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Circle the Wagen. by Steven Green, Ryan,film director.; Filmhub, Inc. (Firm),dst; Kanopy (Firm),dst;
Originally produced by Filmhub, Inc. in 2013.CIRCLE THE WAGEN is a buddy/roadtrip/docu-dramedy that follows Dave and Charlie, who attempt to drive a ’72 VW bus across Route 66. Through breakdowns and gasoline baths, they discover and befriend a diehard vintage VW community who help them on their adventure.Mode of access: World Wide Web.
Subjects: Documentary films.; Travel.; Instructional films.; Americans.; Foreign study.; Documentary films.; Mass media and culture.; Action and adventure films.; California.; Automobiles.; Popular culture.; United States--Description and travel.;
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Satan Wants You. by Horlor, Sean,film director.; J. Adams, Steve,film director.; Game Theory Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Game Theory Films in 2023.The shocking story of how a young woman and her psychiatrist ignited the global Satanic Panic with their bestselling memoir Michelle Remembers.Mode of access: World Wide Web.
Subjects: Documentary films.; Criminal law.; Social sciences.; Philosophy and religion.; Americans.; Foreign study.; Documentary films.; Mass media and culture.; Current affairs.; True crime stories.; Conspiracies.; Popular culture.; Cults.;
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Untold Stories. by Evans-Akingbola, Fola,film director.; Pitt, Jordan,film director.; Thomas, Antonia,actor.; Ajala, David,actor.; Plummer, Jessica,actor.; Ackie, Naomi,actor.; Harris, Naomie,actor.; Emmanuel, Nathalie,actor.; Collective Eye Films (Firm),dst; Kanopy (Firm),dst;
Antonia Thomas, David Ajala, Jessica Plummer, Naomi Ackie, Naomie Harris, Nathalie EmmanuelOriginally produced by Collective Eye Films in 2023.In this powerful documentary about race, identity and belonging, British actress Fola Evans-Akingbola brings together some of the UK's brightest stars to reveal the untold story of Afro hair on film sets.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Arts.; Motion pictures.; Balts (Indo-European people).; Foreign study.; Documentary films.; Ethnicity.; Mass media and culture.; Artists.; Current affairs.; Motion pictures--Production and direction.; Beauty, Personal.; Actors.; Hair.; British Isles.;
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Bearing Witness. by Kuperberg, Clara,film director.; Kuperberg, Julia,film director.; Bedard, Irene,actor.; Cardinal, Tantoo,actor.; Bridgestone Multimedia Group (Firm),dst; Kanopy (Firm),dst;
Irene Bedard, Tantoo CardinalOriginally produced by Bridgestone Multimedia Group in 2024.Hollywood Westerns long portrayed Native Americans as villains, glorifying Manifest Destiny and hiding genocide. In the 1960s-70s, films like Little Big Man and Soldier Blue finally humanized them and showed the massacres they endured.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Arts.; Motion pictures.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Mass media and culture.; Artists.; Indians of North America.; United States--History.; United States.; Motion pictures--History.; Popular culture.; Hollywood (Los Angeles, Calif.).;
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Beyond the Wasteland. by Beyrouthy, Eddie,film director.; Cadart, Bertrand,actor.; Raven Banner (Firm),dst; Kanopy (Firm),dst;
Bertrand CadartOriginally produced by Raven Banner in 2022.BEYOND THE WASTELAND explores the eccentric world of Mad Max fans worldwide, including original cast member Bertrand Cadart's fight against leukemia, and celebrates passion and life's ability to change.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Social sciences.; Australians.; Foreign study.; History, Modern.; Documentary films.; Mass media and culture.; Current affairs.; History.; Automobiles.; Australia.; Deserts.; Popular culture.; Motion pictures--Australia--History.;
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Uncropped. by Young, D.W.,film director.; Hamilton, James,actor.; Moore, Thurston,actor.; Anderson, Wes,actor.; Greenwich Entertainment (Firm),dst; Kanopy (Firm),dst;
James Hamilton, Thurston Moore, Wes AndersonOriginally produced by Greenwich Entertainment in 2023.Alfred Hitchcock. Muhammad Ali. Meryl Streep. LL Cool J. From cultural icons to powerful news stories, James Hamilton captured it all. In UNCROPPED, the legendary Village Voice photojournalist and many of his notable collaborators recount the stories behind unforgettable images taken over the course of a 40 year career. A stunning visual chronicle of New York City and a window into the heyday of alternative print media.Mode of access: World Wide Web.
Subjects: Documentary films.; Journalism.; Digital communications.; Photography.; Arts.; Americans.; Foreign study.; Documentary films.; Mass media and culture.; Artists.; Current affairs.; Photography--Social aspects.; Photography--History.; History.; Photojournalism.; New York (State).; Art and architecture.;
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American Mirror. by Balder, Arthur,film director.; Sarandon, Susan,actor.; Filmhub, Inc. (Firm),dst; Kanopy (Firm),dst;
Susan SarandonOriginally produced by Filmhub, Inc. in 2018.Oscar-winner Susan Sarandon and painter Tigran Tsitoghdzyahn explore the ups and downs of aging in a social media-driven world as he tries to paint her portrait in Arthur Balder's multi-awarded, rule-breaking, non-linear, Lynchian art house masterpiece.Mode of access: World Wide Web.
