Search results for [Indigenous Studies] at Tsuga Consortium

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Demon Mineral. by Austin, Hadley,film director.; Video Project (Firm),dst; Kanopy (Firm),dst;

Originally produced by Video Project in 2023.DEMON MINERAL can be considered an anti-Western, flipping the classical cinematic paradigm by centering the voices and experiences of the Diné community to explore the legacy of uranium mining in Diné Bikeyah, the sacred homelands of the Navajo where over 500 unremediated mines are scattered across an area the size of West Virginia. In the span of just four generations entire ways of living have been lost or severely compromised, as mining has contaminated the air, water, livestock, and land upon which the community relies for its existence. The film also celebrates the actions the Diné community is taking to fight against new mines and improve life in an irradiated ecosystem which has resulted in a sharp rise in cancer, kidney failure, and other diseases.Mode of access: World Wide Web.

Subjects: Documentary films.; Health.; Science.; Environmental sciences.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Environment.; Indians of North America.; Environmentalism.; Environmental health.; Indigenous peoples--Civil rights.; Deserts.; Navajo Indians.;

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Standing Above the Clouds. by Keane-Lee, Jalena,film director.; Collective Eye Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Collective Eye Films in 2024.STANDING ABOVE THE CLOUDS highlights the movement to protect Mauna Kea through the intergenerational stories of women in three Native Hawaiian families as they stand for the sacred mountain. The film follows teacher and community organizer Pua Case and her two daughters — artist-activists Hāwane Rios and Kapulei Flores — who have been called to stop the telescope since 2010. Their lives quickly become consumed with frontline actions and court proceedings and immersed in ceremonies and cultural practices. As they face opposition and arrests, they are joined by the families of Mehana and Leina'ala and a community who have dedicated their lives to protecting Mauna Kea.The film is an intimate journey through the women’s lives both on and off the mountain, and explores the physical and emotional toll of sustaining a grassroots movement. After nine months of living on the mountain, blocking construction, and establishing a frontline camp, STANDING ABOVE THE CLOUDS shows their journey to heal once they return to their homes in March 2020. In the face of challenges and tragedy, the mountain gifts each woman with hope and strength and the understanding that victory is in standing in unity for sacred places and that healing occurs through the sisterhood they have created along the way.Mode of access: World Wide Web.

Subjects: Documentary films.; Science.; Social sciences.; Environmental sciences.; Americans.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; Women's studies.; Current affairs.; Indigenous peoples.; Indians of North America.; Environmentalism.; Political participation.; Asian Americans.; Women social reformers.; Hawaii.;

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Close to the Bone. by Thomas, Jared,film director.; McKinnon, Malcolm,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Ronin Films in 2022.In September 1852, in South Australia’s Flinders Ranges, the mutilated body of 16-year-old shepherd, James Brown, was found. The next day, a reprisal party of 17 men killed a disputed number of First Nations people. 170 years later, descendants of James Brown’s family return to the Flinders Ranges and reach out to people from some of the Aboriginal groups and share memories of the traumatic early period of European invasion. What happens when stories of violence and conquest on Australia’s colonial frontier are more than just an historical abstraction, with powerful and personal meanings for families and individuals on both sides of the inter-cultural frontier? Can the scars of past atrocities be reconciled and healed through the act of truth-telling? CLOSE TO THE BONE is a practical exercise in ‘truth and reconciliation,’ engaging with culturally and politically challenging material, in an effort to forge shared understandings. The film reveals diverse understandings of historic events, while seeking to resolve a shared path forward. In doing so, the film is informed by Charlie Perkins’ words: ‘We know we cannot live in the past, but the past lives in us.’Mode of access: World Wide Web.

Subjects: Documentary films.; Social sciences.; Australians.; Foreign study.; History, Modern.; Documentary films.; Indigenous peoples.; Current affairs.; History.; Violence.; Aboriginal Australians.; Australia.;

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Close to the Bone. by Thomas, Jared,film director.; McKinnon, Malcolm,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Ronin Films in 2022.In September 1852, in South Australia’s Flinders Ranges, the mutilated body of 16-year-old shepherd, James Brown, was found. The next day, a reprisal party of 17 men killed a disputed number of First Nations people. 170 years later, descendants of James Brown’s family return to the Flinders Ranges and reach out to people from some of the Aboriginal groups and share memories of the traumatic early period of European invasion. What happens when stories of violence and conquest on Australia’s colonial frontier are more than just an historical abstraction, with powerful and personal meanings for families and individuals on both sides of the inter-cultural frontier? Can the scars of past atrocities be reconciled and healed through the act of truth-telling? CLOSE TO THE BONE is a practical exercise in ‘truth and reconciliation,’ engaging with culturally and politically challenging material, in an effort to forge shared understandings. The film reveals diverse understandings of historic events, while seeking to resolve a shared path forward. In doing so, the film is informed by Charlie Perkins’ words: ‘We know we cannot live in the past, but the past lives in us.’Mode of access: World Wide Web.

