Search:

Results 11 to 20 of 119 | « previous |

Daytime Revolution. by Nelson, Erik,film director.; Seale, Bobby,actor.; Carlin, George,actor.; Rubin, Jerry,actor.; Lennon, John,actor.; Douglas, Mike,actor.; Ono, Yoko,actor.; Kino Lorber (Firm),dst; Kanopy (Firm),dst;
Bobby Seale, George Carlin, Jerry Rubin, John Lennon, Mike Douglas, Yoko OnoOriginally produced by Kino Lorber in 2024.For one extraordinary week beginning on February 14th, 1972, the Revolution WAS televised. DAYTIME REVOLUTION takes us back in time to the week that John Lennon and Yoko Ono descended upon a Philadelphia broadcasting studio to co-host the iconic Mike Douglas Show, at the time the most popular show on daytime television with an audience of 40 million viewers a week. What followed was five unforgettable episodes of television, with Lennon and Ono at the helm and Douglas bravely keeping the show on track. Acting as both producers and hosts, Lennon and Ono handpicked their guests, including controversial choices like Yippie founder Jerry Rubin and Black Panther Chairman Bobby Seale, as well as political activist Ralph Nader and comic truth teller George Carlin. Their version of daytime TV was a radical take on the traditional format, incorporating candid Q&A sessions with their transfixed audience, conversations about current issues like police violence and women’s liberation, conceptual art events, and one-of-a-kind musical performances, including a unique duet with Lennon and Chuck Berry and a poignant rendition of Lennon’s “Imagine.” A document of the past that speaks to our turbulent present, DAYTIME REVOLUTION captures the power that art can have when it reaches out to communicate, the prescience of that dialogue, and the bravery of two artists who never took the easy way out as they fought for their vision of a better world.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Journalism.; Documentary films.; Mass media and culture.; Popular culture.; Broadcast journalism.;
unAPI

Manufacturing Chaos. by Pemberton, Justin,film director.; Farrier, David,actor.; Video Project (Firm),dst; Kanopy (Firm),dst;
David FarrierOriginally produced by Video Project in 2022.MANUFACTURING CHAOS offers a survey on the recent rise of disinformation from a global perspective, looking at how changes in the way we receive information and connect with one another have influenced such events as Brexit, COVID-19, the 2016 election, Qanon, "deepfakes" and artificial intelligence, and more. Once a site of what many considered to be utopic potential, the primacy of social media platforms on the internet has rapidly turned it into a ready vehicle for disinformation. The film examines how the convergence of rising inequality, our increasing reliance on the online world, combined with new tools for manipulation, has enabled the creation of parallel realities with dramatic social consequences. People living within the same community can now perceive the world in vastly different ways, depending on where they hang out online. The power to manipulate narratives and herd people toward falsehood raises the stakes so high that peace and cooperation are becoming increasingly fragile, the goal of disinformation.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Journalism.; Documentary films.; Mass media and culture.; Democracy.; Conspiracies.; Propaganda.; Disinformation.;
unAPI

Stripped for Parts: American Journalism on the Brink. by Goldsmith, Rick,film director.; New Day Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by New Day Films in 2023.Hedge fund Alden Global Capital is quietly gobbling up newspapers across the country and gutting them, but no one knows why-- until journalist Julie Reynolds begins to investigate. Her findings trigger rebellions across the country by journalists working at Alden-owned newspapers. Backed by the NewsGuild union, the newsmen and women go toe-to-toe with their “vulture capitalist” owners in a battle to save and rebuild local journalism in America. Who will control the future of America’s news ecosystem: Wall Street billionaires concerned only with profit, or those who see journalism as an essential public service, the lifeblood of our democracy? “The collapse of local news is a deep threat to democracy and the fabric of communities. But we can't turn this around without comprehending how we got here. Stripped for Parts vividly shows the causes and consequences of the decimation of community journalism.” - Steve Waldman, Founder and President, Rebuild Local NewsMode of access: World Wide Web.
Subjects: Documentary films.; Journalism.; Digital communications.; Business.; Economic development.; Documentary films.; Mass media and culture.; Current affairs.;
unAPI

This Is Not Financial Advice. by Temple, Chris,film director.; Ingrasci, Zach,film director.; Living on One (Firm),dst; Kanopy (Firm),dst;
Originally produced by Living on One in 2023.Glauber Contessoto gambles his life savings on a joke cryptocurrency. Two months later, he becomes “The Dogecoin Millionaire” and an internet legend. While it might seem easy to get rich online, it’s even easier to lose it all.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Business.; Science.; Computer science.; Business education.; Documentary films.; Mass media and culture.; Popular culture.;
unAPI

