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- This woman's work : essays on music / by Gleeson, Sinéad,editor.; Gordon, Kim,editor.;
- "THIS WOMAN'S WORK is a collection of essays by 18 female writers, writing about exclusively female experiences in music, co-edited by Sonic Youth co-founder Kim Gordon and Irish author Sinead Gleeson. This book celebrates the instrument makers, the experimentalists, the harmonizers, the avant-garde, the genre-breakers, the pop queens, and all those on the margins who expose the lack of intersectionality in this industry. For a long time, the narrative of music has been male-centered and hyper-masculine. The purpose of the women within it was to orbit these men: swooning to Elvis, screaming en-masse at Beatles gigs, or trying to get backstage to sleep with the rock bad boys. When women gained visibility in the music of the 1960s, they were-again-allocated specific tropes: backing singer, lone woman in the band, Motown trios singing innocuous love songs. In the 1970s, at the time Kate Bush became the first woman (at just 17) to have a number one with song she'd written herself, the women of punk began to make their voices heard. But many didn't like these acts of assertion; the femaleness, the raging against gender stereotypes, the Amazonian loudness of it all. Joan Jett recalls being knocked over on stage by flying bottles; The Slits were chased and threatened after gigs and their singer Ari Up was stabbed twice. Even as late as the 1980s, as hip hop gained prominence, it made room for only a handful of women, while trading in misogynist rhymes, where women could only be hoes, bitches or gold diggers. How were young female rappers of color to participate when they didn't see themselves represented in that culture? Trapped within an entertainment industry relentlessly catering to men, these rappers, and many other budding female musicians across a variety of genres in modern music, were often othered and exoticized-until the moment when they dared to own it. To speak up. To shout louder. Digging into the depths of an industry hard-coded for sexism, THIS WOMAN'S WORK is an ode to the thousands of women in music whose stories we don't know. Pioneers whose achievements are undervalued, often by virtue of their gender, or because someone else (many times, a man) took credit for it. Featuring brand new essays from notable feminist writers like Ottessa Moshfegh, Juliana Huxtable, Maggie Nelson, Rachel Kushner, Leslie Jamison, and more, THIS WOMAN'S WORK reminds us to pay our respects to the women who shattered ceilings and kicked in doors, vastly expanding the spectrum of women's influence in the world of modern music"--
- Subjects: Essays.; Misogyny.; Music.; Women musicians.;
- Unrequited infatuations : odyssey of a rock and roll consigliere : (a cautionary tale) / by Van Zandt, Steve,author.; Greenman, Ben,editor.;
- Uncover never-before-told stories in this epic tale of self-discovery by a Rock n Roll disciple and member of the E Street Band. What story begins in a bedroom in suburban New Jersey in the early '60s, unfolds on some of the country's largest stages, and then ranges across the globe, demonstrating over and over again how Rock and Roll has the power to change the world for the better? This story. The first true heartbeat of Unrequited Infatuations is the moment when Stevie Van Zandt trades in his devotion to the Baptist religion for an obsession with Rock and Roll. Groups like the Beatles and the Rolling Stones created new ideas of community, creative risk, and principled rebellion. They changed him forever. While still a teenager, he met Bruce Springsteen, a like-minded outcast/true believer who became one of his most important friends and bandmates. As Miami Steve, Van Zandt anchored the E Street Band as they conquered the Rock and Roll world. And then, in the early '80s, Van Zandt stepped away from E Street to embark on his own odyssey. He refashioned himself as Little Steven, a political songwriter and performer, fell in love with Maureen Santoro who greatly expanded his artistic palette, and visited the world's hot spots as an artist/journalist to not just better understand them, but to help change them. Most famously, he masterminded the recording of "Sun City," an anti-apartheid anthem that sped the demise of South Africa's institutionalized racism and helped get Nelson Mandela out of prison. By the '90s, Van Zandt had lived at least two lives--one as a mainstream rocker, one as a hardcore activist. It was time for a third. David Chase invited Van Zandt to be a part of his new television show, the Sopranos--as Silvio Dante, he was the unconditionally loyal consiglieri who sat at the right hand of Tony Soprano (a relationship that oddly mirrored his real-life relationship with Bruce Springsteen). Underlying all of Van Zandt's various incarnations was a devotion to preserving the centrality of the arts, especially the endangered species of Rock. In the twenty-first century, Van Zandt founded a groundbreaking radio show (Little Steven's Underground Garage), created the first two 24/7 branded music channels on SiriusXM (Underground Garage and Outlaw Country), started a fiercely independent record label (Wicked Cool), and developed a curriculum to teach students of all ages through the medium of music history. He also rejoined the E Street Band for what has now been a twenty-year victory lap. ​Unrequited Infatuations chronicles the twists and turns of Stevie Van Zandt's always surprising life. It is more than just the testimony of a globe-trotting nomad, more than the story of a groundbreaking activist, more than the odyssey of a spiritual seeker, and more than a master class in rock and roll (not to mention a dozen other crafts). It's the best book of its kind because it's the only book of its kind.
- Subjects: Biographies.; Autobiographies.; Van Zandt, Steve.; Rock musicians;
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