirds-Britain's first female rock band-that girls couldn't play guitar, they proved him wrong. This is their story. The idea for Britain's first female rock band, The Liverbirds, started one evening in 1962, when Mary McGlory, then age 16, saw The Beatles play live at The Cavern Club in Liverpool, the nightclub famously known as the "cradle of British pop music." Then and there, she decided she was going to be just like them-and be the first girl to do it. Joining ranks in 1963 with three other working-class girls from Liverpool-drummer Sylvia Saunders and guitarists Valerie Gell and Pamela Birch, also self-taught musicians determined to "break the male monopoly of the beat world"-The Liverbirds went on to tour alongside the Rolling Stones, the Kinks, and Chuck Berry, and were on track to hit international stardom-until life intervened, and the group was forced to disband just five years after forming in 1968. Now, Mary and Sylvia, the band's two surviving members, are ready to tell their stories. From that fateful night in 1962, when Mary, who once aspired to become a nun, decided to provide for her family by becoming a rich-and-famous rocker, to the circumstances that led to the band splitting up-Sylvia's dangerously complicated pregnancy, and the tragic accident that paralyzed Valerie's beau-The Liverbirds tackles family, friendship, addiction, aging, and the forces-even destiny-that initially brought the four women together"--

Subjects: Biographies.; Personal narratives.; Liverbirds (Musical group); Rock groups; Rock musicians; Women rock musicians;

Off the record / by Mansbridge, Peter,author.;

Peter Mansbridge invites us to walk the beat with him in this entertaining and revealing look into his life and career, from his early broadcasting days in the remote northern Manitoba community of Churchill to the fast-paced news desk of CBCs flagship show, The National, where he reported on stories from around the world. Today, Peter Mansbridge is often recognized for his distinctive deep voice, which calmly delivered the news for over fifty years. But ironically, he never considered becoming a broadcaster. In some ways, though, Peter was prepared for a life as a newscaster from an early age. Every night around the dinner table, his family would debate the news of the day, from Cold War scandals and Vietnam to Elvis Presley and the Beatles. So in 1968, when by chance a CBC radio manager in Churchill, Manitoba, offered him a spot hosting the local late night music program, Peter embraced the opportunity. Without a teacher, he tuned into broadcasts from across Canada, the US, and the UK to learn the basic skills of a journalist and he eventually parlayed his position into his first news job. Less than twenty years later, he became the chief correspondent and anchor of The National. With humour and heart, Peter shares never-before-told stories from his distinguished career, including reporting on the fall of the Berlin Wall and the horror of 9/11, walking the beaches of Normandy with Tom Brokaw, and talking with Canadian prime ministers from John Diefenbaker to Justin Trudeau. But its far from all serious. Peter also writes about finding the cure for baldness in China and landing the role of Peter Moosebridge in Disneys Zootopia. From the first (and only) time he was late to broadcast to his poignant interview with the late Gord Downie, these are the moments that have stuck with him. After years of interviewing others, Peter turns the lens on himself and takes us behind the scenes of his life on the frontlines of journalism as he reflects on the toll of being in the spotlight, the importance of diversity

Subjects: Biographies.; Autobiographies.; Mansbridge, Peter.; Canadian Broadcasting Corporation; Television news anchors; Television news anchors;

Testimony / by Robertson, Robbie,author.;

