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Too famous : the rich, the powerful, the wishful, the notorious, the damned / by Wolff, Michael,1953-author.; Wolff, Michael,1953-Columns.Selections.;
"The bestselling author of Fire and Fury is once again coming for some of the largest power brokers in America as he brings to light their lives, careers, and always equivocal end games"--
Subjects: Biographies.; Celebrities in mass media.; Executives; Fame.; Gossip in mass media.; Journalists; Mass media; Politicians; Publishers and publishing; Television broadcasting of news;
Available copies: 1 / Total copies: 1
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Panorama: Can We Live Without Our Phones?. by McAuley, Joseph,film director.; BBC Studios (Firm),dst; Kanopy (Firm),dst;
Originally produced by BBC Studios in 2024.What happens when smartphones are taken away from kids for a week? With the help of two families and lots of remote cameras, Panorama finds out. Do they talk to their parents more, sleep better, or miss out on vital conversations with friends and the chance to discover something new? With calls for smartphones to be banned for children, Marianna Spring speaks to parents, teenagers and social media company insiders to investigate whether the content pushed to their feeds is harming them.Mode of access: World Wide Web.
Subjects: Documentary films.; Health.; Science.; Social sciences.; Psychology.; Child welfare.; Computer science.; Mental health.; Documentary films.; Substance abuse.; Children.; Cell phones.; Social media.; Youth.; Child development.; Child psychology.; Internet.; Parents.;
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Uncle : race, nostalgia, and the politics of loyalty / by Thompson, Cheryl,1977-author.;
Includes bibliographical references and index."Jackie Robinson, President Barack Obama, Supreme Court Justice Clarence Thomas, O. J. Simpson, and Christopher Darden have all been accused of being an Uncle Tom during their careers. How, why, and with what consequences for our society did Uncle Tom morph first into a servile old man and then into a racial epithet hurled at African American men deemed, by other Black people, to have betrayed their race? Uncle Tom, the eponymous figure in Harriet Beecher Stowe's sentimental anti-slavery novel, Uncle Tom's Cabin, was a loyal Christian who died a martyr's death. But soon after the best-selling novel appeared, theatre troupes across North America and Europe transformed Stowe's story into minstrel shows featuring white men in blackface. In Uncle, Cheryl Thompson traces Tom's journey from literary character to racial trope. She exposes the relentless reworking of Uncle Tom into a nostalgic, racial metaphor with the power to shape how we see Black men, a distortion visible in everything from Uncle Ben and Rastus the Cream of Wheat chef to the first interracial dance partners in Hollywood, Shirley Temple and Bill ‘Bojangles' Robinson. In a post-truth North America, where nostalgia is used as a political tool to rewrite history, Uncle makes the case for why understanding the production of racial stereotypes matters more than ever before."-- Provided by publisher.
Subjects: Stowe, Harriet Beecher, 1811-1896.; Uncle Tom (Fictitious character); African Americans in mass media.; African Americans in popular culture.; African Americans; Stereotypes (Social psychology);
Available copies: 1 / Total copies: 1
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Character limit : how Elon Musk destroyed Twitter / by Conger, Kate,author.; Mac, Ryan,author.;
Includes bibliographical references (pages 443-452) and index."The billionaire entrepreneur and Tesla CEO Elon Musk has become inextricable from the social media platform that until 2023 was known as Twitter. Started in the mid-2000s as a playful microblogging platform, Twitter quickly became a vital nexus of global politics, culture, and media -- where the retweet button could instantly catapult any idea to hundreds of millions of screens around the world, unleashing raw collective emotion like nothing else before. While its founder had idealistically dreamed of building a 'digital town square,' he detested Wall Street and never focused on building a profitable business. Musk joined the platform in 2010 and, by 2022, had become one of the site's most influential users, hooking over 80 million followers with a mix of provocations, promotion of his companies, and attacks on his enemies. To Musk, Twitter -- once known for its almost absolute commitment to free speech -- had badly lost its way. He blamed it for the proliferation of what he called the 'woke mind virus' and claimed that the survival of democracy and the human race itself depended on the future of the site. In January of 2022, Musk began secretly accumulating Twitter stock. By April, he was its largest shareholder, and soon after, made an unsolicited offer to purchase the company for the unimaginable sum of $44 billion dollars. Backed into a corner, Twitter's board accepted his offer -- but Musk quickly changed his mind, forcing Twitter to sue him to close the deal in October. The richest man on earth controlled one of the most powerful media platforms in the world -- but at what price? Before long Twitter would be gone for good, replaced by something radically different, as Musk remade the company in his own image from the ground up. The story of the showdown between Musk and Twitter and his eventual takeover of the company is unlike anything in business or media that has come before. In vivid, cinematic detail, Conger and Mac follow the inner workings of the company as Musk lays siege to it, first from the outside as one of its most vocal users, and then finally from within as a contentious and mercurial leader. Musk has shared some of his version of events, but Conger and Mac have uncovered the full story through exclusive interviews, unreported documents, and internal recordings at Twitter following the billionaire's takeover. With unparalleled sources from within and around the company, they provide a revelatory, three-dimensional, and definitive account of what really happened when Musk showed up, spoiling for a brawl and intent on revolution, with his merciless, sycophantic cadre of lawyers, investors, and bankers."--
Subjects: Biographies.; Case studies.; Personal narratives.; Musk, Elon.; Musk, Elon; Twitter (Firm); Twitter (Firm); Twitter (Firm); Twitter; Consolidation and merger of corporations.; Consolidation and merger of corporations; Online social networks.; Social media.;
Available copies: 1 / Total copies: 1
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#panic / by Jennings, Luke,author.;
Jaleesa, Kai, Ilya and Dani are online best friends, and superfans of the hit TV show City Of Night. Fantasizing about the show in their chatroom, they find an escape from their troubled small-town lives. Everything changes when Chloe, make-up artist to the show's star Alice Temple, enters the chat. When Chloe tells them Alice is in danger, the four resolve to save her, and make their way to California. But fantasy is quickly overtaken by reality. Alice's troubles, they discover, will shine the spotlight on all of them. And not in a good way. On the run across the American South with one of the most famous actresses in the world, the fans must evade the police, the Russian mafia and the Legion, an absurd but terrifying new far-right movement. Can they keep running for long enough to uncover the truth about Alice, and discover themselves in the process?
