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We Kill For Love. by Penta, Anthony,film director.; Yellow Veil Pictures (Firm),dst; Kanopy (Firm),dst;
Originally produced by Yellow Veil Pictures in 2023.WE KILL FOR LOVE goes in search of the forgotten world of the direct-to-video erotic thriller, an American film genre that once dominated late night cable television and the shelves of neighborhood video stores. Balancing film art with scholarship, it pulls back the curtain to reveal the heart and soul of a forgotten and often maligned film movement.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Arts.; Social sciences.; Motion pictures.; History, Modern.; Documentary films.; Mass media and culture.; Women's studies.; Artists.; History.; Motion pictures--Production and direction.; Mass media and gender.; Motion pictures--History.; Pornography.; Motion picture industry.;
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Red Fever. by Bainbridge, Catherine,film director.; Diamond, Neil,film director.; Les Films du 3 Mars (Firm),dst; Kanopy (Firm),dst;
Originally produced by Les Films du 3 Mars in 2024.RED FEVER is a witty and entertaining feature documentary about the profound -- yet hidden -- Indigenous influence on Western culture and identity. The film follows Cree co-director Neil Diamond as he asks, “Why do they love us so much?!” and sets out on a journey to find out why the world is so fascinated with the stereotypical imagery of Native people that is all over pop culture. Why have Indigenous cultures been revered, romanticized, and appropriated for so long, and to this day? RED FEVER uncovers the surprising truths behind the imagery -- so buried in history that even most Native people don't know about them.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Mass media.; Digital communications.; Americans.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Mass media and culture.; Current affairs.; Indians of North America.; Popular culture.;
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#Untruth. by Partland, Dan,film director.; Dark Star Pictures (Firm),dst; Kanopy (Firm),dst;
Originally produced by Dark Star Pictures in 2024.This documentary examines the psychology of “Trumpism” and the authoritarian strain that it seeded in the American political landscape. #UNTRUTH delves into the forces driving current efforts to enshrine a bias toward a white, conservative, minority rule, into US Law, and the forces of disinformation that have been deployed on the American electorate.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Journalism.; Social sciences.; History, Modern.; Americans.; Foreign study.; Documentary films.; Mass media and culture.; Current affairs.; Democracy.; United States--Politics and government.; History.; Disinformation.;
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Neil Mandt's Content Creator Accelerator. by Mandt, Neil,film director.; Mandt, Neil,actor.; Dark Star Pictures (Firm),dst; Kanopy (Firm),dst;
Neil MandtOriginally produced by Dark Star Pictures in 2024.The Creator Accelerator by Neil Mandt is a program designed to help individuals excel in media and entertainment. It covers media production, pitching, business fundamentals, and emerging technologies like AR and AI. Participants learn to develop projects, handle rejection, secure funding, and navigate the industry. The course offers actionable strategies for career growth and success.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Business.; Science.; Motion pictures.; Career Development.; Computer science.; Instructional films.; Documentary films.; Artists.; Motion pictures--Production and direction.; Social media.; Art--Study and teaching.; Business education.; Vocational guidance.; Artificial intelligence.;
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Circle the Wagen. by Steven Green, Ryan,film director.; Filmhub, Inc. (Firm),dst; Kanopy (Firm),dst;
Originally produced by Filmhub, Inc. in 2013.CIRCLE THE WAGEN is a buddy/roadtrip/docu-dramedy that follows Dave and Charlie, who attempt to drive a ’72 VW bus across Route 66. Through breakdowns and gasoline baths, they discover and befriend a diehard vintage VW community who help them on their adventure.Mode of access: World Wide Web.
Subjects: Documentary films.; Travel.; Instructional films.; Americans.; Foreign study.; Documentary films.; Mass media and culture.; Action and adventure films.; California.; Automobiles.; Popular culture.; United States--Description and travel.;
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Beyond the Wasteland. by Beyrouthy, Eddie,film director.; Cadart, Bertrand,actor.; Raven Banner (Firm),dst; Kanopy (Firm),dst;
Bertrand CadartOriginally produced by Raven Banner in 2022.BEYOND THE WASTELAND explores the eccentric world of Mad Max fans worldwide, including original cast member Bertrand Cadart's fight against leukemia, and celebrates passion and life's ability to change.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Social sciences.; Australians.; Foreign study.; History, Modern.; Documentary films.; Mass media and culture.; Current affairs.; History.; Automobiles.; Australia.; Deserts.; Popular culture.; Motion pictures--Australia--History.;
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Uncropped. by Young, D.W.,film director.; Hamilton, James,actor.; Moore, Thurston,actor.; Anderson, Wes,actor.; Greenwich Entertainment (Firm),dst; Kanopy (Firm),dst;
James Hamilton, Thurston Moore, Wes AndersonOriginally produced by Greenwich Entertainment in 2023.Alfred Hitchcock. Muhammad Ali. Meryl Streep. LL Cool J. From cultural icons to powerful news stories, James Hamilton captured it all. In UNCROPPED, the legendary Village Voice photojournalist and many of his notable collaborators recount the stories behind unforgettable images taken over the course of a 40 year career. A stunning visual chronicle of New York City and a window into the heyday of alternative print media.Mode of access: World Wide Web.