"On the fortieth anniversary of The Band's legendary The Last Waltz concert, Robbie Robertson finally tells his own spellbinding story of the band that changed music history, his extraordinary personal journey, and his creative friendships with some of the greatest artists of the last half-century. Robbie Robertson's singular contributions to popular music have made him one of the most beloved songwriters and guitarists of his time. With songs like "The Weight", "The Night They Drove Old Dixie Down", and "Up on Cripple Creek", he and his partners in The Band fashioned music that has endured for decades, influencing countless musicians. In this captivating memoir, written over five years of reflection, Robbie Robertson employs his unique storyteller's voice to weave together the journey that led him to some of the most pivotal events in music history. He recounts the adventures of his half-Jewish, half-Mohawk upbringing on the Six Nations Indian Reserve and on the gritty streets of Toronto; his odyssey at sixteen to the Mississippi Delta, the fountainhead of American music; the wild, early years on the road with rockabilly legend Ronnie Hawkins and The Hawks; his unexpected ties to the Cosa Nostra underworld; the gripping trial-by-fire "going electric" with Bob Dylan on his 1966 world tour, and their ensuing celebrated collaborations; the formation of The Band and the forging of their unique sound, culminating with history's most famous farewell concert, brought to life for all time in Martin Scorsese's great movie The Last Waltz. This is the story of a time and place - the moment when rock 'n' roll became life, when legends like Buddy Holly and Bo Diddley crisscrossed the circuit of clubs and roadhouses from Texas to Toronto, when The Beatles, Hendrix, The Stones, and Warhol moved through the same streets and hotel rooms. It's the story of exciting change as the world tumbled through the '60s and early '70s, and a generation came of age, built on music, love, and freedom. Above all, it's the moving story of the profound friendship among five young men who together created a new kind of popular music. Testimony is Robbie Robertson's story, lyrical and true, as only he could tell it."--

Subjects: Biographies.; Robertson, Robbie.; Band (Musical group); Rock musicians;

Do you feel like I do? : a memoir / by Frampton, Peter,author.; Light, Alan,author.;

"A revelatory memoir by rock icon and legendary guitarist Peter Frampton"--"Do You Feel Like I Do? is the incredible story of Peter Frampton's positively resilient life and career told in his own words for the first time. His monu-mental album Frampton Comes Alive! spawned three top-twenty singles and sold eight million copies the year it was released (more than seventeen million to date), and it was inducted into the Grammy Hall of Fame in January 2020. Frampton was on a path to stardom from an early age, first as the lead singer and guitarist of the Herd and then as cofounder -- along with Steve Marriott -- of one of the first supergroups, Humble Pie. Frampton was part of a tight-knit collective of British '60s musicians with close ties to the Rolling Stones, the Beatles, and the Who. This led to Frampton playing on George Harrison's solo debut, All Things Must Pass, as well as to Ringo Starr and Billy Preston appearing on Frampton's own solo debut. By age twenty-two, Frampton was touring incessantly and finding new sounds with the talk box, which would become his signature guitar effect. Frampton remembers his enduring friendship with David Bowie. Growing up as schoolmates, crossing paths throughout their careers, and playing together on the Glass Spider Tour, the two developed an unshakable bond. Frampton also shares fascinating stories of his collaborative work with Harry Nilsson, Stevie Wonder, B. B. King, and members of Pearl Jam. He reveals both the blessing and curse of Frampton Comes Alive!, opening up about becoming the cover boy he never wanted to be, his overcoming sub-stance abuse, and how he has continued to play and pour his heart into his music despite an inflammatory muscle disease and his retirement from the road. Peppered throughout his narrative is the story of his favorite guitar, the Phenix, which he thought he'd lost in a fiery plane crash in 1980. But in 2011, it mysteriously showed up again -- saved from the wreckage. Frampton tells of that unlikely reunion here in full for the first time, and why the miraculous reappearance is emblematic of his life and career as a quintessential artist"--Jacket flap.

Subjects: Biographies.; Autobiographies.; Frampton, Peter.; Rock musicians; Guitarists;

This woman's work : essays on music / by Gleeson, Sinéad,editor.; Gordon, Kim,editor.;

