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      - Nobody's Girl A Memoir of Surviving Abuse and Fighting for Justice [electronic resource] : by Giuffre, Virginia Roberts.aut; CloudLibrary; 
 The unforgettable memoir by the late Virginia Roberts Giuffre, the woman who dared to take on Jeffrey Epstein and Ghislaine Maxwell The world knows Virginia Roberts Giuffre as Jeffrey Epstein and Ghislaine Maxwell’s most outspoken victim: the woman whose decision to speak out helped send both serial abusers to prison, whose photograph with Prince Andrew catalyzed his fall from grace. But her story has never been told in full, in her own words—until now. In April 2025, Giuffre took her own life. She left behind a memoir written in the years preceding her death and stated unequivocally that she wanted it published. Nobody’s Girl is the riveting and powerful story of an ordinary girl who would grow up to confront extraordinary adversity. Here, Giuffre offers an unsparing and definitive account of her time with Epstein and Maxwell, who trafficked her and others to numerous prominent men. She also details the molestation she suffered as a child, as well as her daring escape from Epstein and Maxwell’s grasp at nineteen. Giuffre remade her life from scratch and summoned the courage to not only hold her abusers to account but also advocate for other victims. The pages of Nobody’s Girl preserve her voice—and her legacy—forever. Nobody’s Girl is an astonishing affirmation of Giuffre’s unshakable will—first, to claw her way out of victimhood, and then to shine light on wrongdoing and fight for a safer, fairer world. Equal parts intimate and fierce, it is a remarkable narrative of fortitude in the face of depravity and despair. The unforgettable memoir by the late Virginia Roberts Giuffre, the woman who dared to take on Jeffrey Epstein and Ghislaine Maxwell The world knows Virginia Roberts Giuffre as Jeffrey Epstein and Ghislaine Maxwell’s most outspoken victim: the woman whose decision to speak out helped send both serial abusers to prison, whose photograph with Prince Andrew catalyzed his fall from grace. But her story has never been told in full, in her own words—until now. In April 2025, Giuffre took her own life. She left behind a memoir written in the years preceding her death and stated unequivocally that she wanted it published. Nobody’s Girl is the riveting and powerful story of an ordinary girl who would grow up to confront extraordinary adversity. Here, Giuffre offers an unsparing and definitive account of her time with Epstein and Maxwell, who trafficked her and others to numerous prominent men. She also details the molestation she suffered as a child, as well as her daring escape from Epstein and Maxwell’s grasp at nineteen. Giuffre remade her life from scratch and summoned the courage to not only hold her abusers to account but also advocate for other victims. The pages of Nobody’s Girl preserve her voice—and her legacy—forever. Nobody’s Girl is an astonishing affirmation of Giuffre’s unshakable will—first, to claw her way out of victimhood, and then to shine light on wrongdoing and fight for a safer, fairer world. Equal parts intimate and fierce, it is a remarkable narrative of fortitude in the face of depravity and despair.
- Subjects: Electronic books.; Personal Memoirs; Women; Sexual Abuse & Harassment; 
- © 2025., Knopf Doubleday Publishing Group,
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      - Oscar Micheaux. by Zippel, Francesco,film director.; D, Chuck,actor.; Singleton, John,actor.; Van, Melvin,actor.; Freeman, Morgan,actor.; The Party Film Sales (Firm),dst; Kanopy (Firm),dst; 
 Chuck D, John Singleton, Melvin Van Peebles, Morgan FreemanOriginally produced by The Party Film Sales in 2021.The most successful African American director of the first half of the 20th century, Oscar Micheaux wrote, directed, and produced more than 44 films and six novels before his death in 1951. Charting his incredible artistic journey, Zippel’s revealing documentary pays tribute to the extraordinary accomplishments of a resolute storyteller (and Illinois native) whose work served as a powerful rebuke to the ubiquitous racism of the times. A chorus of experts and fans—from Chuck D to Melvin van Peebles—weighs in on the incredible legacy of a man that cinema scholar Jacqueline Stewart describes as “the most important Black filmmaker who ever lived. Period.”Mode of access: World Wide Web. Chuck D, John Singleton, Melvin Van Peebles, Morgan FreemanOriginally produced by The Party Film Sales in 2021.The most successful African American director of the first half of the 20th century, Oscar Micheaux wrote, directed, and produced more than 44 films and six novels before his death in 1951. Charting his incredible artistic journey, Zippel’s revealing documentary pays tribute to the extraordinary accomplishments of a resolute storyteller (and Illinois native) whose work served as a powerful rebuke to the ubiquitous racism of the times. A chorus of experts and fans—from Chuck D to Melvin van Peebles—weighs in on the incredible legacy of a man that cinema scholar Jacqueline Stewart describes as “the most important Black filmmaker who ever lived. Period.”Mode of access: World Wide Web.
