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Women He's Undressed. by Armstrong, Gillian,film director.; Roth, Ann,actor.; Fonda, Jane,actor.; Maltin, Leonard,actor.; Umbrella Entertainment (Firm),dst; Kanopy (Firm),dst;
Ann Roth, Jane Fonda, Leonard MaltinOriginally produced by Umbrella Entertainment in 2015.This documentary delves into the life and career of Orry-Kelly, one of Hollywood’s most prolific costume designers, who worked on over 280 films during the Golden Age of cinema. Directed by Gillian Armstrong, the film highlights Orry-Kelly’s collaborations with stars like Marilyn Monroe, Bette Davis, and Humphrey Bogart, and his designs that earned him three Academy Awards for An American in Paris, Les Girls, and Some Like It Hot. Combining archival footage, stylized reenactments, and interviews with Hollywood insiders, the documentary shines a spotlight on Orry-Kelly’s remarkable but often overlooked contributions to film and fashion history, celebrating his bold artistry and unapologetic approach to life.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Social sciences.; Motion pictures.; Fashion.; History, Modern.; Homosexuality.; Documentary films.; LGBTQ.; Artists.; History.; Biography.; Fashion designers.; Motion pictures--History.; Art and architecture.;
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The Beauty of Blackness. by Moore, Kiana,film director.; Johnson, Tiffany,film director.; Vox Media (Firm),dst; Kanopy (Firm),dst;
Originally produced by Vox Media in 2022.In 1973, Eunice Johnson, the founder of Ebony and Jet, launched Fashion Fair - the first national cosmetics brand created exclusively for Black women. A revolution for its time, the brand would grow to become an iconic symbol of representation. This film chronicles Fashion Fair’s checkered past, and follows its new leadership in real time as they reinvent the brand amidst our present social upheaval and intensified competition.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; History, Modern.; Gender identity.; Documentary films.; Ethnicity.; Women's studies.; History.; African Americans.; United States--History.; Beauty, Personal.;
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Goldilocks / by Lam, Laura,1988-author.;
"Ravaged by environmental disaster, greed, and oppression, our planet is in crisis. The future of humanity hangs in the balance - and one woman can tip it over. Despite increasing restrictions on the freedoms of women on Earth, Valerie Black is spearheading the first all-female mission to a planet in the Goldilocks Zone, where conditions are just right for human habitation. It's humanity's last hope for survival, and Naomi, Valerie's surrogate daughter and the ship's botanist, has been waiting her whole life for an opportunity like this - to step out of Valerie's shadow and really make a difference. But when things start going wrong on the ship, Naomi begins to suspect that someone on board is concealing a terrible secret - and realizes time for life on Earth may be running out faster than they feared"--
Subjects: Science fiction.; Interplanetary voyages; Space flight; Life on other planets; Women astronauts;
Available copies: 1 / Total copies: 1
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#AnneFrank: Parallel Stories. by Migotto, Anna,film director.; Fedeli, Sabina,film director.; Mirren, Helen,actor.; Film Movement (Firm),dst; Kanopy (Firm),dst;
Helen MirrenOriginally produced by Film Movement in 2019.The Oscar-winning Actress Helen Mirren retraces the life of Anne through the pages of her diary, and that of 5 other women who, as children and adolescents, were also deported to concentration camps but survived the Shoah. Off “the set”, a young girl, talking to her peers using social media, will lead us through Anne Frank’s short life and her feelings. In the documentary we also hear the voices of Rabbi Michael Berenbaum, historian and professor of Jewish studies at various American universities. Produced in collaboration with Anne Frank Fond Basel.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; History, Modern.; Judaism.; Documentary films.; Women's studies.; History.; Holocaust.;
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Without Precedent: The Supreme Life of Rosalie Abella. by Avrich, Barry,film director.; V71 US Inc. (Firm),dst; Kanopy (Firm),dst;
Originally produced by V71 US Inc. in 2023.An account of the life and career of Rosalie Abella, a former member of the Supreme Court of Canada, who immigrated to Canada as a child after her parents survived the Holocaust.Mode of access: World Wide Web.