Brother Orange. by Forman-Greenwald, Abe,film director.; Gravitas Ventures (Firm),dst; Kanopy (Firm),dst;
Originally produced by Gravitas Ventures in 2025.Matt Stopera’s stolen phone leads to a viral story and an unexpected friendship with “Brother Orange” in China. Their media-fueled bond transcends cultural barriers, strengthening their lifelong friendship.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Journalism.; Documentary films.; Mass media and culture.; LGBTQ.; China.; Social media.; Internet.; New York (State).;
unAPI

Never Look Away. by Lawless, Lucy,film director.; Amanpour, Christiane,actor.; Films We Like (Firm),dst; Kanopy (Firm),dst;
Christiane AmanpourOriginally produced by Films We Like in 2024.Discover the untold story of Margaret Moth in NEVER LOOK AWAY, a gripping feature doc that takes you through the life of a fearless CNN video journalist who risked everything to capture the truth in the world's most dangerous warzones. With insights from colleagues like Christiane Amanpour, this film not only celebrates Moth's groundbreaking achievements, but also reveals the complexities of her personal journey exploring courage, resilience, and the stark realities of conflict.Mode of access: World Wide Web.
Subjects: Documentary films.; Journalism.; Digital communications.; Documentary films.; Mass media and culture.; Women's studies.; Biography.; Journalists.; Broadcast journalism.; Photojournalism.;
unAPI

David Bowie. by Whately, Francis,film director.; Bowie, David,actor.; BBC Studios (Firm),dst; Kanopy (Firm),dst;
David BowieOriginally produced by BBC Studios in 2017.David Bowie is widely recognised as one of the most daring and innovative performers of the 20th century, boasting both critical and commercial success since his early days in the 1960s and influencing popular culture ever since. After a 10 year hiatus, Bowie released a new album 'The Next Day'. With unique access to David Bowie's personal archive of costumes, props, set designs, lyrics and memorabilia, this programme explores five seminal years across Bowie's extensive career, with each year illustrating not only the source of his inspiration, but also where these ideas led him.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Arts.; Music.; Documentary films.; Mass media and culture.; Artists.; Biography.; Popular music.; Popular culture.; Performing arts.;
unAPI

Quintessentially British. by Mannion, Frank,film director.; McKellen, Ian,actor.; Dench, Judi,actor.; Vision Films (Firm),dst; Kanopy (Firm),dst;
Ian McKellen, Judi DenchOriginally produced by Vision Films in 2022.A love letter to all things great and British from their castles, Shakespeare, aristocrats and classic cars to quirky traditions and self-deprecating sense of humor. Did you know that the Queen’s Buckingham Palace isn’t even the largest in England or that the Mad Hatter from Alice in Wonderland is based on a real person? There’s so much to discover. Welcome to being QUINTESSENTIALLY BRITISH.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Balts (Indo-European people).; Foreign study.; Documentary films.; Mass media and culture.; Current affairs.; Popular culture.;
unAPI

David Harewood on Blackface. by Haynes, Eric,film director.; Harewood, David,actor.; BBC Studios (Firm),dst; Kanopy (Firm),dst;
David HarewoodOriginally produced by BBC Studios in 2023.In this compelling documentary, actor David Harewood explores the complex history of blackface minstrelsy, tracing its origins to the early 19th-century American stage and its popularization in Britain. Featuring interviews with historians, performers, and cultural critics, the film examines how minstrelsy became a global phenomenon, rooted in racial mockery and stereotypes. Harewood reflects on his own experiences and the legacy of shows like "The Black and White Minstrel Show," which attracted millions of viewers in the UK during the mid-20th century. Through a blend of historical analysis and personal narrative, the documentary offers an in-depth look at the ongoing impact of blackface on entertainment and racial identity, revealing its deep and troubling influence on popular culture.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Mass media.; Digital communications.; Sociology.; Documentary films.; Ethnicity.; Mass media and culture.; History.; Racism.; African diaspora.; Culture.;
unAPI

Can't Feel Nothing. by Borenstein, David,film director.; Journeyman Pictures (Firm),dst; Kanopy (Firm),dst;
Originally produced by Journeyman Pictures in 2024.A man lies in bed illuminated by the blue-white light of his mobile phone. He doom scrolls past cute pets, outraged opinion pieces and haunting images from the world's hotspots – and he feels absolutely nothing. With curiousity and humour, director David Borenstein travels the world to investigate how bad things really are. Who is pulling the strings when the internet makes us angry, sad, horny or just plain indifferent? And is there any way back? From the American internet troll, a burnt-out superstar in the Asian influencer industry, a cynical fake-news factory in Eastern Europe, Russian state propagandists and an online dominatrix, this is an alarming contemporary diagnosis, with a bold attempt to also look at solutions.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Journalism.; Health.; Social sciences.; Psychology.; Mental health.; Documentary films.; Mass media and culture.; Social media.; Mental illness.; Internet.; Disinformation.;
unAPI

Results 11 to 20 of 119 | « previous |