Results 1 to 3 of 3
- Bleak House. by Chadwick, Justin,film director.; White, Susanna,film director.; Maxwell Martin, Anna,actor.; Mulligan, Carey,actor.; Dance, Charles,actor.; Lawson, Denis,actor.; Anderson, Gillian,actor.; Parker, Nathaniel,actor.; BBC Studios (Firm),dst; Kanopy (Firm),dst;
Anna Maxwell Martin, Carey Mulligan, Charles Dance, Denis Lawson, Gillian Anderson, Nathaniel ParkerOriginally produced by BBC Studios in 2005.BAFTA-winning writer Andrew Davies and an all-star cast bring one of Charles Dicken's most brilliant novels to life. Young orphan Esther Summerson is brought before London's High Court of Chancery with Richard Carstone and Ada Clare, wards of court who are caught up in the infamous and never-ending case of Jarndyce and Jarndyce. Meanwhile, the beautiful Lady Dedlock finds her elegant world turned upside down when her husband's lawyer Tulkinghorn gets wind of a dark secret in her past, and begins a deadly game of cat and mouse that could end with her destruction.Mode of access: World Wide Web.- Subjects: Feature films.; Television series.; Motion pictures.; Historical films.;
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- Woman walks ahead [videorecording] / by White, Susanna,film director.; Knight, Steven,1959-screenwriter.; Camp, Bill,actor.; Chastain, Jessica,1977-actor.; Greyeyes, Michael,actor.; Hinds, Ciarán,1953-actor.; Krause, Louisa,1986-actor.; Rockwell, Sam,actor.; Southerland, Boots,actor.; Spencer, Chaske,actor.; Tangen, Rulan,actor.; A24 (Firm),presenter.; Elevation Pictures,publisher.;
Music, George Fenton ; edtiors, Lucia Zucchetti, Steven Rosenblum ; director of photography, Mike Eley.Jessica Chastain, Michael Greyeyes, Louisa Krause, Chaske Spencer, Sam Rockwell, Boots Southerland, Ciaran Hinds, Bill Camp, Rulan Tangen.Catherine Weldon is a widowed artist from New York who, in the 1880s, traveled alone to North Dakota to paint a portrait of Chief Sitting Bull. Her arrival at Standing Rock is met with open hostility by a US Army officer, who has stationed troops around the Lakota reservation to undermine Native American claims to the land. As Catherine and Sitting Bull grow closer, their friendship and his life are threatened by the government, and Catherine must stand up to fight for what is most important.Canadian Home Video Rating: PG.DVD ; widescreen presentation ; Dolby Digital 5.1.- Subjects: Western films.; Feature films.; Historical films.; Weldon, Catherine; Sitting Bull, 1831-1890; Lakota Indians;
- For private home use only.
- Available copies: 1 / Total copies: 1
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- Bloodlines of the Slave Trade. by Hancock, Markie,film director.; Video Project (Firm),dst; Kanopy (Firm),dst;
Originally produced by Video Project in 2023.Examines the lives of two people whose only connection is a genetic link to John Armfield, one of the most notorious slave traders of the 1830s. Rodney Williams, who is Black, and Susanna Grannis, who is white, each trace their ancestry back to their distant ancestor, detailing the diverging paths their lineages took. While their relationship to this past is fundamentally different, and they never meet in the film, they both share in the telling of the horrific domestic slave trade and the ongoing reverberations of slavery.The film also navigates the lesser known "second middle passage" referred to as the "domestic slave trade." Starting in Alexandria, VA, where two of the wealthiest and most infamous slave traders of the mid-19th century were headquartered, Williams journeys along the Natchez Trace where in all likelihood his ancestors walked before him. In Alexandria, John Armfield and Isaac Franklin would either ship or march the enslaved down south to Mississippi or Louisiana for both future sale and brutal work on southern plantations. These cruel transactions involved separation from family members, long and arduous journeys chained together in coffles, and even more brutal working conditions once sold off in Natchez or New Orleans. His path along the trail illuminates the mechanisms and realities of chattel slavery, and illustrates the vast accumulation of wealth created by enslaved people, but held by slaveowners and benefitting their descendants.Mode of access: World Wide Web.- Subjects: Documentary films.; Enthnology.; Social sciences.; History, Modern.; Human rights.; Americans.; Foreign study.; Documentary films.; Ethnicity.; Current affairs.; History.; African Americans.; United States--History.; Slavery.; Genealogy.;
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Results 1 to 3 of 3