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The Hobby. by Ennis, Simon,film director.; V71 US Inc. (Firm),dst; Kanopy (Firm),dst;
Originally produced by V71 US Inc. in 2025.Explores the passionate world of modern board gaming, following enthusiasts who find community and meaning through games.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Design.; Arts.; Social sciences.; Sociology.; Documentary films.; Mass media and culture.; Artists.; Communities.; Games.; Popular culture.; Designers.; Architecture.; Art and architecture.; Hobbies.;

Flipside. by Wilcha, Christopher,film director.; Glass, Ira,actor.; Apatow, Judd,actor.; Oscilloscope Laboratories (Firm),dst; Kanopy (Firm),dst;
Ira Glass, Judd ApatowOriginally produced by Oscilloscope Laboratories in 2023.When filmmaker Chris Wilcha revisits the record store he worked at as a teenager in New Jersey, he finds the once-thriving bastion of music and weirdness from his youth slowly falling apart and out of touch with the times. FLIPSIDE documents his tragicomic attempt to revive the store while revisiting other documentary projects he has abandoned over the years. In the process, Wilcha captures This American Life icon Ira Glass in the midst of a creative rebirth, discovers the origin story of David Bowie’s ode to a local New Jersey cable television hero, and uncovers the unlikely connection between jazz photographer Herman Leonard and TV writer David Milch. This disparate collection of stories coheres into something strange and expansive—a moving meditation on music, work, and the sacrifices and satisfaction of trying to live a creative life.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Business.; Economic development.; Music.; Arts.; Documentary films.; Mass media and culture.; Current affairs.; Biography.; Motion picture producers and directors.; Popular culture.;

Emma and Eddie: A Working Couple. by Hörcher, Gábor,film director.; Journeyman Pictures (Firm),dst; Kanopy (Firm),dst;
Originally produced by Journeyman Pictures in 2025.Emma and Eddie live two lives: one on social media and one in real life. The webcam couple is out to save their marriage by starting their own adult web-studio in Eastern Europe.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Social sciences.; Balts (Indo-European people).; Foreign study.; Gender identity.; Documentary films.; Mass media and culture.; Current affairs.; Marriage.; Europe, Eastern.; Social media.; Mass media and gender.; Labor.; Pornography.; Prostitution.;

America's New Female Right. by McVerry, Alana,film director.; BBC Studios (Firm),dst; Kanopy (Firm),dst;
Originally produced by BBC Studios in 2024.In America, a new wave of young women are championing extreme views on social media, including content that is increasingly shocking and – surprisingly – antifeminist. Journalist Layla Wright travels from her home town in Liverpool to meet the young women at the forefront of a new movement on the political right who use highly inflammatory language. Immersing herself in a growing online community of influencers, podcasters and creators who see themselves as on the front line of a war against progressive politics, Layla seeks to find out what is driving women her own age to share extreme and often offensive content to their followers on social media. In Nashville, she spends time with 16-year-old Hannah, an ambitious rising star on the right. Homeschooled and brought up in a traditional patriarchal household led by her former pastor father, she is expected to be a wife and mother first. Layla also meets 24-year-old Morgonn in Arizona, a conservative influencer who has risen to prominence by posting content which is critical of feminism and the LGBTQ+ movement. Plus Layla travels to the US-Mexico border to meet Christie, who makes regular missions to confront migrants illegally crossing into the country and live-streams her findings to her followers. With the online realm having increasing influence in the real world, Layla attempts to understand why these women are promoting an ideology that is looking to roll back the clock on hard-earned rights.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Social sciences.; Gender identity.; Documentary films.; Mass media and culture.; Women's studies.; Current affairs.; United States--Politics and government.; Social media.; Feminism.; Businesswomen.;

Time Theorem. by Kaiser, Andrés,film director.; Pragda (Firm),dst; Kanopy (Firm),dst;
Originally produced by Pragda in 2022.The director Andrés Kaiser combines hundreds of amateur films and photographs from the treasure trove of images belonging to his migrant grandparents creating a cinematic firework of analogies.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Social sciences.; Latin America.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; History.;

Autobiography: Mary Kay Letourneau. by A&E® (Firm),dst; Kanopy (Firm),dst;
Originally produced by A&E® in 2018.The surprising story of the Seattle area grade school teacher whose love affair with a 13-year old boy became an international media sensation--and sent her to prison for more than seven years.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Journalism.; Health.; Criminal law.; Social sciences.; Child welfare.; Documentary films.; Mass media and culture.; Current affairs.; Biography.; Child abuse.; True crime stories.;