"THIS WOMAN'S WORK is a collection of essays by 18 female writers, writing about exclusively female experiences in music, co-edited by Sonic Youth co-founder Kim Gordon and Irish author Sinead Gleeson. This book celebrates the instrument makers, the experimentalists, the harmonizers, the avant-garde, the genre-breakers, the pop queens, and all those on the margins who expose the lack of intersectionality in this industry. For a long time, the narrative of music has been male-centered and hyper-masculine. The purpose of the women within it was to orbit these men: swooning to Elvis, screaming en-masse at Beatles gigs, or trying to get backstage to sleep with the rock bad boys. When women gained visibility in the music of the 1960s, they were-again-allocated specific tropes: backing singer, lone woman in the band, Motown trios singing innocuous love songs. In the 1970s, at the time Kate Bush became the first woman (at just 17) to have a number one with song she'd written herself, the women of punk began to make their voices heard. But many didn't like these acts of assertion; the femaleness, the raging against gender stereotypes, the Amazonian loudness of it all. Joan Jett recalls being knocked over on stage by flying bottles; The Slits were chased and threatened after gigs and their singer Ari Up was stabbed twice. Even as late as the 1980s, as hip hop gained prominence, it made room for only a handful of women, while trading in misogynist rhymes, where women could only be hoes, bitches or gold diggers. How were young female rappers of color to participate when they didn't see themselves represented in that culture? Trapped within an entertainment industry relentlessly catering to men, these rappers, and many other budding female musicians across a variety of genres in modern music, were often othered and exoticized-until the moment when they dared to own it. To speak up. To shout louder. Digging into the depths of an industry hard-coded for sexism, THIS WOMAN'S WORK is an ode to the thousands of women in music whose stories we don't know. Pioneers whose achievements are undervalued, often by virtue of their gender, or because someone else (many times, a man) took credit for it. Featuring brand new essays from notable feminist writers like Ottessa Moshfegh, Juliana Huxtable, Maggie Nelson, Rachel Kushner, Leslie Jamison, and more, THIS WOMAN'S WORK reminds us to pay our respects to the women who shattered ceilings and kicked in doors, vastly expanding the spectrum of women's influence in the world of modern music"--

Subjects: Essays.; Misogyny.; Music.; Women musicians.;

Unrequited infatuations : odyssey of a rock and roll consigliere : (a cautionary tale) / by Van Zandt, Steve,author.; Greenman, Ben,editor.;

Uncover never-before-told stories in this epic tale of self-discovery by a Rock n Roll disciple and member of the E Street Band. What story begins in a bedroom in suburban New Jersey in the early '60s, unfolds on some of the country's largest stages, and then ranges across the globe, demonstrating over and over again how Rock and Roll has the power to change the world for the better? This story. The first true heartbeat of Unrequited Infatuations is the moment when Stevie Van Zandt trades in his devotion to the Baptist religion for an obsession with Rock and Roll. Groups like the Beatles and the Rolling Stones created new ideas of community, creative risk, and principled rebellion. They changed him forever. While still a teenager, he met Bruce Springsteen, a like-minded outcast/true believer who became one of his most important friends and bandmates. As Miami Steve, Van Zandt anchored the E Street Band as they conquered the Rock and Roll world. And then, in the early '80s, Van Zandt stepped away from E Street to embark on his own odyssey. He refashioned himself as Little Steven, a political songwriter and performer, fell in love with Maureen Santoro who greatly expanded his artistic palette, and visited the world's hot spots as an artist/journalist to not just better understand them, but to help change them. Most famously, he masterminded the recording of "Sun City," an anti-apartheid anthem that sped the demise of South Africa's institutionalized racism and helped get Nelson Mandela out of prison. By the '90s, Van Zandt had lived at least two lives--one as a mainstream rocker, one as a hardcore activist. It was time for a third. David Chase invited Van Zandt to be a part of his new television show, the Sopranos--as Silvio Dante, he was the unconditionally loyal consiglieri who sat at the right hand of Tony Soprano (a relationship that oddly mirrored his real-life relationship with Bruce Springsteen). Underlying all of Van Zandt's various incarnations was a devotion to preserving the centrality of the arts, especially the endangered species of Rock. In the twenty-first century, Van Zandt founded a groundbreaking radio show (Little Steven's Underground Garage), created the first two 24/7 branded music channels on SiriusXM (Underground Garage and Outlaw Country), started a fiercely independent record label (Wicked Cool), and developed a curriculum to teach students of all ages through the medium of music history. He also rejoined the E Street Band for what has now been a twenty-year victory lap. ​Unrequited Infatuations chronicles the twists and turns of Stevie Van Zandt's always surprising life. It is more than just the testimony of a globe-trotting nomad, more than the story of a groundbreaking activist, more than the odyssey of a spiritual seeker, and more than a master class in rock and roll (not to mention a dozen other crafts). It's the best book of its kind because it's the only book of its kind.

Subjects: Biographies.; Autobiographies.; Van Zandt, Steve.; Rock musicians;

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