Subjects: Thrillers (Fiction); Novels.; Actors; Best friends; Fans (Persons); Friendship; Rescues; Russians; Self-realization; Social media; Television actors and actresses; Truthfulness and falsehood; White supremacy movements; Young adults;
Available copies: 1 / Total copies: 1
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Splice Here. by Murphy, Rob,film director.; Trumbull, Douglas,actor.; Maltin, Leonard,actor.; Tarantino, Quentin,actor.; Murphy, Rob,actor.; Gravitas Ventures (Firm),dst; Kanopy (Firm),dst;
Douglas Trumbull, Leonard Maltin, Quentin Tarantino, Rob MurphyOriginally produced by Gravitas Ventures in 2022.FILM IS DEAD! The mantra that accompanied the dawn of the digital projection age. But was it really true? Now ten years on from that momentous transition, journey to find out what has really happened to film.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Social sciences.; Motion pictures.; History, Modern.; Documentary films.; Artists.; History.; Motion pictures--Production and direction.; Motion pictures--History.; Mass media.;
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24x36. by Burke, Kevin,film director.; Dante, Joe,actor.; Raven Banner (Firm),dst; Kanopy (Firm),dst;
Joe DanteOriginally produced by Raven Banner in 2016.A documentary exploring the birth, death, and resurrection of the illustrated movie poster.Mode of access: World Wide Web.
Subjects: Documentary films.; Art.; Arts.; Mass media.; Digital communications.; Design.; Social sciences.; Motion pictures.; History, Modern.; Documentary films.; Mass media and culture.; Artists.; Popular culture.; Architecture.;
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The rumor game / by Charaipotra, Sona.; Clayton, Dhonielle.;
Includes Internet addresses.At Foxham Prep, a posh private school for Washington, D.C.'s elite, a rumor gains momentum as it collects followers on social media, pulling three girls into its path--Bryn, who wants to erase all memories of the mistake she made last summer; cheer captain Cora, who desperately wants to believe in her boyfriend's faithfulness; and shy Georgie, newly hot after a summer at fat camp and ready to reinvent herself--but who can stop a dangerous rumor once it takes on a life of its own?LSC
Subjects: Preparatory school students; African Americans; East Indians; Rumor; Social media; Popularity; Dating (Social customs); Bullying; Private schools;
Available copies: 1 / Total copies: 1
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Carol Doda Topless at the Condor. by Parker, Jonathan,film director.; McKenzie, Marlo,film director.; Doda, Carol,actor.; Vertical Entertainment (Firm),dst; Kanopy (Firm),dst;
Carol DodaOriginally produced by Vertical Entertainment in 2023.In this revealing documentary, Carol Doda was a daring young woman who ignited the flame of the 1960s sexual revolution when she became the first dancer to go topless, and in the process became an international icon and symbol of sexual liberation.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Arts.; Social sciences.; Dance.; Gender identity.; Documentary films.; Mass media and culture.; Women's studies.; Artists.; Biography.; Feminism.;
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The Click Trap. by Porta, Peter,film director.; Video Project (Firm),dst; Kanopy (Firm),dst;
Originally produced by Video Project in 2024.Omnipresent in our daily experience, digital advertising has ballooned into a half-trillion dollar segment of the modern economy. THE CLICK TRAP reveals how the digital advertising industry, monopolized by only a handful of big tech and social media companies, is leading to catastrophic material harm, both on and offline.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Business.; Science.; Economic development.; Marketing.; Computer science.; Documentary films.; Mass media and culture.; Current affairs.; Globalization.; Advertising.; Social media.; Capitalism.; Internet.; Privacy, Right of.; Computers.; Disinformation.;
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Results 141 to 150 of 566 | « previous |