Search results for [SOCIAL SCIENCE / Ethnic Studies / African Studies] at Tsuga Consortium

Results 1 to 8 of 8

I Am Nobody's Slave : How Uncovering My Family's History Set Me Free. by Hawkins, Lee.;

'I Am Nobody's Slave' is a journey into veteran journalist Lee Hawkins' family history, tracing its roots back to pre-Revolutionary America. Utilizing genetic testing, investigative reporting, and historical documentation, Hawkins explores 400 years of his family's lineage, revealing the intertwined lives of Black and white families, their resilience, sufferings, and the impact of historical trauma.Library Bound Incorporated

Subjects: BIOGRAPHY & AUTOBIOGRAPHY / African American & Black; BIOGRAPHY & AUTOBIOGRAPHY / Cultural, Ethnic & Regional / African American & Black; HISTORY / Social History; SOCIAL SCIENCE / Cultural & Ethnic Studies / American / African American & Black Studies; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies;

Available copies: 0 / Total copies: 1

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An African History of Africa : From the Dawn of Humanity to Independence. by Badawi, Zeinab.;

Already a major international bestseller, Zeinab Badawis sweeping and much-needed survey of African history traces the continents extraordinary legacy from prehistory to the present from the African perspective. A RADD Pick.Library Bound Incorporated

Subjects: HISTORY / Africa / General; HISTORY / Africa / North; HISTORY / Africa / South / General; HISTORY / Africa / West; HISTORY / Civilization; HISTORY / Historiography; SOCIAL SCIENCE / Cultural & Ethnic Studies / African Studies;

Available copies: 0 / Total copies: 1

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Written in the Waters : A Memoir of History, Home, and Belonging. by Roberts, Tara.;

'Written in the Waters' is a memoir by National Geographic explorer Tara Roberts who recounts her epic journey to trace the global slave trade across the Atlantic Ocean - and find her place in the world. Perfect for fans of adventurous womens memoirs like Elizabeth Gilbert's 'Eat Pray Love', Cheryl Strayed's 'Wild', and Jesmyn Ward's 'Men We Reaped'. Goodreads Giveaway.Library Bound Incorporated

Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Adventurers & Explorers; BIOGRAPHY & AUTOBIOGRAPHY / Cultural, Ethnic & Regional / African American & Black; BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs; BIOGRAPHY & AUTOBIOGRAPHY / Women; SOCIAL SCIENCE / Ethnic Studies / African Studies;

Available copies: 0 / Total copies: 1

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The Homes We Carry. by Akele, Brenda,film director.; DEFA Film Library (Firm),dst; Kanopy (Firm),dst;

Originally produced by DEFA Film Library in 2022.A filmic portrait of a family torn apart by the turmoil of world history between Germany, Mozambique and South Africa, at the center of which is the Afro-German mother Sarah. She wants her young daughter to have the relationships she lacked as a child, so she travels with her to Africa, where her own father and the child's father are waiting for them. During this visit, Sarah's father, Eulidio, remembers his time as a Mozambican contract worker in East Germany.Mode of access: World Wide Web.

Subjects: Documentary films.; Enthnology.; Social sciences.; African studies.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; History.;

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Namibia - Return to a New Country. by Schuch, Christoph,film director.; DEFA Film Library (Firm),dst; Kanopy (Firm),dst;

Originally produced by DEFA Film Library in 1997.Starting in 1979, nearly 2,000 children were evacuated from Namibia (and refugee camps in neighboring Angola and Zambia) to protect them from the violence of the civil war between South Africa and the socialist liberation movement, SWAPO. In a gesture of solidarity with SWAPO, the GDR accepted almost 500 children for their “protection, education, and socialist training.” After unification in 1990, they were suddenly returned—after Namibia's independence and first all-race free elections, which took place the same week as the Berlin Wall opened.The young people interviewed in this film reflect on the experiences of their childhoods in East Germany, focusing especially on their sense of identity and the difficulties they faced fitting into both European and Namibian societies.Mode of access: World Wide Web.