Subjects: Documentary films.; Social sciences.; Australians.; Foreign study.; History, Modern.; Documentary films.; Indigenous peoples.; Current affairs.; History.; Violence.; Aboriginal Australians.; Australia.;

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Ellavut Cimirtuq. by Cleveland, Jacqueline,film director.; Hedges, Mischa,film director.; Luokkala, Sonia,film director.; New Day Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by New Day Films in 2023.(Yupik Pronounciation: Chla-vut jee-mik-tuk)As the village of Quinhagak works to save save its cultural artifacts from washing into the Bering Sea, a local filmmaker explores her community’s relationship with its language, and ways of life in Southwest Alaska.Mode of access: World Wide Web.

Subjects: Documentary films.; Science.; Social sciences.; Anthropology.; Environmental sciences.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; History.; Short films.; Motion pictures.; Indians of North America.; Climatic changes.; Alaska.;

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I Am More Dangerous Dead. by Uchibeke, Majiye,film director.; University of Southern California Cinematic Arts (Firm),dst; Kanopy (Firm),dst;

Originally produced by University of Southern California Cinematic Arts in 2022.A poetic tribute to Nigerian activist and writer Ken Saro-Wiwa, who was executed after exposing the exploitation of his native land by his government and Big Oil.Mode of access: World Wide Web.

Subjects: Documentary films.; Business.; Science.; Social sciences.; African studies.; Foreign study.; Environmental sciences.; Human rights.; Documentary films.; Indigenous peoples.; Current affairs.; Health.; History.; Motion pictures--Africa.; Petroleum industry and trade.; Political participation.; Pollution.; Environmental health.; Water--Pollution.; Political activists.; Manufacturing processes.; Motion pictures--Nigeria.;

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Capturing Kahanamoku : How a Surfing Legend and a Scientific Obsession Redefined Race and Culture. by Rossi, Michael.;

In the 1920's, Henry Fairfield Osborn, a fervent eugenicist and the director of the American Museum of Natural History went to Hawaii to learn how to surf. His teacher was Duke Kahanamoku, the famous surfer. Osborn became obsessed with Kahanamoku, physically perfect, yet belonging to an 'imperfect' race. What happened next changed how we think about race, culture, science, and humanity.Library Bound Incorporated

Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Cultural, Ethnic & Regional / Indigenous; BIOGRAPHY & AUTOBIOGRAPHY / Indigenous; BIOGRAPHY & AUTOBIOGRAPHY / Sports; HISTORY / Study & Teaching; HISTORY / United States / 20th Century; HISTORY / United States / State & Local / West (AK, CA, CO, HI, ID, MT, NV, UT, WY); NATURE / Regional; PHILOSOPHY / Ethics & Moral Philosophy; POLITICAL SCIENCE / Colonialism & Post-Colonialism; POLITICAL SCIENCE / Indigenous / General; SPORTS & RECREATION / Water Sports / Surfing;

Available copies: 0 / Total copies: 1

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Red Fever. by Bainbridge, Catherine,film director.; Diamond, Neil,film director.; Les Films du 3 Mars (Firm),dst; Kanopy (Firm),dst;

Originally produced by Les Films du 3 Mars in 2024.RED FEVER is a witty and entertaining feature documentary about the profound -- yet hidden -- Indigenous influence on Western culture and identity. The film follows Cree co-director Neil Diamond as he asks, “Why do they love us so much?!” and sets out on a journey to find out why the world is so fascinated with the stereotypical imagery of Native people that is all over pop culture. Why have Indigenous cultures been revered, romanticized, and appropriated for so long, and to this day? RED FEVER uncovers the surprising truths behind the imagery -- so buried in history that even most Native people don't know about them.Mode of access: World Wide Web.

Subjects: Documentary films.; Enthnology.; Social sciences.; Mass media.; Digital communications.; Americans.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Mass media and culture.; Current affairs.; Indians of North America.; Popular culture.;

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Still We Rise. by Harvey, John,film director.; Australian Broadcasting Corporation (Firm),dst; Kanopy (Firm),dst;

Originally produced by Australian Broadcasting Corporation in 2022.In 1972, decades of frustration and protest came to a head when Prime Minister William ‘Billy’ McMahon, in his long awaited speech on the ‘Aboriginal question,’ dismissed any hope of land rights and provoked outrage.Mode of access: World Wide Web.

Subjects: Documentary films.; Political science.; Social sciences.; Australians.; Foreign study.; History, Modern.; Human rights.; Documentary films.; Indigenous peoples.; Current affairs.; History.; Aboriginal Australians.; Social action.;

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Wochiigii lo. by Hatch, Heather,film director.; Green Planet Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Green Planet Films in 2021.WOCHIIGII LO: END OF THE PEACE follows the struggles of Diane Abel and Chief Roland Willson of West Moberly First Nations as they battle the BC government against the construction of a multi-billion-dollar mega-dam along the Peace River in British Columbia, Canada (commonly known as Site C Dam). If constructed, it will give way to the extinction of their people’s culture by destroying the land and water they have occupied for over 13,000 years. While crown corporations and political parties collude against their traditional way of life, the desire to fight for their nation is embedded in these two resilient individuals.Mode of access: World Wide Web.

Subjects: Documentary films.; Business.; Social sciences.; Anthropology.; Economic development.; Environmental sciences.; Science.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Current affairs.; History.; Indians of North America.; Political participation.; Environmental economics.; Canada.; Water--Pollution.;

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