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White Balls on Walls. by Vos, Sarah,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Icarus Films in 2022.The slogan “Meet the Icons of Modern Art” needs to be scraped off the glass wall of the Stedelijk, Amsterdam’s Museum of Modern Art. Because precisely who these icons of modern art are is very much the question.Who gets to decide? And who loses out? In 2019, as director Sarah Vos started shooting her documentary, more than 90 percent of the art at the Stedelijk was made by white men. That must change, the museum’s director Rein Wolfs believes. But it’s easier said than done—as becomes clear when the film’s director Sarah Vos follows Wolfs and his team as they strive for greater diversity in the collection, as well as among their staff.It was a brave move by the Stedelijk to allow a camera behind the scenes of a process that raises uncomfortable and awkward questions. Can a painting still be entitled “The Prostitutes”? When you appraise art, should you also take the skin color or gender of the artist into account? And how is one to engage with visitors who find all this “too politically correct”?This film is more than a look behind the scenes at a museum: as well as presenting a new perspective on art history, it magnificently encapsulates the struggles that are engaging many historical and cultural institutions.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Business.; Sociology.; Documentary films.; Ethnicity.;
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Modern family. [videorecording] / by Bagdonas, James.; Bowen, Julie.; Burrell, Ty,1967-; Levitan, Steven.; Lloyd, Christopher,1938-; O'Neill, Ed,1946-; Vergara, Sofi̓a,1972-; Twentieth Century Fox Home Entertainment, Inc.; Twentieth Century-Fox Television, Inc.;
Ed O'Neill, Sofi̓a Vergara, Julie Bowen, Ty Burrell, Jesse Tyler Ferguson.The honeymoon is over, but the laughs continue in Season Six. As freshly hitched Cam and Mitch acclimate to the realities of wedded bliss, Phil and Claire find their marriage stressed by annoying neighbors, Thanksgiving dinner gone awry and Claire's online snooping. Meanwhile, a spy-camera drone wreaks havoc in Jay and Gloria's backyard and a close call on the highway leads to amusing changes in various members of the Pritchett-Dunphy clan.Canadian Home Video Rating: PG.DVD ; widescreen presentaiton ; Dolby Digital 5.1.
Subjects: Television comedies.; Adopted children; Families; Gay parents; Stepfamilies;
For private home use only.
Available copies: 1 / Total copies: 1
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Z for Zachariah [videorecording] / by Ejiofor, Chiwetel,1977-actor.; McIntosh, Heather.; O'Brien, Robert C.Z for Zachariah.Videorecording.; Pine, Chris,1980-actor.; Robbie, Margot,1990-actor.; Zobel, Craig,director.; Grindstone Pictures (Firm),publisher.; Videoville Showtime.;
Camera, Tim Orr ; editor, Jane Rizzo ; music, Heather McIntosh ; production designer, Matt Munn.Margot Robbie, Chris Pine, Chiwetel Ejiofor.The post-apocalyptic tale of one girl's efforts to survive alone in a devastated town-and what happens when a mysterious stranger appears-from Newbery Award-winning author, Robert C. O'Brien, is now a major motion picture starring Margot Robbie, Chris Pine, and Chiwetel Ejiofor! Ann Burden is completely alone. The world as she once knew it is gone, ravaged by a nuclear war that has taken everyone from her. For the past year, she has lived in a remote valley with no evidence of any other survivors. But the smoke from a distant campfire shatters Ann's solitude. Someone else is still alive and making his way toward the valley. Who is this man? What does he want? Can he be trusted? Both excited and terrified, Ann soon realizes there may be worse things than being the last person on Earth.Canadian Home Video Rating: PG.DVD ; widescreen presentation ; Dolby digital.
Subjects: O'Brien, Robert C.; End of the world; Feature films.; Nuclear warfare; Nuclear warfare; Survival; Teenage girls; Teenagers; Triangles (Interpersonal relations);
For private home use only.
