Results 51 to 54 of 54 | « previous
- Dangerous Rhythms Jazz and the Underworld [electronic resource] : by English, T. J..aut; cloudLibrary;
From T. J. English, the New York Times bestselling author of Havana Nocturne, comes the epic, scintillating narrative of the interconnected worlds of jazz and organized crime in 20th century America. "[A] brilliant and courageous book." —Dr. Cornel West Dangerous Rhythms tells the symbiotic story of jazz and the underworld: a relationship fostered in some of 20th century America’s most notorious vice districts. For the first half of the century mobsters and musicians enjoyed a mutually beneficial partnership. By offering artists like Louis Armstrong, Earl “Fatha” Hines, Fats Waller, Duke Ellington, Billie Holiday, Lena Horne, and Ella Fitzgerald a stage, the mob, including major players Al Capone, Meyer Lansky, and Charlie “Lucky” Luciano, provided opportunities that would not otherwise have existed. Even so, at the heart of this relationship was a festering racial inequity. The musicians were mostly African American, and the clubs and means of production were owned by white men. It was a glorified plantation system that, over time, would find itself out of tune with an emerging Civil Rights movement. Some artists, including Louis Armstrong, believed they were safer and more likely to be paid fairly if they worked in “protected” joints. Others believed that playing in venues outside mob rule would make it easier to have control over their careers. Through English’s voluminous research and keen narrative skills, Dangerous Rhythms reveals this deeply fascinating slice of American history in all its sordid glory.- Subjects: Electronic books.; 20th Century; Jazz; Organized Crime;
- © 2022., HarperCollins,
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- We've got to try : how the fight for voting rights makes everything else possible / by O'Rourke, Beto,author.;
Includes bibliographical references."In We've Got To Try, O'Rourke shines a spotlight on the heroic life and work of Dr. Lawrence Aaron Nixon and the west Texas town where he made his stand. The son of an enslaved man, Nixon grew up in the Confederate stronghold of Marshall, Texas before moving to El Paso, becoming a civil rights leader, and helping to win one of the most significant civil and voting rights victories in American history: the defeat of the all-white primary. His fight for the ballot spanned 20 years and twice took him to the U.S. Supreme Court. With heart, eloquence, and powerful storytelling, O'Rourke weaves together Nixon's story with those of other great Texans who changed the course of voting rights and improved America's democracy. While connecting voting rights and democracy to the major issues of our time, O'Rourke also shares what he saw, heard, and learned while on his own journey throughout the 254 counties of his home state. By telling the stories of those he met along the way and bringing us into the epicenter of the current fight against voter suppression, the former El Paso Congressman shows just how essential it is that the sacred right to vote is protected and that we each do our part to save our democracy for generations to come"--- Subjects: Biographies.; Personal narratives.; Nixon, Lawrence A., 1883-1966.; African American political activists; Suffrage; Voter suppression;
- Available copies: 1 / Total copies: 1
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- Masquerade [electronic resource] : by Sangoyomi, O.O..aut; Blake, Ariel.nrt; cloudLibrary;
Set in a wonderfully reimagined 15th century West Africa, Masquerade is a dazzling, lyrical tale exploring the true cost of one woman’s fight for freedom and self-discovery, and the lengths she’ll go to secure her future. “A bewitching, thrilling and vibrant novel that had me enthralled with every twist and turn.” —Jennifer Saint, New York Times bestselling author Òdòdó’s hometown of Timbuktu has been conquered by the warrior king of Yorùbáland, and living conditions for the women in her blacksmith guild, who were already shunned as social pariahs, grow even worse. Then Òdòdó is abducted. She is whisked across the Sahara to the capital city of Ṣàngótẹ̀, where she is shocked to discover that her kidnapper is none other than the vagrant who had visited her guild just days prior. But now that he is swathed in riches rather than rags, Òdòdó realizes he is not a vagrant at all; he is the warrior king, and he has chosen her to be his wife. In a sudden change of fortune, Òdòdó soars to the very heights of society. But after a lifetime of subjugation, she finds the power that saturates this world of battle and political savvy too enticing to resist. As tensions with rival states grow, revealing elaborate schemes and enemies hidden in plain sight, Òdòdó must defy the cruel king she has been forced to wed by reforging the shaky loyalties of the court in her favor, or risk losing everything—including her life. Loosely based on the myth of Persephone, O.O. Sangoyomi’s Masquerade takes you on a journey of epic power struggles and political intrigue which turn an entire region on its head. A Macmillan Audio production from Tor Forge.- Subjects: Audiobooks.; Historical; Fairy Tales, Folk Tales, Legends & Mythology; Alternative History;
- © 2024., Macmillan Audio,
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- Stop Filming Us But Listen. by Vivuya, Bernadette,film director.; Twahirgwa, Kagoma,film director.; Video Project (Firm),dst; Kanopy (Firm),dst;
Originally produced by Video Project in 2022.A re-edited version of Joris Postema's Stop Filming Us, Vivuya and Twahirwa's film takes a closer look at the imbalance of power inherited from colonialism and its consequences on the representation of the DRC, cinematic and otherwise. The idea to produce this new version arose from discussions within Postema's film about whether a Western director is capable of capturing an image and narrative of the DRC shared by its citizens. It was then suggested that local directors work with the same footage to determine if a different story could be told from the same material to convey a local perspective. Re-editing the footage, they have made a version that better reflects their perspective and does justice to their own experiences. The resulting film contextualizes the project within the history of Western cinematic representations of the Congo, and highlights the inherent power discrepancies on either side of the camera. Featuring candid conversations with filmmakers, artists, scholars, and community members, STOP FILMING US BUT LISTEN seeks to subvert colonialist narratives familiar in the West and chart a new path for cinematic self-representation.Mode of access: World Wide Web.- Subjects: Documentary films.; Enthnology.; Social sciences.; Mass media.; Digital communications.; African studies.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; History.;
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Results 51 to 54 of 54 | « previous