Traffic : genius, rivalry, and delusion in the billion-dollar race to go viral / by Smith, Ben(Journalist),author.;
Includes bibliographical references and index."The origin story of the Age of Disinformation: the candid inside tale of two online media rivals, Jonah Peretti of HuffPost and Buzzfeed and Nick Denton of Gawker Media, whose delirious pursuit of attention at scale in the first two decades of the 21st century helped release the dark forces that would overtake the internet and American society. If attention is the new oil, Ben Smith's Traffic is the story of the time between the first gusher and the impact of climate change. The curtain opens in Soho in the early 2000's, in that brief moment after the first dotcom crash and before Google, Apple, and Facebook exploded, when it seemed that New York City rather than Silicon Valley might become tech's center of gravity. There, within a few square blocks, Nick Denton's merry band of nihilists at his growing Gawker empire and Jonah Peretti's sunnier crew at HuffPost and Buzzfeed were building the foundations of click-bait media. It was tech's age of innocence: the old establishment might have been discredited by the Iraq War, but digital news would facilitate the spread of truth. Progressive activists were first to the scene, and for a while it seemed they were the scene. After all, didn't they get Barack Obama elected? Ben Smith, who would go on to earn a controversial reputation as Buzzfeed's editor-in-chief, was either there or talked to everyone who was, and in his trademark fashion, he chronicles it all with marvelous lucidity scored with dark wit, sparing no one--and certainly not himself. Denton and Gawker were seen at the time as the black hats, but in Smith's hands the story is much more nuanced: yes, Denton's ideology of radical transparency was problematic, but at least he had an ideology. Jonah Peretti survived long after Denton's Gawker perished because his focus on clicks was relentlessly content-agnostic. But as with the proverbial sorcerer's apprentice, unintended consequences began to gain momentum. At the heart of Traffic is one of the great ironies of our time: the internet, which was going to help the left remake the world in its image, has become the motive force of right populism. As Smith and his colleagues and rivals thought they were inventing digital media, other figures, flickering around the margins of their story, had different designs. People like Steve Bannon and Andrew Breitbart and Gavin McInnes and Chris Poole, the creator of 4chan, all seemed like minor characters in the narrative in which Nick and Jonah and crew were the stars. By 2020, any reasonable observer might wonder if the opposite wasn't the case. To understand how we got here, Traffic is essential and enthralling reading"--
Subjects: Biographies.; Personal narratives.; Denton, Nicholas.; Peretti, Jonah.; Digital media; Internet industry; News Web sites;

Squaring the Circle. by Corbijn, Anton,film director.; Powell, Aubrey,actor.; Gallagher, Noel,actor.; McCartney, Paul,actor.; Gabriel, Peter,actor.; Plant, Robert,actor.; Thorgerson, Storm,actor.; Utopia (Firm),dst; Kanopy (Firm),dst;
Aubrey Powell, Noel Gallagher, Paul McCartney, Peter Gabriel, Robert Plant, Storm ThorgersonOriginally produced by Utopia in 2022.Celebrated photographer, creative director and filmmaker Anton Corbijn's first feature documentary SQUARING THE CIRCLE: THE STORY OF HIPGNOSIS tells the story of Storm Thorgerson and Aubrey "Po" Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time, including "The Dark Side of the Moon" and "Band on the Run." They formed Hipgnosis in Cambridge during the ferment of the sixties and became rock royalty during the boom time of the seventies. They conjured into existence sights that no one had previously thought possible, produced visuals which popularized music that had previously been considered fringe, and were at the white-hot center of the maddest, funniest and most creative era in the history of popular music. The film features brand new interviews with Roger Waters, David Gilmour & Nick Mason of Pink Floyd, Jimmy Page & Robert Plant of Led Zeppelin, Paul McCartney, Peter Gabriel, Graham Gouldman of 10cc, Noel Gallagher, and many more!Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Design.; Arts.; Social sciences.; Music.; History, Modern.; Documentary films.; Mass media and culture.; Artists.; History.; Popular culture.; Music--History and criticism.; Architecture.; Performing arts.; Art and architecture.;

Red Fever. by Bainbridge, Catherine,film director.; Diamond, Neil,film director.; Les Films du 3 Mars (Firm),dst; Kanopy (Firm),dst;
Originally produced by Les Films du 3 Mars in 2024.RED FEVER is a witty and entertaining feature documentary about the profound -- yet hidden -- Indigenous influence on Western culture and identity. The film follows Cree co-director Neil Diamond as he asks, “Why do they love us so much?!” and sets out on a journey to find out why the world is so fascinated with the stereotypical imagery of Native people that is all over pop culture. Why have Indigenous cultures been revered, romanticized, and appropriated for so long, and to this day? RED FEVER uncovers the surprising truths behind the imagery -- so buried in history that even most Native people don't know about them.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Mass media.; Digital communications.; Americans.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Mass media and culture.; Current affairs.; Indians of North America.; Popular culture.;

Ricky Martin. by Randall, Nick,film director.; Martin, Ricky,actor.; Legacy Distribution (Firm),dst; Kanopy (Firm),dst;
Ricky MartinOriginally produced by Legacy Distribution in 2025.Third time was the charm. Twice turned down by Menudo for being too short, Ricky Martin (née Enrique Martin Morales) joined the boy band at age 12 and emerged as a teen heartthrob. Five years later, he was on his own, singing 5 languages, propelling Latin pop to mainstream music. There was Mexican theater, a TV show, then an American soap opera and sitcom along the way. The child who began as a choir altar boy and sang fast food TV ads in Puerto Rico would transcend his “Livin’ La Vida Loca” lyrics and reveal his true self as a gay man. A six-year marriage, 4 children by surrogacy, and divorce would follow. Some may call it “A Loco Life.”Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Arts.; Music.; Latin America.; Foreign study.; Documentary films.; Mass media and culture.; LGBTQ.; Artists.; Current affairs.; Musicians.; Popular music.; Popular culture.; Popular Music.; Performing arts.; Puerto Rico.;

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