Available copies: 1 / Total copies: 1
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Clint The Man and the Movies [electronic resource] : by Levy, Shawn.aut; CloudLibrary;
A Los Angeles Times "Must Read Book for Summer" "This is the biography of Clint Eastwood we've been waiting for." — Sir Christopher Frayling, author of Sergio Leone From the acclaimed film critic and New York Times bestselling biographer of Paul Newman, a revelatory portrait of Hollywood legend Clint Eastwood, the most prolific and versatile actor-director in movie history and an imposing icon of American culture for six decades. C-L-I-N-T. That single short, sharp syllable has stood as an emblem of American manhood and morality and sheer bloody-minded will, on-screen and off-screen, for more than sixty years. Whether he’s facing down bad guys on a Western street (Old West or new, no matter), staring through the lens of a camera, or accepting one of his movies' thirteen Oscars (including two for Best Picture), he is as blunt, curt, and solid as his name, a star of the old-school stripe and one of the most accomplished directors of his time, a man of rock and iron and brute force: Clint. To read the story of Clint Eastwood is to understand nearly a century of American culture. No Hollywood figure has so completely and complexly stood inside the changing climates of post–World War II America. At age ninety-five, he has lived a tumultuous century and embodied much of his time and many of its contradictions. We picture Clint squinting through cigarillo smoke in A Fistful of Dol­lars or The Good, the Bad and the Ugly; imposing rough justice at the point of a .44 Magnum in Dirty Harry; sowing vengeance in The Outlaw Josey Wales or Pale Rider or Unforgiven; grudgingly training a woman boxer in Million Dollar Baby; and standing up for his neighbors despite his racism in Gran Torino. Or we feel him present, powerfully, behind the camera, creating complex tales of violence, morality, and humanity, such as Mystic River, Letters from Iwo Jima, and American Sniper. But his roles and his films, however well cast and convincing, are two-dimensional in comparison to his whole life. As Shawn Levy reveals in this masterful biography—the most com­plete portrait yet of Eastwood—the reality is richer, knottier, and more absorbing. Clint: The Man and the Movies is a saga of cunning, determi­nation, and conquest, a story about a man ascending to the Hollywood pantheon while keeping one foot firmly planted outside its door.
Subjects: Electronic books.; History & Criticism; Rich & Famous; Individual Director; Entertainment & Performing Arts;
© 2025., HarperCollins,
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The second life of Tiger Woods / by Bamberger, Michael,1960-author.;
"Tiger Woods's long descent into a personal and professional hell reached bottom in the early hours of Memorial Day in 2017. Woods's DUI arrest that night came on the heels of a desperate spinal surgery, just weeks after he told close friends he might never play tournament golf again. His mug shot and alarming arrest video were painful to look at and, for Woods, a deep humiliation. The former paragon of discipline now found himself hopelessly lost and out of control, exposed for all the world to see. That episode could have marked the beginning of Tiger's end. It proved to be the opposite. Instead of sinking beneath the public disgrace of drug abuse and the private despair of a battered and ailing body, Woods embarked on the long road to redeeming himself. In The Second Life of Tiger Woods, Michael Bamberger, who has covered Woods since the golfer was an amateur, draws upon his deep network of sources inside locker rooms, caddie yards, clubhouses, fitness trailers, and back offices to tell the true and inspiring story of the legend's return. Packed with new information and graced by insight, Bamberger's story reveals how this iconic athlete clawed his way back to the top. Here you'll meet the people who have shaped and saved Tiger's life. It's a disparate group: a Florida police officer, an old friend from Tiger's boyhood, his girlfriend, his manager, his caddie. You'll go inside the ropes and see Tiger's interactions with fellow pros, with broadcasters and rules officials and Tour executives, with legends young (Rory McIlroy) and old (Jack Nicklaus) and in between (Fred Couples). On the Sunday before Masters Sunday, you'll join Tiger as he takes a long, slow, contemplative walk across Augusta National, and you'll be with him again seven days later in the splendid isolation of the tee at thirteen, in the rain, his right foot slipping while he swings his driver at 120 miles per hour. This is an intimate portrait of a man who has spent his life in front of the camera but has done his best to make sure he was never really known. Here is Tiger, barefoot, in handcuffs, showing a police officer a witty and self-deprecating side of himself that the public never sees. Here is Tiger on the verge of tears with his children at the British Open. Here is Tiger trying to express his gratitude to his mother at a ceremony at the Rose Garden. In these pages, Tiger is funny, cold, generous, self-absorbed, inspiring-and real. The Second Life of Tiger Woods is not only the saga of an exceptional man but also a celebration of second chances. Being rich and famous had nothing to do with Woods's return. Instead, readers will see him apply his intelligence, pride, and enormous capacity for work to the problems at hand. Bamberger's bracingly honest book is about what Tiger Woods did, and about what any of us can do, when we face our demons head-on."--Jacket flap.
