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Without Arrows. by Day, Elizabeth,film director.; Olshefski, Jonathan,film director.; First Run Features (Firm),dst; Kanopy (Firm),dst;
Originally produced by First Run Features in 2024.Filmed over 13 years, WITHOUT ARROWS chronicles the vibrance and struggle of a Lakȟóta family. Delwin Fiddler Jr., a champion grass dancer from the Cheyenne River Sioux Tribe, left his reservation as a young man and built a new life in Philadelphia. A decade later, he abandons it all and returns home to fulfill his mother’s ambition and carry on the legacy of their thiyóšpaye (extended family).Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Americans.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Indians of North America.;
unAPI

You Can Call Me Roger. by Mann, Jon,film director.; levelFILM (Firm),dst; Kanopy (Firm),dst;
Originally produced by levelFILM in 2022.This compelling documentary chronicles the life of Chief Roger Joseph Augustine, a prominent figure in Indigenous leadership. Spanning his 45-year tenure as the Assembly of First Nations Regional Chief, the film delves into his personal and professional journey, highlighting the challenges he faced and the resilience he demonstrated in advocating for Indigenous rights and combating systemic racism. Through insightful interviews and archival footage, viewers gain a profound understanding of Chief Augustine's enduring impact on his community and the broader struggle for Indigenous equality in Canada.Mode of access: World Wide Web.
Subjects: Documentary films.; Americans.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Current affairs.; Indians of North America.; Biography.; Canada.;
unAPI

You Can Call Me Roger. by Mann, Jon,film director.; levelFILM (Firm),dst; Kanopy (Firm),dst;
Originally produced by levelFILM in 2022.This compelling documentary chronicles the life of Chief Roger Joseph Augustine, a prominent figure in Indigenous leadership. Spanning his 45-year tenure as the Assembly of First Nations Regional Chief, the film delves into his personal and professional journey, highlighting the challenges he faced and the resilience he demonstrated in advocating for Indigenous rights and combating systemic racism. Through insightful interviews and archival footage, viewers gain a profound understanding of Chief Augustine's enduring impact on his community and the broader struggle for Indigenous equality in Canada.Mode of access: World Wide Web.
Subjects: Documentary films.; Americans.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Current affairs.; Indians of North America.; Biography.; Canada.;
unAPI

Bring Them Home. by Glick, Daniel,film director.; MacDonald, Ivan,film director.; MacDonald, Ivy,film director.; Gladstone, Lily,actor.; Video Project (Firm),dst; Kanopy (Firm),dst;
Lily GladstoneOriginally produced by Video Project in 2024.BRING THEM HOME / AISKÓTÁHKAPIYAAYA tells the story of a committed group of Blackfoot people and their mission to establish the first wild bison herd on their ancestral territory since the species' near-extinction a century ago. Through the process of re-wilding, the tribe seeks to restore the land, re-enliven traditional culture, and bring much needed healing to their community.Mode of access: World Wide Web.
Subjects: Documentary films.; Science.; Zoology.; Americans.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Indians of North America.; Endangered species.; Animals.;
unAPI

Alaska's Vanishing Native Villages. by Talahongva, Patty,film director.; Talahongva, Patty,actor.; PBS (Firm),dst; Kanopy (Firm),dst;
Patty TalahongvaOriginally produced by PBS in 2025.A look inside Alaska Native villages fighting for survival against climate change. With the Howard Center at ASU, FRONTLINE examines why communities are relocating, and struggling to preserve their traditions. From FRONTLINE.Mode of access: World Wide Web.
Subjects: Documentary films.; Science.; Environmental sciences.; Americans.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Indians of North America.; Climatic changes.; Alaska.;
unAPI

The Native American Renaissance. by Bernaud, Kristell,film director.; Green Planet Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Green Planet Films in 2024.From the vibrant, shimmering pow wows that bring together thousands of natives in New Mexico to the new oil El Dorado of the Dakotas, this documentary plunges into the America of the Amerindians. There are currently almost 10 million Native Americans in the United States. Once confined to reservations and condemned to poverty, they are now proudly reclaiming their culture. In North Dakota, the Fort Berthold tribe is profiting from the oil craze. Thanks to “black gold,” the Indian reservation has been transformed into a small American town with infrastructure and health insurance for all. A symbol of the new Indian success story, Sean Sherman was named among the 100 most influential personalities of 2023 by Time magazine. In his gourmet restaurant, recipes are made exclusively from ingredients present in the United States before the arrival of European settlers in the 17th century. Johnny Tail Feathers is trying to reconnect with his roots by reintroducing the sacred bison to the Blackfeet Reservation in Montana.Mode of access: World Wide Web.
Subjects: Documentary films.; Americans.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; History.; Indians of North America.; Montana.; Racism.; United States--History.; New Mexico.;
unAPI

