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White Balls on Walls. by Vos, Sarah,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Icarus Films in 2022.The slogan “Meet the Icons of Modern Art” needs to be scraped off the glass wall of the Stedelijk, Amsterdam’s Museum of Modern Art. Because precisely who these icons of modern art are is very much the question.Who gets to decide? And who loses out? In 2019, as director Sarah Vos started shooting her documentary, more than 90 percent of the art at the Stedelijk was made by white men. That must change, the museum’s director Rein Wolfs believes. But it’s easier said than done—as becomes clear when the film’s director Sarah Vos follows Wolfs and his team as they strive for greater diversity in the collection, as well as among their staff.It was a brave move by the Stedelijk to allow a camera behind the scenes of a process that raises uncomfortable and awkward questions. Can a painting still be entitled “The Prostitutes”? When you appraise art, should you also take the skin color or gender of the artist into account? And how is one to engage with visitors who find all this “too politically correct”?This film is more than a look behind the scenes at a museum: as well as presenting a new perspective on art history, it magnificently encapsulates the struggles that are engaging many historical and cultural institutions.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Business.; Sociology.; Documentary films.; Ethnicity.;
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Liberty City. by George, Samuel,film director.; Bertelsmann Foundation Documentary Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Bertelsmann Foundation Documentary Films in 2020.Far removed from the beaches of Miami’s south coast, Liberty City was created in the 1930s as a segregated neighborhood for Miami’s African American residents. Today, the historic area faces many challenges familiar to urban centers across the United States. This film focuses on community-led efforts to revitalize the neighborhood. From the Circle of Brotherhood, to a teenage art collective, to a police officer in his hometown, this film investigates the past, present and future of Liberty City.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Sociology.; Documentary films.; Ethnicity.; African Americans.; Racism.;
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Barry Farm. by Prince, Sabiyha,film director.; George, Samuel,film director.; Bertelsmann Foundation Documentary Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Bertelsmann Foundation Documentary Films in 2023.Take a left off of the Anacostia Freeway in Washington, DC – what do you see? You see empty fields. If you are a developer, you see a gold mine. But these fields hold powerful memories. Over centuries, Barry Farm emerged as an historic African American community in the nation’s capital. Today, the neighborhood faces the tremendous pressures of redevelopment. This film tells a story of Barry Farm, but, in the cycles of place and displacement, it is a story of the United States.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Sociology.; Documentary films.; Ethnicity.; African Americans.; Race.;
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The Loving Generation. by Schwartz, Lacey,film director.; Mandefro, Mehret,film director.; Topic Studios (Firm),dst; Kanopy (Firm),dst;
Originally produced by Topic Studios in 2018.The 1967 Supreme Court decision Loving v. Virginia overturned all laws forbidding interracial marriage. The Loving Generation tells the story of how a generation of Americans born to one black and one white parent experience race and identity in a divided United States.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Documentary films.; Television series.; Motion pictures.; Ethnicity.;
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Passing: A Family in Black & White. by Cloud, Robin,film director.; Topic Studios (Firm),dst; Kanopy (Firm),dst;
Originally produced by Topic Studios in 2019.For decades, African American comedian and filmmaker Robin Cloud had heard tales about the “Nebraska cousins,” a branch of her family that moved away from the East Coast to pass for white in the rural Midwest. In this six-part series, Cloud attempts to find and understand the motives of the relatives who left everything and everyone else behind, and documents how their progeny grapple with the revelation that they aren’t who they thought they were.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Documentary films.; Television series.; Motion pictures.; Ethnicity.;
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This Is [Not] Who We Are. by E, Beret,film director.; Miller, Katrina,film director.; Video Project (Firm),dst; Kanopy (Firm),dst;
Originally produced by Video Project in 2022.Boulder, Colorado is emblematic of predominantly white communities that profess an inclusive ethic but live in a segregated reality. THIS IS [NOT] WHO WE ARE explores the gap between Boulder's progressive self-image and the lived experiences of its small but resilient Black community. Launching from a viral police body cam video, the film explores myriad intersecting issues to reveal deeply entrenched, if not entirely intended, structural inequalities that have reverberated through generations.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Americans.; Foreign study.; Sociology.; Documentary films.; Ethnicity.;
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Deconstructing Karen. by Ivins, Patty,film director.; The Film Sales Company (Firm),dst; Kanopy (Firm),dst;
Originally produced by The Film Sales Company in 2022.DECONSTRUCTING KAREN presents the world of RACE2DINNER, an innovative new program which gathers together 12 women, mostly white and most of whom have never met, who together embark on a deep dive into racism, fragility, and privilege. Everything is on the table for discussion with only one rule: no crying.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Gender identity.; Documentary films.; Ethnicity.; Women's studies.;
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Good Hair. by Stilson, Jeff,film director.; Rock, Chris,actor.; Eve,actor.; Ice-T,actor.; Washington, Kerry,actor.; Angelou, Maya,actor.; Good, Meagan,actor.; Entertainment One Films Canada Inc (Firm),dst; Kanopy (Firm),dst;
Chris Rock, Eve, Ice-T, Kerry Washington, Maya Angelou, Meagan GoodOriginally produced by Entertainment One Films Canada Inc in 2009.Chris Rock takes you on a hilariously hair-raising journey about the extreme lengths that African-American women will go to for GOOD HAIR in this side-splittingly funny and fascinating documentary.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Sociology.; Documentary films.; Ethnicity.; African Americans.; Beauty, Personal.;
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Unspoken. by Calabrese, Stephanie,film director.; Video Project (Firm),dst; Kanopy (Firm),dst;
Originally produced by Video Project in 2022.Explores the racial divide in America, through the experiences of one small southern town. A resident filmmaker digs deep into the 1946 Moores Ford Lynching, the last mass lynching in the U.S., and its ongoing impact on the community. The film uncovers buried truths and sheds light on the secrecy that still surrounds this tragic event and the continued pursuit of justice, as well as the ongoing impact of segregation and the integration of schools and society in Monroe, Georgia.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Americans.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; History.;
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The Homes We Carry. by Akele, Brenda,film director.; DEFA Film Library (Firm),dst; Kanopy (Firm),dst;
Originally produced by DEFA Film Library in 2022.A filmic portrait of a family torn apart by the turmoil of world history between Germany, Mozambique and South Africa, at the center of which is the Afro-German mother Sarah. She wants her young daughter to have the relationships she lacked as a child, so she travels with her to Africa, where her own father and the child's father are waiting for them. During this visit, Sarah's father, Eulidio, remembers his time as a Mozambican contract worker in East Germany.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; African studies.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; History.;
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