Search results for [Icarus Films (Firm),dst] at Tsuga Consortium

Results 1 to 8 of 8

Island in Between. by Leo Chiang, S.,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Icarus Films in 2023.The rural Taiwanese outer islands of Kinmen sit merely 2 miles off the coast of China. Kinmen attracts tourists for its remains from the 1949 Chinese Civil War. It also marks the frontline for Taiwan in its escalating tension with China. Filmmaker S. Leo Chiang weaves lyrical vignettes of tourist visits and local life with his own narrative as someone negotiating ambivalent personal bonds to Taiwan, China, and the US. ISLAND IN BETWEEN explores the uneasy peace in these islands, and contemplates Taiwan's uncertain future.Mode of access: World Wide Web.

Subjects: Documentary films.; Asians.; Foreign study.; Military history..; Social sciences.; Documentary films.; Ethnicity.; Current affairs.; History.; China.; Taiwan.; War.; United States.; Tourism.;

unAPI

Youth (Spring). by Bing, Wang,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Icarus Films in 2023.A remarkably intimate documentary filmed over five years, YOUTH takes us into these independent workshops — many on a street named Happiness Road. A successor to Wang Bing’s 2017 film Bitter Money, YOUTH is not an exposé of the garment industry. Instead, it draws us into the lives of its subjects — young people who don’t make their beds, worry about having the latest iPhone, and occasionally engage in a food fight. Like so many of us, they’re doing the best they can in a challenging environment.Mode of access: World Wide Web.

Subjects: Documentary films.; Enthnology.; Social sciences.; Arts.; Business.; Economic development.; Fashion.; Asians.; Foreign study.; Documentary films.; Artists.; Current affairs.; China.; Labor.; Textile fabrics.; Labor laws and legislation.; Art and architecture.;

unAPI

Youth (Spring). by Bing, Wang,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Icarus Films in 2023.A remarkably intimate documentary filmed over five years, YOUTH takes us into these independent workshops — many on a street named Happiness Road. A successor to Wang Bing’s 2017 film Bitter Money, YOUTH is not an exposé of the garment industry. Instead, it draws us into the lives of its subjects — young people who don’t make their beds, worry about having the latest iPhone, and occasionally engage in a food fight. Like so many of us, they’re doing the best they can in a challenging environment.Mode of access: World Wide Web.

Subjects: Documentary films.; Enthnology.; Social sciences.; Arts.; Business.; Economic development.; Fashion.; Asians.; Foreign study.; Documentary films.; Artists.; Current affairs.; China.; Labor.; Textile fabrics.; Labor laws and legislation.; Art and architecture.;

unAPI

With Peter Bradley. by Rappoport, Alex,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Icarus Films in 2023.79 years old and overlooked since the 1970’s, abstract artist Peter Bradley reflects on life and shares his artistic process on the cusp of his rediscovery. Despite the systemic racism of society in general and the art world in particular, Bradley built an incredible resumé before the age of 35: the first Black art dealer on Madison Avenue (at the prestigious Perls Galleries); likely the first Black abstract artist represented by a major New York gallery (André Emmerich); and curator of what is considered the first integrated modern art show in America (The DeLuxe Show). WITH PETER BRADLEY is a celebration of artmaking, resilience, and the creative contributions of Black artists to American life.Mode of access: World Wide Web.

Subjects: Documentary films.; Art.; Arts.; Experimental films.; Social sciences.; History, Modern.; Documentary films.; Ethnicity.; Artists.; History.; African Americans.; Nineteen seventies.; Racism.; United States--History.; Artists--Interviews.; Art, Abstract.; New York (State).; Art and architecture.;

unAPI

White Balls on Walls. by Vos, Sarah,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Icarus Films in 2022.The slogan “Meet the Icons of Modern Art” needs to be scraped off the glass wall of the Stedelijk, Amsterdam’s Museum of Modern Art. Because precisely who these icons of modern art are is very much the question.Who gets to decide? And who loses out? In 2019, as director Sarah Vos started shooting her documentary, more than 90 percent of the art at the Stedelijk was made by white men. That must change, the museum’s director Rein Wolfs believes. But it’s easier said than done—as becomes clear when the film’s director Sarah Vos follows Wolfs and his team as they strive for greater diversity in the collection, as well as among their staff.It was a brave move by the Stedelijk to allow a camera behind the scenes of a process that raises uncomfortable and awkward questions. Can a painting still be entitled “The Prostitutes”? When you appraise art, should you also take the skin color or gender of the artist into account? And how is one to engage with visitors who find all this “too politically correct”?This film is more than a look behind the scenes at a museum: as well as presenting a new perspective on art history, it magnificently encapsulates the struggles that are engaging many historical and cultural institutions.Mode of access: World Wide Web.

Subjects: Documentary films.; Enthnology.; Social sciences.; Business.; Sociology.; Documentary films.; Ethnicity.;

unAPI

Bernadette Lafont: And God Created the Free Woman. by Hoffenberg, Esther,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Icarus Films in 2016.A sex symbol, feminist icon, devoted mother: French actress Bernadette Lafont was a multi-faceted performer, who refused to be boxed into one role. In BERNADETTE LAFONT: AND GOD CREATED THE FREE WOMAN, director Esther Hoffenberg tells Lafont’s story through carefully selected film clips spanning her career — from iconic roles in the New Wave films of Truffaut and Chabrol, to her award-winning turn in Paulette.Mode of access: World Wide Web.

Subjects: Documentary films.; Performing arts.; Arts.; Motion pictures.; Documentary films.; Women's studies.; Artists.; Motion pictures--France.; Biography.; Women artists.; Feminism.; Actors.;

unAPI

My Imaginary Country. by Guzmán, Patricio,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Icarus Films in 2022.One day, without warning, a revolution exploded. It was the event that master documentarian Patricio Guzmán had been waiting for all his life: a million and a half people in the streets of Santiago, Chile, demanding justice, education, health care, and a new constitution to replace the strident rules imposed on the country during the Pinochet military dictatorship. Urgent and inspired, MY IMAGINARY COUNTRY features harrowing front-line protest footage and interviews with dynamic activist leaders and powerfully connects Chile's complex, bloody history to contemporary revolutionary social movements and the election of a new president.Mode of access: World Wide Web.

Subjects: Documentary films.; Political science.; Social sciences.; History, Modern.; Latin America.; Foreign study.; Sociology.; Documentary films.; Current affairs.; History.;

unAPI

Lyd. by Younis, Rami,film director.; Ema Friedland, Sarah,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Icarus Films in 2024.LYD (the Arabic name of Lod, a city now in Israel) is about a 5,000-year-old bustling Palestinian town that was taken over when Israel was established in 1948. An exploration of what it once was, and what it is now, in the context of the continuing conflicts and the war in Gaza, LYD’s excavation of one community’s complex history offers us not only lessons, but possible futures.As the film unfolds, a chorus of characters creates a tapestry of the Palestinian experience of this city and the trauma left by the massacre and expulsion, while vivid animations envision an alternate reality where the same characters live free from the trauma of the past and the violence of the present. Using never-before-seen archival footage of the Israeli soldiers who carried out the massacre and expulsion, the personified city explains that these events were so devastating that they fractured reality, and now there are two Lyds — one occupied and one free. As the film cuts between fantastical and documentary realities, it ultimately leaves the viewer questioning what future should prevail.Mode of access: World Wide Web.

Subjects: Documentary films.; Social sciences.; History, Modern.; Human rights.; Foreign study.; Documentary films.; Middle East.; Current affairs.; History.; War.; Israel.; Palestine.; Psychic trauma.;

unAPI

Results 1 to 8 of 8