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The skin we're in : a year of Black resistance and power / by Cole, Desmond,1982-author.;
Includes bibliographical references."In May 2015, the cover story of Toronto Life magazine shook Canada's largest city to its core. Desmond Cole's "The Skin I'm In" exposed the racist practices of the Toronto police force, detailing the dozens of times Cole had been stopped and interrogated under the controversial practice of carding. The story quickly came to national prominence, went on to win a number of National Magazine Awards and catapulted its author into the public sphere. Cole used his newfound profile to draw insistent, unyielding attention to the injustices faced by Black Canadians on a daily basis: the devastating effects of racist policing; the hopelessness produced by an education system that expects little of its black students and withholds from them the resources they need to succeed more fully; the heartbreak of those vulnerable before the child welfare system and those separated from their families by discriminatory immigration laws. Both Cole's activism and journalism find vibrant expression in his first book, The Skin We're In. Puncturing once and for all the bubble of Canadian smugness and naïve assumptions of a post-racial nation, Cole chronicles just one year-- 2017-- in the struggle against racism in this country. It was a year that saw calls for tighter borders when African refugees braved frigid temperatures to cross into Manitoba from the States, racial epithets used by a school board trustee, a six-year-old girl handcuffed at school. The year also witnessed the profound personal and professional ramifications of Desmond Cole's unwavering determination to combat injustice. In April, Cole disrupted a Toronto police board meeting by calling for the destruction of all data collected through carding. Following the protest, Cole, a columnist with the Toronto Star, was summoned to a meeting with the paper's opinions editor and was informed that his activism violated company policy. Rather than limit his efforts defending Black lives, Cole chose to sever his relationship with the publication. Then in July, at another TPS meeting, Cole challenged the board publicly, addressing rumours of a police cover-up of the brutal beating of Dafonte Miller by an off-duty police officer and his brother. When Cole refused to leave the meeting until the question was publicly addressed, he was arrested. The image of Cole walking, handcuffed and flanked by officers, out of the meeting fortified the distrust between the city's Black community and its police force. In a month-by-month chronicle, Cole locates the deep cultural, historical and political roots of each event so that what emerges is a personal, painful and comprehensive picture of entrenched, systemic inequality. Urgent, controversial and unsparingly honest, The Skin We're In is destined to become a vital text for anti-racist and social justice movements in Canada, as well as a potent antidote to the all-too-present complacency of many white Canadians."-- Provided by publisher.
Subjects: Black Canadians; Discrimination in criminal justice administration; Discrimination in law enforcement; Minorities; Police brutality; Police misconduct; Police-community relations; Race discrimination;
Available copies: 2 / Total copies: 2
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Namibia - Return to a New Country. by Schuch, Christoph,film director.; DEFA Film Library (Firm),dst; Kanopy (Firm),dst;
Originally produced by DEFA Film Library in 1997.Starting in 1979, nearly 2,000 children were evacuated from Namibia (and refugee camps in neighboring Angola and Zambia) to protect them from the violence of the civil war between South Africa and the socialist liberation movement, SWAPO. In a gesture of solidarity with SWAPO, the GDR accepted almost 500 children for their “protection, education, and socialist training.” After unification in 1990, they were suddenly returned—after Namibia's independence and first all-race free elections, which took place the same week as the Berlin Wall opened.The young people interviewed in this film reflect on the experiences of their childhoods in East Germany, focusing especially on their sense of identity and the difficulties they faced fitting into both European and Namibian societies.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; African studies.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; History.;
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Yuni. by Andini, Kamila,film director.; Kirana, Arawinda,actor.; Abigail, Asmara,actor.; Anita, Marissa,actor.; Sari, Sekar,actor.; Film Movement (Firm),dst; Kanopy (Firm),dst;
Arawinda Kirana, Asmara Abigail, Marissa Anita, Sekar SariOriginally produced by Film Movement in 2021.Having rejected a marriage proposal and now facing limited options after graduation, Indonesian high-school student Yuni (Arawinda Kirana) finds herself having to define her desires within a society attempting to prescribe her fate. Navigating her burgeoning sexuality and educational prospects while coming to terms with the rigid gender politics with which they collide, Yuni observes her peers and the women around her as they reject or give in to the expectations made of them and the consequences their decisions carry.Mode of access: World Wide Web.
Subjects: Feature films.; Foreign films.; Motion pictures.; Drama.; Coming-of-age films.; Motion pictures--Asia.;
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My Imaginary Country. by Guzmán, Patricio,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Icarus Films in 2022.One day, without warning, a revolution exploded. It was the event that master documentarian Patricio Guzmán had been waiting for all his life: a million and a half people in the streets of Santiago, Chile, demanding justice, education, health care, and a new constitution to replace the strident rules imposed on the country during the Pinochet military dictatorship. Urgent and inspired, MY IMAGINARY COUNTRY features harrowing front-line protest footage and interviews with dynamic activist leaders and powerfully connects Chile's complex, bloody history to contemporary revolutionary social movements and the election of a new president.Mode of access: World Wide Web.
Subjects: Documentary films.; Political science.; Social sciences.; History, Modern.; Latin America.; Foreign study.; Sociology.; Documentary films.; Current affairs.; History.;
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