- Subjects: Documentary films.; Enthnology.; Social sciences.; Arts.; Motion pictures.; History, Modern.; Documentary films.; Ethnicity.; Artists.; History.; African Americans.; 
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      - Nobody's Girl A Memoir of Surviving Abuse and Fighting for Justice [electronic resource] : by Giuffre, Virginia Roberts.aut; Plummer, Thérèse.nrt; Zackman, Gabra.nrt; CloudLibrary; 
 The unforgettable memoir by the late Virginia Roberts Giuffre, the woman who dared to take on Jeffrey Epstein and Ghislaine Maxwell The world knows Virginia Roberts Giuffre as Jeffrey Epstein and Ghislaine Maxwell’s most outspoken victim: the woman whose decision to speak out helped send both serial abusers to prison, whose photograph with Prince Andrew catalyzed his fall from grace. But her story has never been told in full, in her own words—until now. In April 2025, Giuffre took her own life. She left behind a memoir written in the years preceding her death and stated unequivocally that she wanted it published. Nobody’s Girl is the riveting and powerful story of an ordinary girl who would grow up to confront extraordinary adversity. Here, Giuffre offers an unsparing and definitive account of her time with Epstein and Maxwell, who trafficked her and others to numerous prominent men. She also details the molestation she suffered as a child, as well as her daring escape from Epstein and Maxwell’s grasp at nineteen. Giuffre remade her life from scratch and summoned the courage to not only hold her abusers to account but also advocate for other victims. The pages of Nobody’s Girl preserve her voice—and her legacy—forever. Nobody’s Girl is an astonishing affirmation of Giuffre’s unshakable will—first, to claw her way out of victimhood, and then to shine light on wrongdoing and fight for a safer, fairer world. Equal parts intimate and fierce, it is a remarkable narrative of fortitude in the face of depravity and despair. The unforgettable memoir by the late Virginia Roberts Giuffre, the woman who dared to take on Jeffrey Epstein and Ghislaine Maxwell The world knows Virginia Roberts Giuffre as Jeffrey Epstein and Ghislaine Maxwell’s most outspoken victim: the woman whose decision to speak out helped send both serial abusers to prison, whose photograph with Prince Andrew catalyzed his fall from grace. But her story has never been told in full, in her own words—until now. In April 2025, Giuffre took her own life. She left behind a memoir written in the years preceding her death and stated unequivocally that she wanted it published. Nobody’s Girl is the riveting and powerful story of an ordinary girl who would grow up to confront extraordinary adversity. Here, Giuffre offers an unsparing and definitive account of her time with Epstein and Maxwell, who trafficked her and others to numerous prominent men. She also details the molestation she suffered as a child, as well as her daring escape from Epstein and Maxwell’s grasp at nineteen. Giuffre remade her life from scratch and summoned the courage to not only hold her abusers to account but also advocate for other victims. The pages of Nobody’s Girl preserve her voice—and her legacy—forever. Nobody’s Girl is an astonishing affirmation of Giuffre’s unshakable will—first, to claw her way out of victimhood, and then to shine light on wrongdoing and fight for a safer, fairer world. Equal parts intimate and fierce, it is a remarkable narrative of fortitude in the face of depravity and despair.
