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- On the Adamant. by Philibert, Nicolas,film director.; Kino Lorber (Firm),dst; Kanopy (Firm),dst;
Originally produced by Kino Lorber in 2023.Winner of the Golden Bear at the Berlin Film Festival, this affecting, enlightening documentary from nonfiction master Nicolas Philibert invites viewers to come aboard the Adamant and witness the transformational power of art and community. The Adamant is a one-of-a-kind place: a floating refuge on the Seine River in the heart of Paris that offers day programs for adults with mental illnesses. Its attendees come from across the city and are offered care that grounds them in time and space, helping them achieve recovery and stability. Through a blend of therapy, education, and culture rooted in music and the arts, the Adamant offers a hopeful vision of what a humanistic approach to mental health care could look like. The community on the boat is intentionally created so that both the staff and the people receiving care are treated with the same respect and dignity. Their meetings and conversations reveal the camaraderie and collective humanity of a group of people whose similarities far outweigh their differences.Mode of access: World Wide Web.- Subjects: Documentary films.; Balts (Indo-European people).; Foreign study.; Psychology.; Social sciences.; Documentary films.; Current affairs.; Health.;
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- Stop Filming Us But Listen. by Vivuya, Bernadette,film director.; Twahirgwa, Kagoma,film director.; Video Project (Firm),dst; Kanopy (Firm),dst;
Originally produced by Video Project in 2022.A re-edited version of Joris Postema's Stop Filming Us, Vivuya and Twahirwa's film takes a closer look at the imbalance of power inherited from colonialism and its consequences on the representation of the DRC, cinematic and otherwise. The idea to produce this new version arose from discussions within Postema's film about whether a Western director is capable of capturing an image and narrative of the DRC shared by its citizens. It was then suggested that local directors work with the same footage to determine if a different story could be told from the same material to convey a local perspective. Re-editing the footage, they have made a version that better reflects their perspective and does justice to their own experiences. The resulting film contextualizes the project within the history of Western cinematic representations of the Congo, and highlights the inherent power discrepancies on either side of the camera. Featuring candid conversations with filmmakers, artists, scholars, and community members, STOP FILMING US BUT LISTEN seeks to subvert colonialist narratives familiar in the West and chart a new path for cinematic self-representation.Mode of access: World Wide Web.- Subjects: Documentary films.; Enthnology.; Social sciences.; Mass media.; Digital communications.; African studies.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; History.;
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Results 131 to 132 of 132 | « previous