Subjects: Documentary films.; Criminal law.; Social sciences.; Americans.; Foreign study.; Gender identity.; Documentary films.; Women's studies.; History.;
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Carol Doda Topless at the Condor. by Parker, Jonathan,film director.; McKenzie, Marlo,film director.; Doda, Carol,actor.; Vertical Entertainment (Firm),dst; Kanopy (Firm),dst;
Carol DodaOriginally produced by Vertical Entertainment in 2023.In this revealing documentary, Carol Doda was a daring young woman who ignited the flame of the 1960s sexual revolution when she became the first dancer to go topless, and in the process became an international icon and symbol of sexual liberation.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Arts.; Social sciences.; Dance.; Gender identity.; Documentary films.; Mass media and culture.; Women's studies.; Artists.; Biography.; Feminism.;
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Indigo Girls: It's Only Life After All. by Bombach, Alexandria,film director.; Ray, Amy,actor.; Saliers, Emily,actor.; Oscilloscope Laboratories (Firm),dst; Kanopy (Firm),dst;
Amy Ray, Emily SaliersOriginally produced by Oscilloscope Laboratories in 2023.With joy, humor, and heart-warming earnestness, Sundance award-winning director Alexandria Bombach brings us into a contemporary conversation with Amy and Emily—alongside decades of the band’s home movies and intimate present-day verité.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Social sciences.; Homosexuality.; Documentary films.; Women's studies.; LGBTQ.; Artists.; Biography.;
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No more nice girls : gender, power, and why it's time to stop playing by the rules / by McKeon, Lauren,author.;
Includes bibliographical references and index."In the age of girl bosses, Beyoncé, and Black Widow, we like to tell our little girls they can be anything they want when they grow up, except they'll have to work twice as hard, be told to "play nice," and face countless double standards that curb their personal, political, and economic power. Today, long after the rise of girl power in the 90s, the failed promise of a female president, and the ubiquity of feminist-branded everything, women are still a surprisingly, depressingly long way from gender and racial equality. It's worth asking: Why do we keep trying to win a game we were never meant to play in the first place? Award-winning journalist and author Lauren McKeon examines the varied ways in which our institutions are designed to keep women and other marginalized genders at a disadvantage and shows us why we need more than parity, visible diversity, and lone female CEOs to change this power game. She uncovers new models of power-- ones the patriarchy doesn't get to define-- by talking to lawyers insisting on gender-neutral change rooms in courthouses, programmers creating apps to track the breakdown of men and women being quoted in the news media, educators illustrating tampon packaging with pictures of black bodies, mixed martial artists teaching young girls self-empowerment, entrepreneurs prioritizing trauma-informed office cultures, and many other women doing power differently. As the toxic, divisive, and hyper-masculine style of leadership gains ground, threatening democracy here and abroad, McKeon underscores why it's time to stop playing by the rules of a rigged game. No More Nice Girls charts a hopeful and potent path forward for how to disrupt the standard (very male) vision of power, ditch convention, and build a more equitable world for everyone."--
Subjects: Equality.; Feminism.; Power (Social sciences); Sex discrimination against women.; Social control.; Women; Women's rights.;
Available copies: 1 / Total copies: 1
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The signature of all things / by Gilbert, Elizabeth,1969-;
"Spanning much of the eighteenth and nineteenth centuries, the novel follows the fortunes of the extraordinary Whittaker family as led by the enterprising Henry Whittaker--a poor-born Englishman who makes a great fortune in the South American quinine trade, eventually becoming the richest man in Philadelphia. Born in 1800, Henry's brilliant daughter, Alma (who inherits both her father's money and his mind), ultimately becomes a botanist of considerable gifts herself. As Alma's research takes her deeper into the mysteries of evolution, she falls in love with a man named Ambrose Pike who makes incomparable paintings of orchids and who draws her in the exact opposite direction--into the realm of the spiritual, the divine, and the magical. Alma is a clear-minded scientist; Ambrose a utopian artist--but what unites this unlikely couple is a desperate need to understand the workings of this world and the mechanisms behind all life. he story is peopled with unforgettable characters: missionaries, abolitionists, adventurers, astronomers, sea captains, geniuses, and the quite mad. But most memorable of all, it is the story of Alma Whittaker, who--born in the Age of Enlightenment, but living well into the Industrial Revolution--bears witness to that extraordinary moment in human history when all the old assumptions about science, religion, commerce, and class were exploding into dangerous new ideas"--Provided by publisher.
Subjects: Historical fiction.; Enlightenment; Industrial revolution; Painters; Women botanists;
Available copies: 1 / Total copies: 1
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Anita de Monte laughs last / by Gonzalez, Xochitl,1977-author.;
"Who gets to leave a legacy? 1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn't. By 1998 Anita's name has been all but forgotten - certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by progeny of film producers, C-Suite executives, and international art-dealers, most of whom float through life knowing that their futures are secured, Raquel feels herself an outsider. Students of color, like Raquel, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret. But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita's story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist. Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last, is a propulsive, witty examination of power, love, and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite"--
Subjects: Bildungsromans.; Novels.; Art students; Elite (Social sciences); Interpersonal relations; Power (Social sciences); Women art historians; Women artists;
Available copies: 1 / Total copies: 1
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Results 101 to 110 of 239 | « previous |