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- War at the margins : Indigenous experiences in World War II / by Poyer, Lin,1953-author.;
Includes bibliographical references (pages 259-306) and index."War at the Margins offers a broad comparative view of the impact of World War II on Indigenous societies. Using historical and ethnographic sources, Lin Poyer examines how Indigenous communities emerged from the trauma of the wartime era with social forms and cultural ideas that laid the foundations for their twenty-first century emergence as players on the world's political stage. With a focus on Indigenous voices and agency, a global overview reveals the enormous range of wartime activities and impacts on these groups, connecting this work with comparative history, Indigenous studies, and anthropology. The distinctiveness of Indigenous peoples offers a valuable perspective on World War II, as those on the margins of Allied and Axis empires and nation-states were drawn in as soldiers, scouts, guides, laborers, and victims. Questions of loyalty and citizenship shaped Indigenous combat roles-from integration in national armies to service in separate ethnic units to unofficial use of their special skills, where local knowledge tilted the balance in military outcomes. Front lines crossed Indigenous territory most consequentially in northern Europe, Southeast Asia, and the Pacific Islands, but the impacts of war go well beyond combat. Like others around the world, Indigenous civilian men and women suffered bombing and invasion, displacement, forced labor, military occupation, and economic and social disruption. Infrastructure construction and demand for key resources affected even areas far from front lines. World War II dissolved empires and laid the foundation for the postcolonial world. Indigenous people in newly independent nations struggled for autonomy, while other veterans returned to home fronts still steeped in racism. National governments saw military service as evidence that Indigenous peoples wished to assimilate, but wartime experiences confirmed many communities' commitment to their home cultures and opened new avenues for activism. By century's end, Indigenous Rights became an international political force, offering alternative visions of how the global order might make room for greater local self-determination and cultural diversity. In examining this transformative era, War at the Margins adds an important contribution to both World War II history and to the development of global Indigenous identity"--- Subjects: Indigenous peoples; World War, 1939-1945; World War, 1939-1945;
- Available copies: 1 / Total copies: 1
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- 1666 : a novel / by Chilton, Lora,author.;
Includes bibliographical references (pages 199-200)."The survival story of the Patawomeck Tribe of Virginia has been remembered within the tribe for generations, but the massacre of Patawomeck men and the enslavement of women and children by land hungry colonists in 1666 has been mostly unknown outside of the tribe until now. Author Lora Chilton, a member of the tribe through the lineage of her father, has created this powerful fictional retelling of the survival of the tribe through the lives of three women. 1666: After the Massacre is the imagined story of the indigenous Patawomeck women who lived through the decimation of their tribe in the summer of 1666. Told in first person point of view, this historical novel is the harrowing account of the Patawomeck women who were sold and transported to Barbados via slave ship. The women are separated and bought by different sugar plantations, and their experiences as slaves diverge as they encounter the decadence and clashing cultures of the Anglican, Quaker, Jewish and African populations living in sugar rich "Little England" in the 1660's. The book explores the Patawomeck customs around food, family and rites of passage that defined daily life before the tribe was condemned to "utter destruction" by vote of the Virginia General Assembly. The desire to return to the land they call home fuels the women as they bravely plot their escape from Barbados. With determination and guile, Ah'SaWei WaTaPaAnTam (Golden Fawn) and NePa'WeXo (Shining Moon) are able to board separate ships and make their way back to Virginia to be reunited with the remnant of the tribe that remained. It is because of these women that the tribe is in existence to this day. This work of historical fiction is based on oral tradition, written colonial records and extensive research by the author, including study of the language. The book uses indigenous names for the characters and some of the Patawomeck language to honor the culture and heritage that was erased when European colonization of the Americans began in the 16th century. The book includes a glossary for readers unfamiliar with the language and names"--- Subjects: Historical fiction.; Novels.; Enslaved persons; Indigenous peoples; Indigenous women; Indigenous women; Massacres; Potomac Indians;
- Available copies: 1 / Total copies: 1
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- She Chef. by Wetzel, Gereon,film director.; Liebheit, Melanie,film director.; Magnet Film (Firm),dst; Kanopy (Firm),dst;
Originally produced by Magnet Film in 2022.The portrait of a young chef and recent culinary world cup winner Agnes on her journey to mastery through some of the most outstanding restaurants in the world. The self-confident twentysomething has finished her apprenticeship at Austria’s top-restaurant Steirereck and joined the Austrian national team of cooking as the first and only woman amongst all men to win the 2018 culinary world cup with her team. Follow Agnes' ambitious journey and track her way to becoming a top-chef from the very beginning. SHE CHEF allows the filmmakers to dig deep into very different cultures of cooking and give detailed insights into the ways of working in today’s most interesting restaurants far beyond the well- known celebrity hype.Mode of access: World Wide Web.- Subjects: Documentary films.; Social sciences.; Food industry and trade.; Instructional films.; Agriculture.; Science.; Computer science.; Gender identity.; Documentary films.; Women's studies.;
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unAPI
- Nu Shu. by Yang, Yue-Qing,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Originally produced by Women Make Movies in 1999.In feudal China, women, usually with bound feet, were denied educational opportunities and condemned to social isolation. But in Jian-yong county in Hunan province, peasant women miraculously developed a separate written language, called Nu Shu, meaning "female writing." Believing women to be inferior, men disregarded this new script, and it remained unknown for centuries. It wasn't until the 1960s that Nu Shu caught the attention of Chinese authorities, who suspected that this peculiar writing was a secret code for international espionage. Today, interest in this secret script continues to grow, as evidenced by the wide critical acclaim of Lisa See's novel, "Snow Flower and the Secret Fan", about Nu Shu.NU SHU: A HIDDEN LANGUAGE OF WOMEN IN CHINA is a thoroughly engrossing documentary that revolves around the filmmaker's discovery of eighty-six-year-old Huan-yi Yang, the only living resident of the Nu Shu area still able to read and write Nu Shu. Exploring Nu Shu customs and their role in women's lives, the film uncovers a women's subculture born of resistance to male dominance, finds a parallel struggle in the resistance of Yao minorities to Confucian Han Chinese culture, and traces Nu Shu's origins to some distinctly Yao customs that fostered women's creativity.Mode of access: World Wide Web.- Subjects: Documentary films.; Social sciences.; Anthropology.; Asians.; Foreign study.; Second language acquisition.; Sociology.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; History.; China.; Language and languages.;
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Results 51 to 54 of 54 | « previous