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Milo is on a long subway ride with his older sister. To pass the time, he studies the faces around him and makes pictures of their lives. There's the whiskered man with the crossword puzzle; Milo imagines him playing solitaire in a cluttered apartment full of pets. There's the wedding-dressed woman with a little dog peeking out of her handbag; Milo imagines her in a grand cathedral ceremony. And then there's the boy in the suit with the bright white sneakers; Milo imagines him arriving home to a castle with a drawbridge and a butler. But when the boy in the suit gets off on the same stop as Milo - walking the same path, going to the exact same place - Milo realizes you can't really know anyone just by looking at them. Está el hombre de bigotes con un crucigrama; Milo lo dibuja jugando al solitario en un apartamento desordenado. Está la mujer vestida de novia; Milo la dibuja en una gran ceremonia en la catedral. Y luego está el chico del traje; Milo lo dibuja llegando a su hogar, que es un castillo. ¿Pero qué pasa si la vida de cada uno es diferente de lo que Milo imaginó inicialmente?