- Subjects: Audiobooks.; Personal Memoirs; Women; Sexual Abuse & Harassment; 
- © 2025., Penguin Random House,
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      - Orlando, My Political Biography. by B., Paul,film director.; The Criterion Collection (Firm),dst; Kanopy (Firm),dst; 
 Originally produced by The Criterion Collection in 2023.“Come, come! I’m sick to death of this particular self. I want another.” Taking Virginia Woolf’s novel Orlando: A Biography as his starting point, academic virtuoso turned filmmaker Paul B. Preciado fashioned the documentary ORLANDO, MY POLITICAL BIOGRAPHY—a personal essay, historical analysis, and social manifesto. For almost a century, Woolf’s eponymous hero(ine) has inspired readers with their gender fluidity as well as their physical and spiritual metamorphoses across a three-hundred-year span. In making his film, Preciado invited a diverse group of more than twenty trans and nonbinary people to play the role of Orlando and to participate in this shared biography. Together, they perform interpretations of the novel, weaving into Woolf’s narrative their own stories of transition and identity formation. Not content to simply update a groundbreaking work, Preciado interrogates the relevance of Orlando in the ongoing struggle to secure dignity for trans people worldwide.Mode of access: World Wide Web. Originally produced by The Criterion Collection in 2023.“Come, come! I’m sick to death of this particular self. I want another.” Taking Virginia Woolf’s novel Orlando: A Biography as his starting point, academic virtuoso turned filmmaker Paul B. Preciado fashioned the documentary ORLANDO, MY POLITICAL BIOGRAPHY—a personal essay, historical analysis, and social manifesto. For almost a century, Woolf’s eponymous hero(ine) has inspired readers with their gender fluidity as well as their physical and spiritual metamorphoses across a three-hundred-year span. In making his film, Preciado invited a diverse group of more than twenty trans and nonbinary people to play the role of Orlando and to participate in this shared biography. Together, they perform interpretations of the novel, weaving into Woolf’s narrative their own stories of transition and identity formation. Not content to simply update a groundbreaking work, Preciado interrogates the relevance of Orlando in the ongoing struggle to secure dignity for trans people worldwide.Mode of access: World Wide Web.
- Subjects: Documentary films.; Literature.; Arts.; Social sciences.; Gender identity.; Homosexuality.; Documentary films.; LGBTQ.; Artists.; 
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      - Tyrant / by Iggulden, Conn,author.; 
 On the wedding day of Emperor Claudius to Agrippina, a senator lies dying in his own home. Yesterday, this senator was betrothed to Octavia, Claudius's daughter. Now blood gushes from his slit wrists. Agrippina's elevation to empress changes so many things. Claudius is convinced to adopt her thirteen-year-old son Nero, naming him his new heir. And those angered by his wife's presumption? They face dashed hopes, endure terrible accusations, or suffer a merciless death. Yet Nero - still a boy - is vulnerable. Tutored by Seneca, he vies with his brother and fellow heir Britannicus for their father's favour. He learns to fight. He learns to love. So what if his mother wants him to marry his sister-cousin Octavia? Rome has been scandalised before. But those who have survived Agrippina, and the families of those who didn't, have long memories and short knives. They seek chances to get close - to taste the blood of this ruthless plotter and her son. Rome has always been dangerous. To rise there, as Nero is to discover, others must fall - even emperors. On the wedding day of Emperor Claudius to Agrippina, a senator lies dying in his own home. Yesterday, this senator was betrothed to Octavia, Claudius's daughter. Now blood gushes from his slit wrists. Agrippina's elevation to empress changes so many things. Claudius is convinced to adopt her thirteen-year-old son Nero, naming him his new heir. And those angered by his wife's presumption? They face dashed hopes, endure terrible accusations, or suffer a merciless death. Yet Nero - still a boy - is vulnerable. Tutored by Seneca, he vies with his brother and fellow heir Britannicus for their father's favour. He learns to fight. He learns to love. So what if his mother wants him to marry his sister-cousin Octavia? Rome has been scandalised before. But those who have survived Agrippina, and the families of those who didn't, have long memories and short knives. They seek chances to get close - to taste the blood of this ruthless plotter and her son. Rome has always been dangerous. To rise there, as Nero is to discover, others must fall - even emperors.
