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- Hope is a woman's name : my journey as a Bedouin Palestinian activist in Israel / by El'Sana-Alh'jooj, Amal,author.;
- "At birth it was only Amal's father who looked at her and said "I see hope in her face. I want to call her 'Amal' -- meaning 'Hope' -- in the hope that Allah will give us boys after her." The fifth daughter in a patriarchal society and an indigenous Bedouin in a Jewish state, Amal Elsana came into this world fighting for her right to exist. Today she is a key shaper of public opinion on Israel's marginalized minorities. Hope is a Woman's Name tells of Amal's journey navigating interweaving systems of power and oppression -- the patriarchal and the nationalist -- in her fight for justice and equality. As a shepherd at the age of 5, she led her flock across the green mountains of Laqiya, her village in the Negev in southern Israel, and later ran literacy classes for the women in her tribe in her early teens, the beginning of a lifelong career organizing people to promote policy change for Israel's Bedouin, a minority within the Palestinian minority. She later established economic empowerment programs for marginalized women, helping to found an Arab-Jewish school, and creating organizations to promote shared society. Where others come up against obstacles, Amal builds bridges; not by sacrificing her identity, but by embracing it. Each thread of her identity -- Bedouin, Arab, woman, feminist, Palestinian and Israeli -- is woven into the tent of her life, a tent where no one is left out in the sun."--
- Subjects: Biographies.; Autobiographies.; El'Sana-Alh'jooj, Amal.; Bedouins; Feminists; Minorities; Palestinian Arabs; Political activists; Women, Bedouin; Women, Palestinian Arab; Women's rights;
- Standing Above the Clouds. by Keane-Lee, Jalena,film director.; Collective Eye Films (Firm),dst; Kanopy (Firm),dst;
- Originally produced by Collective Eye Films in 2024.STANDING ABOVE THE CLOUDS highlights the movement to protect Mauna Kea through the intergenerational stories of women in three Native Hawaiian families as they stand for the sacred mountain. The film follows teacher and community organizer Pua Case and her two daughters — artist-activists Hāwane Rios and Kapulei Flores — who have been called to stop the telescope since 2010. Their lives quickly become consumed with frontline actions and court proceedings and immersed in ceremonies and cultural practices. As they face opposition and arrests, they are joined by the families of Mehana and Leina'ala and a community who have dedicated their lives to protecting Mauna Kea.The film is an intimate journey through the women’s lives both on and off the mountain, and explores the physical and emotional toll of sustaining a grassroots movement. After nine months of living on the mountain, blocking construction, and establishing a frontline camp, STANDING ABOVE THE CLOUDS shows their journey to heal once they return to their homes in March 2020. In the face of challenges and tragedy, the mountain gifts each woman with hope and strength and the understanding that victory is in standing in unity for sacred places and that healing occurs through the sisterhood they have created along the way.Mode of access: World Wide Web.
- Subjects: Documentary films.; Science.; Social sciences.; Environmental sciences.; Americans.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; Women's studies.; Current affairs.; Indigenous peoples.; Indians of North America.; Environmentalism.; Political participation.; Asian Americans.; Women social reformers.; Hawaii.;
- In the Upper Country / by Thomas, Kai,author.;
- "Young Lensinda Martin is a protegee of a crusading Black journalist and activist in mid-18th century southwestern Ontario, finding a home in a community founded by veterans of the War of 1812 and refugees from the slave-owning states of the American south--whose agents do not always stay on their side of the border. One night, a neighbouring farmer summons Lensinda after a slave hunter is shot dead on his land by an old woman recently arrived via the Underground Railroad. When the old woman, whose name is Cash, refuses to flee before the authorities arrive, the farmer urges Lensinda to gather testimony from her before Cash is condemned. But Cash doesn't want to confess--instead she proposes a barter: A story for a story. And so begins an extraordinary exchange of life stories that reveal the interwoven history of Canada and the United States; of Indigenous peoples from a wide swath of what is called North America and the Black men and women brought here into slavery and their free descendents on both sides of the border. As Cash's time runs out, Lensinda realizes she knows far less than she believed, not only about the complicated tapestry of her people's ancestry, but also of her own family history. And it seems that Cash may carry a secret that could shape Lensinda's destiny. Moving from Virginia to Kentucky, from Montreal to Indigenous communities on the shores of the Great Lakes and Black communties in southern Ontario and a fictionalized version of Owen Sound, these two women's life stories weave together love, tragedy, and survival, to map their own unexpected interconnections onto the history of North America in an entirely new and resonant way."--
- Subjects: Historical fiction.; Novels.; Slavery;
Results 11 to 13 of 13 | « previous