Time Has Many Voices. by F. Byrd, Brian,film director.; Arellano, Monica,film director.; Gross, Phil,film director.; Vision Maker Media (Firm),dst; Kanopy (Firm),dst;
Originally produced by Vision Maker Media in 2022.In the Bay area of San Francisco is an ancient village site where native peoples long ago lived and prospered. Now, in a once in a lifetime event, the descendants of those people, the Muwekma Ohlone, have partnered with archeologists to conduct one of the most intensive studies ever undertaken at an early pre-contact site in California. As the excavation proceeds, the ancient voices will speak and the modern-day descendants will be listening.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Anthropology.; History, Ancient.; Americans.; Foreign study.; Latin America.; Documentary films.; Ethnicity.; Current affairs.; History.; Indians of North America.; California.; Archaeology.;
unAPI

Standing Above the Clouds. by Keane-Lee, Jalena,film director.; Collective Eye Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Collective Eye Films in 2024.STANDING ABOVE THE CLOUDS highlights the movement to protect Mauna Kea through the intergenerational stories of women in three Native Hawaiian families as they stand for the sacred mountain. The film follows teacher and community organizer Pua Case and her two daughters — artist-activists Hāwane Rios and Kapulei Flores — who have been called to stop the telescope since 2010. Their lives quickly become consumed with frontline actions and court proceedings and immersed in ceremonies and cultural practices. As they face opposition and arrests, they are joined by the families of Mehana and Leina'ala and a community who have dedicated their lives to protecting Mauna Kea.The film is an intimate journey through the women’s lives both on and off the mountain, and explores the physical and emotional toll of sustaining a grassroots movement. After nine months of living on the mountain, blocking construction, and establishing a frontline camp, STANDING ABOVE THE CLOUDS shows their journey to heal once they return to their homes in March 2020. In the face of challenges and tragedy, the mountain gifts each woman with hope and strength and the understanding that victory is in standing in unity for sacred places and that healing occurs through the sisterhood they have created along the way.Mode of access: World Wide Web.
Subjects: Documentary films.; Science.; Social sciences.; Environmental sciences.; Americans.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; Women's studies.; Current affairs.; Indigenous peoples.; Indians of North America.; Environmentalism.; Political participation.; Asian Americans.; Women social reformers.; Hawaii.;
unAPI

36 Seconds. by Albaba, Tarek,film director.; Minhaj, Hasan,actor.; Video Project (Firm),dst; Kanopy (Firm),dst;
Hasan MinhajOriginally produced by Video Project in 2023.On February 10, 2015, UNC students Deah Barakat, his wife Yusor Mohammad Abu-Salha, and her sister Razan Mohammad Abu-Salha were eating dinner in their home in Chapel Hill, North Carolina when they were killed by their neighbor Craig Hicks in 36 seconds. Before their families can grieve, they are forced to become activists to set the record straight — that these killings were a hate crime.36 SECONDS: PORTRAIT OF A HATE CRIME charts the families' agonizing overnight pivot from trauma to advocacy as they struggle to prevent their loved ones' deaths from being dismissed as the result of a random parking dispute as Hicks originally claimed, and local law enforcement and national media quickly parroted. They courageously speak the truth about the hate crime that destroyed their lives, the overtly insidious ways racism plays out in our society, and about the need to reform a hate crime system that is broken.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Criminal law.; Americans.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; Current affairs.; Crime.; Political participation.; Racism.; Muslims.; North Carolina.; Hate crimes.;
unAPI

Red Fever. by Bainbridge, Catherine,film director.; Diamond, Neil,film director.; Les Films du 3 Mars (Firm),dst; Kanopy (Firm),dst;
Originally produced by Les Films du 3 Mars in 2024.RED FEVER is a witty and entertaining feature documentary about the profound -- yet hidden -- Indigenous influence on Western culture and identity. The film follows Cree co-director Neil Diamond as he asks, “Why do they love us so much?!” and sets out on a journey to find out why the world is so fascinated with the stereotypical imagery of Native people that is all over pop culture. Why have Indigenous cultures been revered, romanticized, and appropriated for so long, and to this day? RED FEVER uncovers the surprising truths behind the imagery -- so buried in history that even most Native people don't know about them.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Mass media.; Digital communications.; Americans.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Mass media and culture.; Current affairs.; Indians of North America.; Popular culture.;
unAPI