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- Brothers down : Pearl Harbor and the fate of the many brothers aboard the USS Arizona / by Borneman, Walter R.,1952-author.;
- Includes bibliographical references (pages 313-322) and index.The surprise attack at Pearl Harbor on December 7, 1941 remains one of the most traumatic events in American history. America's battleship fleet was crippled, thousands of lives were lost, and the United States was propelled into a world war. Few realize that aboard the iconic, ill-fated USS Arizona were an incredible 79 blood relatives. Tragically, in an era when family members serving together was an accepted, even encouraged, practice, sixty-three of the Arizona's 1,177 dead turned out to be brothers. In Brothers Down, acclaimed historian Walter R. Borneman returns to that critical week of December, masterfully guiding us on an unforgettable journey of sacrifice and heroism, all told through the lives of these brothers and their fateful experience on the Arizona. Weaving in the heartbreaking stories of the parents, wives, and sweethearts who wrote to and worried about these men, Borneman draws from a treasure trove of unpublished source material to bring to vivid life the minor decisions that became a matter of life or death when the bombs began to fall. More than just an account of familial bonds and national heartbreak, what emerges promises to define a turning point in American military history.
- Subjects: Arizona (Battleship); Brothers.; Pearl Harbor (Hawaii), Attack on, 1941.; World War, 1939-1945;
- The girls in the wild fig tree : how I fought to save myself, my sister, and thousands of girls worldwide / by Leng'ete, Nice,author.; Butler-Witter, Elizabeth,author.;
- "Nice Leng`ete was raised in a Maasai village in Kenya by relatively progressive parents. Her father established a wildlife sanctuary, which was managed by the Maasai themselves rather than outside interests, and watching how he created a consensus by meeting people where they are gave Nice a lesson for the rest of her life. In 1998, when Nice was six, her parents both fell sick and died - it took years for her to understand that they had died of AIDS. Nice and Soila were taken in by their father's brother, who had little interest in whether the girls stayed in school. He expected that the sisters would undergo the ritual referred to as "the cut" (female genital mutilation), which would make them acceptable Maasai women and signal their readiness to be married. Fearing the ritual cut, which Nice had witnessed as a painful, bloody, and sometimes deadly procedure, Nice and Soila climbed a tree to hide. Nice hoped they could eventually run away, and delay the cut forever, but Soila knew that their uncle would not let both girls defy the rules. But maybe one of them could escape it, if the other submitted. After Soila chose to undergo the surgery, sparing Nice, who was still only nine, their lives diverged in the ways Nice had predicted. While Soila married, dropped out of school, and had children - all in her teenage years - Nice continued with her education, postponing receiving the cut at each school break, and became the first in her family to attend college. While at boarding school, at around age 16, Nice began training with Amref, an organization working for healthcare advances in Africa, after they had heard that she had been successfully talking to girls in her village about FGM. Even after she departed for Nairobi for college, she continued her outreach and made inroads in improving sexual education and feminine hygiene by conversing with the young girls, using herself as an example for what was possible. Changing the minds of the men was the biggest obstacle - as a rule in Maasai culture, women do not lead discussions with men - but again she started at the base, with the young unmarried men, before bringing her ideas about new, alternative ceremonial rites for girls to the tribe's elders. One by one, families agreed to end FGM. Girls were allowed to forgo the cut and stay in school. Men began marrying women who were whole. Nice's town has since ended FGM entirely, and her goal is to end the practice worldwide. Nice's journey from "heartbroken child and community outcast, to leader of the Maasai" is an inspiration and a reminder that one person can change the world - and every girl is worth saving"--
- Subjects: Biographies.; Autobiographies.; Leng'ete, Nice; Amref Health Africa.; Female circumcision; Maasai (African people); Maasai (African people); Women, Maasai;
- My Name Is Violeta. by Parramon, Marc,film director.; Filmhub, Inc. (Firm),dst; Kanopy (Firm),dst;
- Originally produced by Filmhub, Inc. in 2019.Aged 6, Ignacio told his parents: “I am a girl, my name is Violeta.” Through the story of Violeta and her parents, we see the complexity of the process they face and the challenges they encounter. Violeta's story never stands alone in the film - other members of the LGBTQIA+ community, activists, friends and family share their experiences, fears and hopes. They all want one thing: more acceptance, more education and a right to make choices for their own body.Mode of access: World Wide Web.
- Subjects: Documentary films.; Health.; Social sciences.; Child welfare.; Gender identity.; Homosexuality.; Documentary films.; LGBTQ.; Transgender people.; Girls.; Spain.; Child development.; Parenthood.;
- 20,000 Species of Bees. by Urresola Solaguren, Estibaliz,film director.; Gabarain, Ane,actor.; Lazkano, Itziar,actor.; López Arnaiz, Patricia,actor.; Otero, Sofía,actor.; Film Movement (Firm),dst; Kanopy (Firm),dst;
- Ane Gabarain, Itziar Lazkano, Patricia López Arnaiz, Sofía OteroOriginally produced by Film Movement in 2023.In a small, sleepy village in the Basque Country, a sculptor named Ane and her three children arrive at her mother Lita's home for summer vacation where they are surrounded by extended family and nosy neighbors. Ane and her mother's relationship is strained — Lita disapproves of her daughter's frayed marriage, career as an artist, and the way she parents her obstinate and mischievous children. Chief among them is eight-year-old Aitor, nicknamed Coco after it becomes clear that being referred to by the name Aitor elicits feelings of distress in the child. Born biologically male, neither birth name nor the genderless nickname feel quite right, and Ane’s concern for her child grows as Coco becomes more withdrawn. The child’s only respite lies in the Basque hills, where Ane's aunt Lourdes tends to the family's beekeeping farm. Among the peaceful humming of bees and Lourdes' open-minded guardianship, Coco slowly begins to confide in family and friends her discomfort in her body, eventually voicing a desire to be treated as a girl. As Coco explores her own developing identity over the summer, Ane and the rest of her family in turn must learn to accept the child as she is.Basque director Estibaliz Urresola Solaguren’s assured debut feature is a wonderfully sensitive work carried by the Berlinale Silver Bear winning lead performance of newcomer Sofía Otero. An authentic and heart-wrenching story of transition, 20,000 SPECIES OF BEES is "a landmark in the filmic discussion of gender, sexuality and identity," (The Film Verdict).Mode of access: World Wide Web.
- Subjects: Feature films.; Foreign films.; Motion pictures.; Drama.; Queer cinema.; Coming-of-age films.; Motion pictures--Spain.; Motion pictures--Europe.;
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