Results 1 to 6 of 6
- Entertaining race : performing blackness in America / by Dyson, Michael Eric,author.;
Includes bibliographical references and index."For more than thirty years, Michael Eric Dyson has played a prominent role in the nation as a public intellectual, university professor, cultural critic, social activist and ordained Baptist minister. He has presented a rich and resourceful set of ideas about American history and culture. Now for the first time he brings together the various components of his multihued identity and eclectic pursuits. Entertaining Race is a testament to Dyson's consistent celebration of the outsized impact of African American culture and politics on this country. Black people were forced to entertain white people in slavery, have been forced to entertain the idea of race from the start, and must find entertaining ways to make race an object of national conversation. Dyson's career embodies these and other ways of performing Blackness, and in these pages, ranging from 1991 to the present, he entertains race with his pen, voice and body, and occasionally, alongside luminaries like Cornel West, David Blight, Ibram X. Kendi, Master P, MC Lyte, Ta-Nehisi Coates, Alicia Garza, John McWhorter, and Jordan Peterson. Most of this work will be new to readers, a fresh light for many of his long-time fans and an inspiring introduction for newcomers. Entertaining Race offers a compelling vision from the mind and heart of one of America's most important and enduring voices"--- Subjects: Essays.; African American arts.; African Americans in popular culture.; African Americans; African Americans; African Americans; Popular culture;
- Available copies: 1 / Total copies: 1
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- Uncle : race, nostalgia, and the politics of loyalty / by Thompson, Cheryl,1977-author.;
Includes bibliographical references and index."Jackie Robinson, President Barack Obama, Supreme Court Justice Clarence Thomas, O. J. Simpson, and Christopher Darden have all been accused of being an Uncle Tom during their careers. How, why, and with what consequences for our society did Uncle Tom morph first into a servile old man and then into a racial epithet hurled at African American men deemed, by other Black people, to have betrayed their race? Uncle Tom, the eponymous figure in Harriet Beecher Stowe's sentimental anti-slavery novel, Uncle Tom's Cabin, was a loyal Christian who died a martyr's death. But soon after the best-selling novel appeared, theatre troupes across North America and Europe transformed Stowe's story into minstrel shows featuring white men in blackface. In Uncle, Cheryl Thompson traces Tom's journey from literary character to racial trope. She exposes the relentless reworking of Uncle Tom into a nostalgic, racial metaphor with the power to shape how we see Black men, a distortion visible in everything from Uncle Ben and Rastus the Cream of Wheat chef to the first interracial dance partners in Hollywood, Shirley Temple and Bill ‘Bojangles' Robinson. In a post-truth North America, where nostalgia is used as a political tool to rewrite history, Uncle makes the case for why understanding the production of racial stereotypes matters more than ever before."-- Provided by publisher.- Subjects: Stowe, Harriet Beecher, 1811-1896.; Uncle Tom (Fictitious character); African Americans in mass media.; African Americans in popular culture.; African Americans; Stereotypes (Social psychology);
- Available copies: 1 / Total copies: 1
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- Stony the road : Reconstruction, white supremacy, and the rise of Jim Crow / by Gates, Henry Louis,Jr,author.;
Includes bibliographical reference and index."A profound new rendering of the struggle by African-Americans for equality after the Civil War and the violent counter-revolution that resubjugated them, as seen through the prism of the war of images and ideas that have left an enduring racist stain on the American mind. The abolition of slavery in the aftermath of the Civil War is a familiar story, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: if emancipation sparked 'a new birth of freedom' in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? In this new book, Henry Louis Gates, Jr., one of our leading chroniclers of the African-American experience, seeks to answer that question in a history that moves from the Reconstruction Era to the 'nadir' of the African-American experience under Jim Crow, through to World War I and the Harlem Renaissance. Through his close reading of the visual culture of this tragic era, Gates reveals the many faces of Jim Crow and how, together, they reinforced a stark color line between white and black Americans. Bringing a lifetime of wisdom to bear as a scholar, filmmaker, and public intellectual, Gates uncovers the roots of structural racism in our own time, while showing how African Americans after slavery combatted it by articulating a vision of a "New Negro" to force the nation to recognize their humanity and unique contributions to America as it hurtled toward the modern age. The book will be accompanied by a new PBS documentary series on the same topic, with full promotional support from PBS"--- Subjects: African Americans; Reconstruction (U.S. history, 1865-1877); African Americans; African Americans; White supremacy movements; Racism in popular culture; Visual communication;