- Subjects: Historical fiction.; Novels.; Agrippina, Minor, 15-59; Nero, Emperor of Rome, 37-68; Betrayal; Emperors; Empresses; Heirs; Power (Social sciences); Weddings; 
- Available copies: 0 / Total copies: 1
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      - A Good Bad Boy Luke Perry and How a Generation Grew Up [electronic resource] : by Wappler, Margaret.aut; cloudLibrary; 
 An artful and contemplative tribute to the late actor famed for his role as Dylan McKay in Beverly Hills, 90210. Best known for playing loner rebel Dylan McKay in Beverly Hills 90210, Luke Perry was fifty-two years old when he died of a stroke in 2019. There have been other deaths of 90’s stars, but this one hit different. Gen X was reminded of their own inescapable mortality, and robbed of an exciting career resurgence for one of their most cherished icons—with recent roles in the hit series Riverdale and Quentin Tarantino’s Once Upon a Time In Hollywood bringing him renewed attention and acclaim. Only upon his death, as stories poured out online about his authenticity and kindness, did it become clear how little was known about the exceedingly humble actor and how deeply he impacted popular culture. In A Good Bad Boy, Margaret Wappler attempts to understand who Perry was and why he was unique among his Hollywood peers. To do so, she uses an inventive hybrid narrative. She speaks with dozens who knew Perry personally and professionally. They share insightful anecdotes: how he kept connected to his Ohio upbringing; nearly blew his 90210 audition; tried to shed his heartthrob image by joining the HBO prison drama Oz; and in the last year of his life, sought to set up two of his newly divorced friends. (After his death, the pair bonded in their grief and eventually married.) Amid these original interviews and exhaustive archival research, Wappler weaves poignant vignettes of memoir in which she serves as an avatar to show how Perry shaped a generation’s views on masculinity, privilege and the ideal of “cool.” Timed to the fifth anniversary of Perry’s death, A Good Bad Boy is a profound and entertaining examination of what it means to be an artist and an adult. An artful and contemplative tribute to the late actor famed for his role as Dylan McKay in Beverly Hills, 90210. Best known for playing loner rebel Dylan McKay in Beverly Hills 90210, Luke Perry was fifty-two years old when he died of a stroke in 2019. There have been other deaths of 90’s stars, but this one hit different. Gen X was reminded of their own inescapable mortality, and robbed of an exciting career resurgence for one of their most cherished icons—with recent roles in the hit series Riverdale and Quentin Tarantino’s Once Upon a Time In Hollywood bringing him renewed attention and acclaim. Only upon his death, as stories poured out online about his authenticity and kindness, did it become clear how little was known about the exceedingly humble actor and how deeply he impacted popular culture. In A Good Bad Boy, Margaret Wappler attempts to understand who Perry was and why he was unique among his Hollywood peers. To do so, she uses an inventive hybrid narrative. She speaks with dozens who knew Perry personally and professionally. They share insightful anecdotes: how he kept connected to his Ohio upbringing; nearly blew his 90210 audition; tried to shed his heartthrob image by joining the HBO prison drama Oz; and in the last year of his life, sought to set up two of his newly divorced friends. (After his death, the pair bonded in their grief and eventually married.) Amid these original interviews and exhaustive archival research, Wappler weaves poignant vignettes of memoir in which she serves as an avatar to show how Perry shaped a generation’s views on masculinity, privilege and the ideal of “cool.” Timed to the fifth anniversary of Perry’s death, A Good Bad Boy is a profound and entertaining examination of what it means to be an artist and an adult.
- Subjects: Electronic books.; Entertainment & Performing Arts; History & Criticism; Popular Culture; 
- © 2024., Simon & Schuster,
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      - The Piccirilli Factor. by Montes-Bradley, Eduardo,film director.; Heritage Film Project (Firm),dst; Kanopy (Firm),dst; 
 Originally produced by Heritage Film Project in 2025.THE PICCIRILLI FACTOR presents the lives and contributions of the Piccirilli family, Italian sculptors who, after settling in New York City in 1888, founded the largest and most prolific marble carving studio in America. For nearly half a century, the Piccirilli contributed to the City Beautiful Movement, shaping the architectural landscapes of Washington and New York in collaboration with leading architects and sculptors. Their body of work, encompassing both collaborative and individual pieces, includes nearly nine hundred monuments, memorials, and fine artworks, many of which are preserved in museums and private collections. Unfortunately, all records related to their practice were lost following World War II, after the studio closed due to the deaths of Attilio and Getulio Piccirilli.Mode of access: World Wide Web. Originally produced by Heritage Film Project in 2025.THE PICCIRILLI FACTOR presents the lives and contributions of the Piccirilli family, Italian sculptors who, after settling in New York City in 1888, founded the largest and most prolific marble carving studio in America. For nearly half a century, the Piccirilli contributed to the City Beautiful Movement, shaping the architectural landscapes of Washington and New York in collaboration with leading architects and sculptors. Their body of work, encompassing both collaborative and individual pieces, includes nearly nine hundred monuments, memorials, and fine artworks, many of which are preserved in museums and private collections. Unfortunately, all records related to their practice were lost following World War II, after the studio closed due to the deaths of Attilio and Getulio Piccirilli.Mode of access: World Wide Web.