Subjects: Documentary films.; Journalism.; Digital communications.; Photography.; Arts.; Americans.; Foreign study.; Documentary films.; Mass media and culture.; Artists.; Current affairs.; Photography--Social aspects.; Photography--History.; History.; Photojournalism.; New York (State).; Art and architecture.;
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(I Am) Weekender. by Raunet, Chloé,film director.; Gillespie, Bobby,actor.; Langer, Clive,actor.; Welsh, Irvine,actor.; Deller, Jeremy,actor.; Ramsay, Lynne,actor.; Moore, Mark,actor.; British Film Institute (Firm),dst; Kanopy (Firm),dst;
Bobby Gillespie, Clive Langer, Irvine Welsh, Jeremy Deller, Lynne Ramsay, Mark MooreOriginally produced by British Film Institute in 2023.Initially banned on its release, Weekender – the film of Flowered Up’s classic acid house cri de cœur – is today hailed as one of the most innovative music films ever made. Now WIZ’s pioneering meditation on the British rave experience is celebrated in (I AM) WEEKENDER, Chloé Raunet’s documentary about the film’s making, impact and legacy, with contributions from Irvine Welsh, Jeremy Deller, Lynne Ramsay, Bobby Gillespie, Clive Langer, Mark Moore, Róisín Murphy, Annie Nightingale, Shaun Ryder, David Holmes, Roy the Roach and more.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Motion pictures.; Music.; Balts (Indo-European people).; Foreign study.; Documentary films.; Mass media and culture.; Artists.; Current affairs.; Motion pictures, British.; Motion pictures--Production and direction.; Popular music.; Popular culture.; England.; Youth--Social life and customs.; Performing arts.; British Isles.;
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Character limit : how Elon Musk destroyed Twitter / by Conger, Kate,author.; Mac, Ryan,author.;
Includes bibliographical references (pages 443-452) and index."The billionaire entrepreneur and Tesla CEO Elon Musk has become inextricable from the social media platform that until 2023 was known as Twitter. Started in the mid-2000s as a playful microblogging platform, Twitter quickly became a vital nexus of global politics, culture, and media -- where the retweet button could instantly catapult any idea to hundreds of millions of screens around the world, unleashing raw collective emotion like nothing else before. While its founder had idealistically dreamed of building a 'digital town square,' he detested Wall Street and never focused on building a profitable business. Musk joined the platform in 2010 and, by 2022, had become one of the site's most influential users, hooking over 80 million followers with a mix of provocations, promotion of his companies, and attacks on his enemies. To Musk, Twitter -- once known for its almost absolute commitment to free speech -- had badly lost its way. He blamed it for the proliferation of what he called the 'woke mind virus' and claimed that the survival of democracy and the human race itself depended on the future of the site. In January of 2022, Musk began secretly accumulating Twitter stock. By April, he was its largest shareholder, and soon after, made an unsolicited offer to purchase the company for the unimaginable sum of $44 billion dollars. Backed into a corner, Twitter's board accepted his offer -- but Musk quickly changed his mind, forcing Twitter to sue him to close the deal in October. The richest man on earth controlled one of the most powerful media platforms in the world -- but at what price? Before long Twitter would be gone for good, replaced by something radically different, as Musk remade the company in his own image from the ground up. The story of the showdown between Musk and Twitter and his eventual takeover of the company is unlike anything in business or media that has come before. In vivid, cinematic detail, Conger and Mac follow the inner workings of the company as Musk lays siege to it, first from the outside as one of its most vocal users, and then finally from within as a contentious and mercurial leader. Musk has shared some of his version of events, but Conger and Mac have uncovered the full story through exclusive interviews, unreported documents, and internal recordings at Twitter following the billionaire's takeover. With unparalleled sources from within and around the company, they provide a revelatory, three-dimensional, and definitive account of what really happened when Musk showed up, spoiling for a brawl and intent on revolution, with his merciless, sycophantic cadre of lawyers, investors, and bankers."--
Subjects: Biographies.; Case studies.; Personal narratives.; Musk, Elon.; Musk, Elon; Twitter (Firm); Twitter (Firm); Twitter (Firm); Twitter; Consolidation and merger of corporations.; Consolidation and merger of corporations; Online social networks.; Social media.;
Available copies: 1 / Total copies: 1
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Fetishized : A Reckoning with Yellow Fever, Feminism, and Beauty. by Yu, Kaila.;
From Kaila Yu, former pin-up model and lead singer of Nylon Pink, comes a deeply personal memoir-in-essays, reckoning with being an object of Asian fetish and how media, pop culture, and colonialism contributed to the oversexualization of Asian women.Library Bound Incorporated
Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs; SOCIAL SCIENCE / Ethnic Studies / Asian Studies; SOCIAL SCIENCE / Feminism & Feminist Theory;
Available copies: 0 / Total copies: 1
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