Subjects: Documentary films.; Enthnology.; Social sciences.; African studies.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; History.;

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Stop Filming Us But Listen. by Vivuya, Bernadette,film director.; Twahirgwa, Kagoma,film director.; Video Project (Firm),dst; Kanopy (Firm),dst;

Originally produced by Video Project in 2022.A re-edited version of Joris Postema's Stop Filming Us, Vivuya and Twahirwa's film takes a closer look at the imbalance of power inherited from colonialism and its consequences on the representation of the DRC, cinematic and otherwise. The idea to produce this new version arose from discussions within Postema's film about whether a Western director is capable of capturing an image and narrative of the DRC shared by its citizens. It was then suggested that local directors work with the same footage to determine if a different story could be told from the same material to convey a local perspective. Re-editing the footage, they have made a version that better reflects their perspective and does justice to their own experiences. The resulting film contextualizes the project within the history of Western cinematic representations of the Congo, and highlights the inherent power discrepancies on either side of the camera. Featuring candid conversations with filmmakers, artists, scholars, and community members, STOP FILMING US BUT LISTEN seeks to subvert colonialist narratives familiar in the West and chart a new path for cinematic self-representation.Mode of access: World Wide Web.

Subjects: Documentary films.; Enthnology.; Social sciences.; Mass media.; Digital communications.; African studies.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; History.;

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The Beauty of Blackness. by Moore, Kiana,film director.; Johnson, Tiffany,film director.; Vox Media (Firm),dst; Kanopy (Firm),dst;

Originally produced by Vox Media in 2022.In 1973, Eunice Johnson, the founder of Ebony and Jet, launched Fashion Fair - the first national cosmetics brand created exclusively for Black women. A revolution for its time, the brand would grow to become an iconic symbol of representation. This film chronicles Fashion Fair’s checkered past, and follows its new leadership in real time as they reinvent the brand amidst our present social upheaval and intensified competition.Mode of access: World Wide Web.

Subjects: Documentary films.; Enthnology.; Social sciences.; History, Modern.; Gender identity.; Documentary films.; Ethnicity.; Women's studies.; History.; African Americans.; United States--History.; Beauty, Personal.;

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Bloodlines of the Slave Trade. by Hancock, Markie,film director.; Video Project (Firm),dst; Kanopy (Firm),dst;

Originally produced by Video Project in 2023.Examines the lives of two people whose only connection is a genetic link to John Armfield, one of the most notorious slave traders of the 1830s. Rodney Williams, who is Black, and Susanna Grannis, who is white, each trace their ancestry back to their distant ancestor, detailing the diverging paths their lineages took. While their relationship to this past is fundamentally different, and they never meet in the film, they both share in the telling of the horrific domestic slave trade and the ongoing reverberations of slavery.The film also navigates the lesser known "second middle passage" referred to as the "domestic slave trade." Starting in Alexandria, VA, where two of the wealthiest and most infamous slave traders of the mid-19th century were headquartered, Williams journeys along the Natchez Trace where in all likelihood his ancestors walked before him. In Alexandria, John Armfield and Isaac Franklin would either ship or march the enslaved down south to Mississippi or Louisiana for both future sale and brutal work on southern plantations. These cruel transactions involved separation from family members, long and arduous journeys chained together in coffles, and even more brutal working conditions once sold off in Natchez or New Orleans. His path along the trail illuminates the mechanisms and realities of chattel slavery, and illustrates the vast accumulation of wealth created by enslaved people, but held by slaveowners and benefitting their descendants.Mode of access: World Wide Web.

Subjects: Documentary films.; Enthnology.; Social sciences.; History, Modern.; Human rights.; Americans.; Foreign study.; Documentary films.; Ethnicity.; Current affairs.; History.; African Americans.; United States--History.; Slavery.; Genealogy.;

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Results 1 to 8 of 8