Subjects: Documentary films.; Art.; Arts.; Photography.; Experimental films.; Social sciences.; Motion pictures.; Psychology.; Mental health.; Health.; Documentary films.; Women's studies.; Artists.; Older people--Mental health.; Painting.; Beauty, Personal.; Mass media and gender.; Actors.; Aging--Psychological aspects.; Art and architecture.;
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Bad Hombrewood. by Casarin, Guillermo,film director.; University of Southern California Cinematic Arts (Firm),dst; Kanopy (Firm),dst;
Originally produced by University of Southern California Cinematic Arts in 2021.For decades, the film industry has confined minorities to stereotypical characters. Now, filmmakers fight to change the Latinx role in Hollywood.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Arts.; Motion pictures.; Latin America.; Foreign study.; Documentary films.; Ethnicity.; Mass media and culture.; Artists.; Current affairs.; Motion pictures--Production and direction.; Racism.; Motion pictures--History.; Actors.; Hispanic Americans.;
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(I Am) Weekender. by Raunet, Chloé,film director.; Gillespie, Bobby,actor.; Langer, Clive,actor.; Welsh, Irvine,actor.; Deller, Jeremy,actor.; Ramsay, Lynne,actor.; Moore, Mark,actor.; British Film Institute (Firm),dst; Kanopy (Firm),dst;
Bobby Gillespie, Clive Langer, Irvine Welsh, Jeremy Deller, Lynne Ramsay, Mark MooreOriginally produced by British Film Institute in 2023.Initially banned on its release, Weekender – the film of Flowered Up’s classic acid house cri de cœur – is today hailed as one of the most innovative music films ever made. Now WIZ’s pioneering meditation on the British rave experience is celebrated in (I AM) WEEKENDER, Chloé Raunet’s documentary about the film’s making, impact and legacy, with contributions from Irvine Welsh, Jeremy Deller, Lynne Ramsay, Bobby Gillespie, Clive Langer, Mark Moore, Róisín Murphy, Annie Nightingale, Shaun Ryder, David Holmes, Roy the Roach and more.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Motion pictures.; Music.; Balts (Indo-European people).; Foreign study.; Documentary films.; Mass media and culture.; Artists.; Current affairs.; Motion pictures, British.; Motion pictures--Production and direction.; Popular music.; Popular culture.; England.; Youth--Social life and customs.; Performing arts.; British Isles.;
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Character limit : how Elon Musk destroyed Twitter / by Conger, Kate,author.; Mac, Ryan,author.;
Includes bibliographical references (pages 443-452) and index."The billionaire entrepreneur and Tesla CEO Elon Musk has become inextricable from the social media platform that until 2023 was known as Twitter. Started in the mid-2000s as a playful microblogging platform, Twitter quickly became a vital nexus of global politics, culture, and media -- where the retweet button could instantly catapult any idea to hundreds of millions of screens around the world, unleashing raw collective emotion like nothing else before. While its founder had idealistically dreamed of building a 'digital town square,' he detested Wall Street and never focused on building a profitable business. Musk joined the platform in 2010 and, by 2022, had become one of the site's most influential users, hooking over 80 million followers with a mix of provocations, promotion of his companies, and attacks on his enemies. To Musk, Twitter -- once known for its almost absolute commitment to free speech -- had badly lost its way. He blamed it for the proliferation of what he called the 'woke mind virus' and claimed that the survival of democracy and the human race itself depended on the future of the site. In January of 2022, Musk began secretly accumulating Twitter stock. By April, he was its largest shareholder, and soon after, made an unsolicited offer to purchase the company for the unimaginable sum of $44 billion dollars. Backed into a corner, Twitter's board accepted his offer -- but Musk quickly changed his mind, forcing Twitter to sue him to close the deal in October. The richest man on earth controlled one of the most powerful media platforms in the world -- but at what price? Before long Twitter would be gone for good, replaced by something radically different, as Musk remade the company in his own image from the ground up. The story of the showdown between Musk and Twitter and his eventual takeover of the company is unlike anything in business or media that has come before. In vivid, cinematic detail, Conger and Mac follow the inner workings of the company as Musk lays siege to it, first from the outside as one of its most vocal users, and then finally from within as a contentious and mercurial leader. Musk has shared some of his version of events, but Conger and Mac have uncovered the full story through exclusive interviews, unreported documents, and internal recordings at Twitter following the billionaire's takeover. With unparalleled sources from within and around the company, they provide a revelatory, three-dimensional, and definitive account of what really happened when Musk showed up, spoiling for a brawl and intent on revolution, with his merciless, sycophantic cadre of lawyers, investors, and bankers."--
Subjects: Biographies.; Case studies.; Personal narratives.; Musk, Elon.; Musk, Elon; Twitter (Firm); Twitter (Firm); Twitter (Firm); Twitter; Consolidation and merger of corporations.; Consolidation and merger of corporations; Online social networks.; Social media.;
Available copies: 1 / Total copies: 1
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