- Subjects: Documentary films.; Art.; Arts.; Social sciences.; Americans.; Foreign study.; Sociology.; Documentary films.; Artists.; Current affairs.; Sculpture.; Architecture, American.; Street art.; Art--History.; Italy.; New York (State).; United States--Emigration and immigration.; Architecture.; Art and architecture.; 
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      - 36 Seconds. by Albaba, Tarek,film director.; Minhaj, Hasan,actor.; Video Project (Firm),dst; Kanopy (Firm),dst; 
 Hasan MinhajOriginally produced by Video Project in 2023.On February 10, 2015, UNC students Deah Barakat, his wife Yusor Mohammad Abu-Salha, and her sister Razan Mohammad Abu-Salha were eating dinner in their home in Chapel Hill, North Carolina when they were killed by their neighbor Craig Hicks in 36 seconds. Before their families can grieve, they are forced to become activists to set the record straight — that these killings were a hate crime.36 SECONDS: PORTRAIT OF A HATE CRIME charts the families' agonizing overnight pivot from trauma to advocacy as they struggle to prevent their loved ones' deaths from being dismissed as the result of a random parking dispute as Hicks originally claimed, and local law enforcement and national media quickly parroted. They courageously speak the truth about the hate crime that destroyed their lives, the overtly insidious ways racism plays out in our society, and about the need to reform a hate crime system that is broken.Mode of access: World Wide Web. Hasan MinhajOriginally produced by Video Project in 2023.On February 10, 2015, UNC students Deah Barakat, his wife Yusor Mohammad Abu-Salha, and her sister Razan Mohammad Abu-Salha were eating dinner in their home in Chapel Hill, North Carolina when they were killed by their neighbor Craig Hicks in 36 seconds. Before their families can grieve, they are forced to become activists to set the record straight — that these killings were a hate crime.36 SECONDS: PORTRAIT OF A HATE CRIME charts the families' agonizing overnight pivot from trauma to advocacy as they struggle to prevent their loved ones' deaths from being dismissed as the result of a random parking dispute as Hicks originally claimed, and local law enforcement and national media quickly parroted. They courageously speak the truth about the hate crime that destroyed their lives, the overtly insidious ways racism plays out in our society, and about the need to reform a hate crime system that is broken.Mode of access: World Wide Web.
