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The Many Names of Robert Cree : How a First Nations Chief Brought Ancient Wisdom to Big Business and Prosperity to His People. by Cree, Robert.;
'The Many Names of Robert Cree' is his first-person account of survival in a brutally racist residential school system designed to erase traditional Indigenous culture, language, and knowledge. It is also the story of an epic life of struggle and healing, as Robert Cree takes the wisdom of his ancestors and a message of reconciliation to the halls of government and to industry boardrooms. Cree is the former Chief of Fort McMurray First Nation 468, where he still resides.Library Bound Incorporated
Subjects: BIOGRAPHY & AUTOBIOGRAPHY; BIOGRAPHY & AUTOBIOGRAPHY / Business; BIOGRAPHY & AUTOBIOGRAPHY / Indigenous Peoples of Turtle Island; HISTORY / Canada / Post-Confederation (1867-); SOCIAL SCIENCE / Indigenous Studies;
Available copies: 0 / Total copies: 1
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Climate Justice and the Thin Green Line. by Haaken, Jan,film director.; Praus, Samantha,film director.; Freestyle Digital Media (Firm),dst; Kanopy (Firm),dst;
Originally produced by Freestyle Digital Media in 2023.Continuing the story of Part I, CLIMATE JUSTICE AND THE THIN GREEN LINE journeys along the rivers of Oregon, bringing into view a historical landscape of tribes resisting oil trains and trucks carrying toxic products through treaty lands.Mode of access: World Wide Web.
Subjects: Documentary films.; Science.; Social sciences.; Environmental sciences.; Sociology.; Documentary films.; Indigenous peoples.; Foreign study.; Current affairs.;
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Oil, Water & Climate Resistance. by Haaken, Jan,film director.; Praus, Samantha,film director.; Freestyle Digital Media (Firm),dst; Kanopy (Firm),dst;
Originally produced by Freestyle Digital Media in 2023.The first documentary in this two-part series, OIL, WATER & CLIMATE RESISTANCE traces the fight against the expansion of pipelines carrying highly toxic tar sands oil through essential waterways in Minnesota, following movement leaders using direct action and legal strategy to protect the sacred and demand justice.Mode of access: World Wide Web.
Subjects: Documentary films.; Science.; Social sciences.; Environmental sciences.; Sociology.; Documentary films.; Indigenous peoples.; Foreign study.; Current affairs.;
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Necessity. by Haaken, Jan,film director.; Praus, Samantha,film director.; Freestyle Digital Media (Firm),dst; Kanopy (Firm),dst;
Originally produced by Freestyle Digital Media in 2023.This two-part film series unfolds around activists and their use of the necessity defense in jury trials in different regions of the US after being charged with trespassing. Legal strategies in the climate movement take center stage as Indigenous leaders and Native and non-Native activists respond to the growing climate emergency. From the Mississippi Headwaters, wild rice fields and Great Lakes in Part I to the rivers and mountains of the Columbia River Gorge in Part II, awe-inspiring terrains are sites of coordinated resistance to corporate expansion of oil through pipelines, rail and terminals to get their lethal products to market. As inspiring and hopeful as they are informative, the films show how alliances form around shared commitments to save the planet.Mode of access: World Wide Web.
Subjects: Documentary films.; Science.; Social sciences.; Environmental sciences.; Sociology.; Documentary films.; Indigenous peoples.; Foreign study.; Current affairs.;
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Still We Rise. by Harvey, John,film director.; Australian Broadcasting Corporation (Firm),dst; Kanopy (Firm),dst;
Originally produced by Australian Broadcasting Corporation in 2022.In 1972, decades of frustration and protest came to a head when Prime Minister William ‘Billy’ McMahon, in his long awaited speech on the ‘Aboriginal question,’ dismissed any hope of land rights and provoked outrage.Mode of access: World Wide Web.
Subjects: Documentary films.; Political science.; Social sciences.; Australians.; Foreign study.; History, Modern.; Human rights.; Documentary films.; Indigenous peoples.; Current affairs.; History.; Aboriginal Australians.; Social action.;
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Without Arrows. by Day, Elizabeth,film director.; Olshefski, Jonathan,film director.; First Run Features (Firm),dst; Kanopy (Firm),dst;
Originally produced by First Run Features in 2024.Filmed over 13 years, WITHOUT ARROWS chronicles the vibrance and struggle of a Lakȟóta family. Delwin Fiddler Jr., a champion grass dancer from the Cheyenne River Sioux Tribe, left his reservation as a young man and built a new life in Philadelphia. A decade later, he abandons it all and returns home to fulfill his mother’s ambition and carry on the legacy of their thiyóšpaye (extended family).Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Americans.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Indians of North America.;
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Ellavut Cimirtuq. by Cleveland, Jacqueline,film director.; Hedges, Mischa,film director.; Luokkala, Sonia,film director.; New Day Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by New Day Films in 2023.(Yupik Pronounciation: Chla-vut jee-mik-tuk)As the village of Quinhagak works to save save its cultural artifacts from washing into the Bering Sea, a local filmmaker explores her community’s relationship with its language, and ways of life in Southwest Alaska.Mode of access: World Wide Web.