- Available copies: 1 / Total copies: 1
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- Never Saw Me Coming. by Smith, Tanya.;
In the vein of the hugely popular 'Catch Me If You Can', and soon to be a movie and documentary on Netflix, 'Never Saw Me Coming' is the riveting story of an unlikely white collar criminal who manipulated the federal banking system to the tune of $40 million - and the price she paid, losing what was most valuable to her.Library Bound Incorporated- Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Cultural, Ethnic & Regional / African American & Black; BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs; TRUE CRIME / General;
- Available copies: 0 / Total copies: 1
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- Summer of soul [videorecording] : (... or, When the revolution could not be televised) / by Questlove,film director.; Dinerstein, David,film producer.; Fyvolent, Robert,film producer.; Jackson, Mahalia,1911-1972.; King, B. B.,on-screen participant.; Patel, Joseph,film producer.; Simone, Nina,1933-2003,on-screen participant.; Wonder, Stevie,on-screen participant.; 5th Dimension (Musical group),on-screen participant.; Buena Vista Home Entertainment (Firm),film distributor.; Gladys Knight and the Pips,on-screen participant.; Searchlight Pictures,production company.; Sly & the Family Stone (Musical group),on-screen participant.;
Stevie Wonder, Nina Simone, Sly & The Family Stone, Gladys Knight & The Pips, Mahalia Jackson.In his acclaimed debut as a filmmaker, Ahmir "Questlove" Thompson presents a powerful and transporting documentary, part music film, part historical record, created around an epic event that celebrated Black history, culture, and fashion. Over the course of six weeks in the summer of 1969, just one hundred miles south of Woodstock, The Harlem Cultural Festival was filmed in Mount Morris Park (now Marcus Garvey Park). The footage was largely forgotten, until now. This documentary shines a light on the importance of history to our spiritual well-being and stands as a testament to the healing power of music during times of unrest, both past, and present. The feature includes concert performances by Stevie Wonder, Nina Simone, Sly & the Family Stone, Gladys Knight and the Pips, Mahalia Jackson, B.B. King, The 5th Dimension, and more.Canadian Home Video Rating: PG.MPAA rating: PG-13; for some disturbing images, smoking and brief drug material.Described video for the blind and visually impaired.Subtitled for the deaf and hard-of-hearing (SDH).DVD ; wide screen presentation ; Dolby Digital 5.1, Dolby Digital 2.0.- Subjects: Documentary films.; Historical films.; Video recordings for people with visual disabilities.; Video recordings for the hearing impaired.; Harlem Cultural Festival.; African Americans; African Americans; African Americans; Popular music; Rhythm and blues music; Soul music;
- For private home use only.
- Available copies: 1 / Total copies: 1
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- American Daughters A Novel [electronic resource] : by Huguley, Piper.aut; cloudLibrary;
In the vein of America’s First Daughter, Piper Huguley’s historical novel delves into the remarkable friendship of Portia Washington and Alice Roosevelt, the daughters of educator Booker T. Washington and President Teddy Roosevelt. At the turn of the twentieth century, in a time of great change, two women—separated by societal status and culture but bound by their expected roles as the daughters of famed statesmen—forged a lifelong friendship.  Portia Washington’s father Booker T. Washington was formerly enslaved and spent his life championing the empowerment of Black Americans through his school, known popularly as Tuskegee Institute, as well as his political connections. Dedicated to her father’s values, Portia contributed by teaching and performing spirituals and classical music. But a marriage to a controlling and jealous husband made fulfilling her dreams much more difficult.  When Theodore Roosevelt assumed the presidency, his eldest daughter Alice Roosevelt joined him in the White House. To try to win her father’s approval, she eagerly jumped in to help him succeed, but Alice’s political savvy and nonconformist behavior alienated as well as intrigued his opponents and allies. When she married a congressman, she carved out her own agendas and continued espousing women’s rights and progressive causes.  Brought together in the wake of their fathers’ friendship, these bright and fascinating women helped each other struggle through marriages, pregnancies, and political upheaval, supporting each other throughout their lives.   A provocative historical novel and revealing portrait, Piper Huguley’s American Daughters vividly brings to life two passionate and vital women who nurtured a friendship that transcended politics and race over a century ago. - Subjects: Electronic books.; Contemporary Women; Historical; Contemporary Women;
- © 2024., HarperCollins,
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