- Subjects: Documentary films.; Enthnology.; Social sciences.; Criminal law.; Americans.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; Current affairs.; Crime.; Political participation.; Racism.; Muslims.; North Carolina.; Hate crimes.; 
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      - The great wave : the era of radical disruption and the rise of the outsider / by Kakutani, Michiko,author.; 
 Includes bibliographical references."An urgent examination of how disruptive politics, technology, and art are capsizing old assumptions in a great wave of change breaking over today's world, creating both opportunity and peril-from the Pulitzer Prize-winning critic and author of the New York Times bestseller The Death of Truth. The twenty-first century is experiencing a watershed moment defined by chaos and uncertainty, as one emergency cascades into another, underscoring the larger dynamics of change that are fueling instability across the world. Since the global financial crisis of 2008, people have increasingly lost trust in institutions and elites, while seizing upon new digital tools to sidestep traditional gatekeepers. As a result, powerful new voices-once regarded as radical, unorthodox or marginal-are disrupting the status quo in politics, business and culture. Meanwhile, social and economic inequalities are stoking populist rage across the world, toxic partisanship is undermining democratic ideals, and the internet and AI have become high-speed vectors for the spread of misinformation. Writing with a critic's understanding of cultural trends and a journalist's eye for historical detail, Michiko Kakutani looks at the consequences of these new asymmetries of power. She maps the migration of ideas from the margins to the mainstream and explores the growing influence of outsiders-those who have sown anger and fear (like Donald Trump), and those who have provided inspirational leadership (like Ukraine's president Volodymyr Zelensky). At the same time, she situates today's multiplying crises in context with those that defined earlier hinge moments in history, from the waning of the Middle Ages, to the transition between the Gilded Age and Progressive era at the end of the nineteenth century. Kakutani argues that today's crises are not only signs of an interconnected globe's profound vulnerabilities, but stress tests pointing to the essential changes needed to survive this tumultuous era and build a more sustainable future"-- Includes bibliographical references."An urgent examination of how disruptive politics, technology, and art are capsizing old assumptions in a great wave of change breaking over today's world, creating both opportunity and peril-from the Pulitzer Prize-winning critic and author of the New York Times bestseller The Death of Truth. The twenty-first century is experiencing a watershed moment defined by chaos and uncertainty, as one emergency cascades into another, underscoring the larger dynamics of change that are fueling instability across the world. Since the global financial crisis of 2008, people have increasingly lost trust in institutions and elites, while seizing upon new digital tools to sidestep traditional gatekeepers. As a result, powerful new voices-once regarded as radical, unorthodox or marginal-are disrupting the status quo in politics, business and culture. Meanwhile, social and economic inequalities are stoking populist rage across the world, toxic partisanship is undermining democratic ideals, and the internet and AI have become high-speed vectors for the spread of misinformation. Writing with a critic's understanding of cultural trends and a journalist's eye for historical detail, Michiko Kakutani looks at the consequences of these new asymmetries of power. She maps the migration of ideas from the margins to the mainstream and explores the growing influence of outsiders-those who have sown anger and fear (like Donald Trump), and those who have provided inspirational leadership (like Ukraine's president Volodymyr Zelensky). At the same time, she situates today's multiplying crises in context with those that defined earlier hinge moments in history, from the waning of the Middle Ages, to the transition between the Gilded Age and Progressive era at the end of the nineteenth century. Kakutani argues that today's crises are not only signs of an interconnected globe's profound vulnerabilities, but stress tests pointing to the essential changes needed to survive this tumultuous era and build a more sustainable future"--
- Subjects: Civilization, Modern; Elite (Social sciences); Globalization.; Political culture.; Power (Social sciences); Uncertainty.; 
- Available copies: 1 / Total copies: 1
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      - Stories we tell ourselves : making meaning in a meaningless universe / by Holloway, Richard,1933-author.; 
 Includes bibliographical references and index.Throughout history we have told ourselves stories to try and make sense of what it all means: our place in a small corner of one of billions of galaxies, at the end of billions of years of existence. In this new book Richard Holloway takes us on a personal, scientific and philosophical journey to explore what he believes the answers to the biggest of questions are. He examines what we know about the universe into which - without any choice in the matter - we are propelled at birth and from which we are expelled at death, the stories we have told about where we come from, and the stories we tell to get through this muddling experience of life. Thought-provoking, revelatory, compassionate and playful, Stories We Tell Ourselves is a personal reckoning with life's mysteries by one of the most important and beloved thinkers of our time. Includes bibliographical references and index.Throughout history we have told ourselves stories to try and make sense of what it all means: our place in a small corner of one of billions of galaxies, at the end of billions of years of existence. In this new book Richard Holloway takes us on a personal, scientific and philosophical journey to explore what he believes the answers to the biggest of questions are. He examines what we know about the universe into which - without any choice in the matter - we are propelled at birth and from which we are expelled at death, the stories we have told about where we come from, and the stories we tell to get through this muddling experience of life. Thought-provoking, revelatory, compassionate and playful, Stories We Tell Ourselves is a personal reckoning with life's mysteries by one of the most important and beloved thinkers of our time.
- Subjects: Meaning (Philosophy); Religion and science.; Self-actualization (Psychology); Social history; Theological anthropology; 
- Available copies: 1 / Total copies: 1
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