Subjects: Biographies.; Woods, Tiger.; Golfers;
Available copies: 0 / Total copies: 1
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Stop Filming Us But Listen. by Vivuya, Bernadette,film director.; Twahirgwa, Kagoma,film director.; Video Project (Firm),dst; Kanopy (Firm),dst;
Originally produced by Video Project in 2022.A re-edited version of Joris Postema's Stop Filming Us, Vivuya and Twahirwa's film takes a closer look at the imbalance of power inherited from colonialism and its consequences on the representation of the DRC, cinematic and otherwise. The idea to produce this new version arose from discussions within Postema's film about whether a Western director is capable of capturing an image and narrative of the DRC shared by its citizens. It was then suggested that local directors work with the same footage to determine if a different story could be told from the same material to convey a local perspective. Re-editing the footage, they have made a version that better reflects their perspective and does justice to their own experiences. The resulting film contextualizes the project within the history of Western cinematic representations of the Congo, and highlights the inherent power discrepancies on either side of the camera. Featuring candid conversations with filmmakers, artists, scholars, and community members, STOP FILMING US BUT LISTEN seeks to subvert colonialist narratives familiar in the West and chart a new path for cinematic self-representation.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Mass media.; Digital communications.; African studies.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; History.;
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Love, Sex Aur Dhoka. by Banerjee, Dibakar,film director.; Sial, Amit,actor.; Jha, Anshuman,actor.; Chauhan, Neha,actor.; Bharuccha, Nushratt,actor.; Rao, Rajkummar,actor.; NH Studioz (Firm),dst; Kanopy (Firm),dst;
Amit Sial, Anshuman Jha, Neha Chauhan, Nushratt Bharuccha, Rajkummar RaoOriginally produced by NH Studioz in 2010.An Indian anthology film that tells three separate but interconnected stories revolving around the themes of love, sex, and betrayal. The film is shot in a found-footage style, utilizing surveillance cameras, mobile phones, and webcams to capture the stories of individuals from different backgrounds, whose lives are intertwined in unexpected ways. It explores the dark side of relationships and the impact of technology on modern romance.Mode of access: World Wide Web.
Subjects: Feature films.; Foreign films.; Motion pictures.; Comedy films.; Crime.;
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In Water. by Sang-soo, Hong,film director.; Seong-guk, Ha,actor.; Min-hee, Kim,actor.; Seung-yoon, Kim,actor.; Seok-ho, Shin,actor.; Cinema Guild (Firm),dst; Kanopy (Firm),dst;
Ha Seong-guk, Kim Min-hee, Kim Seung-yoon, Shin Seok-hoOriginally produced by Cinema Guild in 2023.A trio of friends venture to the rocky shores of a large island to shoot a film together. The director, Seong-mo (Shin Seok-ho), recently gave up acting and has decided to make a film with his own money. His former classmate, Sang-guk (Ha Seong-guk), will operate the camera and Nam-hee (Kim Seung-yun) will act in it. The only problem: Seong-mo hasn’t decided what to make.Mode of access: World Wide Web.
Subjects: Feature films.; Foreign films.; Motion pictures.; Drama.;
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The 10th Victim. by Petri, Elio,film director.; Martinelli, Elsa,actor.; Mastroianni, Marcello,actor.; Serato, Massimo,actor.; Randone, Salvo,actor.; Andress, Ursula,actor.; Kino Lorber (Firm),dst; Kanopy (Firm),dst;
Elsa Martinelli, Marcello Mastroianni, Massimo Serato, Salvo Randone, Ursula AndressOriginally produced by Kino Lorber in 1965.In the civilized world of the 21st century, the concept of war no longer exists - but the human instinct to kill does, so a game is played where a "hunter" and his" victim" are randomly selected by computer. This time Marcello is the unwitting victim: attracted to Caroline, he is lured to the Coliseum in Rome, where they are to confront each other in front of the world's television cameras…Mode of access: World Wide Web.
Subjects: Feature films.; Foreign films.; Motion pictures.; Science fiction.; Motion Pictures.; Motion pictures, Italian.;
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She Is Conann. by Mandico, Bertrand,film director.; Buzek, Agata,actor.; Theret, Christa,actor.; Löwensohn, Elina,actor.; Riedler, Julia,actor.; Richard, Nathalie,actor.; Parfait, Sandra,actor.; Altered Innocence (Firm),dst; Kanopy (Firm),dst;
Agata Buzek, Christa Theret, Elina Löwensohn, Julia Riedler, Nathalie Richard, Sandra ParfaitOriginally produced by Altered Innocence in 2023.In a barbaric fantasy sci-fi trip through time, sword-and-sorcery mythology is bent, fractured, and gender-swapped by master visionary Bertrand Mandico in his third feature epic. Six lives, six eras, and six deaths mark Conann’s poetic journey through different incarnations and lesbian loves. Guiding Conann through her many epic lives is Elina Löwensohn as Rainer, a Cerberus of many otherworldly dimensions whose paparazzi camera sees all.Mode of access: World Wide Web.
Subjects: Feature films.; Foreign films.; Motion pictures.; Drama.; Science fiction.; Queer cinema.; Motion pictures, French.; Action and adventure films.; Fantasy fiction.;
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