Subjects: Documentary films.; Science.; Social sciences.; Anthropology.; Environmental sciences.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; History.; Short films.; Motion pictures.; Indians of North America.; Climatic changes.; Alaska.;
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Standing Above the Clouds. by Keane-Lee, Jalena,film director.; Collective Eye Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Collective Eye Films in 2024.STANDING ABOVE THE CLOUDS highlights the movement to protect Mauna Kea through the intergenerational stories of women in three Native Hawaiian families as they stand for the sacred mountain. The film follows teacher and community organizer Pua Case and her two daughters — artist-activists Hāwane Rios and Kapulei Flores — who have been called to stop the telescope since 2010. Their lives quickly become consumed with frontline actions and court proceedings and immersed in ceremonies and cultural practices. As they face opposition and arrests, they are joined by the families of Mehana and Leina'ala and a community who have dedicated their lives to protecting Mauna Kea.The film is an intimate journey through the women’s lives both on and off the mountain, and explores the physical and emotional toll of sustaining a grassroots movement. After nine months of living on the mountain, blocking construction, and establishing a frontline camp, STANDING ABOVE THE CLOUDS shows their journey to heal once they return to their homes in March 2020. In the face of challenges and tragedy, the mountain gifts each woman with hope and strength and the understanding that victory is in standing in unity for sacred places and that healing occurs through the sisterhood they have created along the way.Mode of access: World Wide Web.
Subjects: Documentary films.; Science.; Social sciences.; Environmental sciences.; Americans.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; Women's studies.; Current affairs.; Indigenous peoples.; Indians of North America.; Environmentalism.; Political participation.; Asian Americans.; Women social reformers.; Hawaii.;
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Close to the Bone. by Thomas, Jared,film director.; McKinnon, Malcolm,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Ronin Films in 2022.In September 1852, in South Australia’s Flinders Ranges, the mutilated body of 16-year-old shepherd, James Brown, was found. The next day, a reprisal party of 17 men killed a disputed number of First Nations people. 170 years later, descendants of James Brown’s family return to the Flinders Ranges and reach out to people from some of the Aboriginal groups and share memories of the traumatic early period of European invasion. What happens when stories of violence and conquest on Australia’s colonial frontier are more than just an historical abstraction, with powerful and personal meanings for families and individuals on both sides of the inter-cultural frontier? Can the scars of past atrocities be reconciled and healed through the act of truth-telling? CLOSE TO THE BONE is a practical exercise in ‘truth and reconciliation,’ engaging with culturally and politically challenging material, in an effort to forge shared understandings. The film reveals diverse understandings of historic events, while seeking to resolve a shared path forward. In doing so, the film is informed by Charlie Perkins’ words: ‘We know we cannot live in the past, but the past lives in us.’Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Australians.; Foreign study.; History, Modern.; Documentary films.; Indigenous peoples.; Current affairs.; History.; Violence.; Aboriginal Australians.; Australia.;
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Close to the Bone. by Thomas, Jared,film director.; McKinnon, Malcolm,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Ronin Films in 2022.In September 1852, in South Australia’s Flinders Ranges, the mutilated body of 16-year-old shepherd, James Brown, was found. The next day, a reprisal party of 17 men killed a disputed number of First Nations people. 170 years later, descendants of James Brown’s family return to the Flinders Ranges and reach out to people from some of the Aboriginal groups and share memories of the traumatic early period of European invasion. What happens when stories of violence and conquest on Australia’s colonial frontier are more than just an historical abstraction, with powerful and personal meanings for families and individuals on both sides of the inter-cultural frontier? Can the scars of past atrocities be reconciled and healed through the act of truth-telling? CLOSE TO THE BONE is a practical exercise in ‘truth and reconciliation,’ engaging with culturally and politically challenging material, in an effort to forge shared understandings. The film reveals diverse understandings of historic events, while seeking to resolve a shared path forward. In doing so, the film is informed by Charlie Perkins’ words: ‘We know we cannot live in the past, but the past lives in us.’Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Australians.; Foreign study.; History, Modern.; Documentary films.; Indigenous peoples.; Current affairs.; History.; Violence.; Aboriginal Australians.; Australia.;
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Results 11 to 20 of 28 | « previous |