Search results for [Social justice.] at Tsuga Consortium

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He/she/they : how we talk about gender and why it matters / by Bailar, Schuyler,author.;

Includes bibliographical references and index."Just a few years ago, Schuyler Bailar rose to national and international prominence when he became the first openly transgender athlete to compete on an NCAA Division 1 team in any sport. A top high school prospect, Schuyler had been recruited by Harvard for the women's team, but after taking a gap year to address mental health and ultimately to transition, Schuyler swam instead for Harvard's men's team. Since then, Schuyler has become a go to expert on gender identity for the media and has given hundreds of talks on gender literacy and inclusion. But at the same time, Supreme Court Justice nominee Ketanji Brown Jackson was asked in her confirmation hearing to define the word "woman," a seemingly simple question that in that particular arena was too politically charged for her to answer. Meanwhile, anti-gay and anti-trans legislation in Florida and Texas shows that trans rights are under attack. Transgender suicides are up, transgender hotlines are buzzing, and the only thing that is certain is this: America is long overdue for a reckoning with gender. He/She/They uses storytelling and the art of conversation to give us the fundamental language and context of gender so that we can meet people where they are and pave the way to understanding, acceptance, and inclusion. As a transgender man, inclusion advocate, and LGBTQ educator, Schuyler Bailar is more than familiar with the myriad questions that come up. In He/She/They, he addresses them head on, such as why being transgender is not a choice, why pronouns are important, and what is biological sex. But this book is more than a book on allyship; many of Schuyler's vast followers come to him for support; one of his most popular reels is speaking to a young trans person who asks, "does it get better?" Schuyler speaks to everyone, no matter where they are. In the same way that So You Want to Talk About Race defined the conversation about race in America, He/She/They is an essential, urgent, and, as Schuyler points out, potentially life-saving book that will change the conversation about gender identity and how we talk about it, moving us toward a more equitable future"--

Subjects: Gender identity.; Transgender people; Transgender people; Transphobia.;

Prequel : an American fight against Fascism / by Maddow, Rachel,author.;

Includes bibliographical references (pages 327-362) and index."Rachel Maddow traces the fight to preserve American democracy back to World War II, when a handful of committed public servants and brave private citizens thwarted far-right plotters trying to steer our nation toward an alliance with the Nazis. Inspired by her research for the hit podcast Ultra, Rachel Maddow charts the rise of a wild American strain of authoritarianism that has been alive on the far-right edge of our politics for the better part of a century. Before and even after our troops had begun fighting abroad in World War II, a clandestine network flooded the country with disinformation aimed at sapping the strength of the U.S. war effort and persuading Americans that our natural alliance was with the Axis, not against it. It was a sophisticated and shockingly well-funded campaign to undermine democratic institutions, promote antisemitism, and destroy citizens' confidence in their elected leaders, with the ultimate goal of overthrowing the U.S. government and installing authoritarian rule. That effort worked -- tongue and groove -- alongside an ultra-right paramilitary movement that stockpiled bombs and weapons and trained for mass murder and violent insurrection. At the same time, a handful of extraordinary activists and journalists were tracking the scheme, exposing it even as it was unfolding. In 1941 the U.S. Department of Justice finally made a frontal attack, identifying the key plotters, finding their backers, and prosecuting dozens in federal court. None of it went as planned. While the scheme has been remembered in history -- if at all -- as the work of fringe players, in reality it involved a large number of some of the country's most influential elected officials. Their interference in law enforcement efforts against the plot is a dark story of the rule of law bending and then breaking under the weight of political intimidation. That failure of the legal system had consequences. The tentacles of that unslain beast have reached forward into our history for decades. But the heroic efforts of the activists, journalists, prosecutors, and regular citizens who sought to expose the insurrectionists also make for a deeply resonant, deeply relevant tale in our own disquieting times"--

Subjects: Antisemitism; Disinformation; Fascism; National socialism; Nazis; Right-wing extremists; Trials (Sedition); World War, 1939-1945;

My Imaginary Country. by Guzmán, Patricio,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Icarus Films in 2022.One day, without warning, a revolution exploded. It was the event that master documentarian Patricio Guzmán had been waiting for all his life: a million and a half people in the streets of Santiago, Chile, demanding justice, education, health care, and a new constitution to replace the strident rules imposed on the country during the Pinochet military dictatorship. Urgent and inspired, MY IMAGINARY COUNTRY features harrowing front-line protest footage and interviews with dynamic activist leaders and powerfully connects Chile's complex, bloody history to contemporary revolutionary social movements and the election of a new president.Mode of access: World Wide Web.

Subjects: Documentary films.; Political science.; Social sciences.; History, Modern.; Latin America.; Foreign study.; Sociology.; Documentary films.; Current affairs.; History.;

Children of Memory. by Smith Pyle, Kathryn,film director.; Teresa Rodriguez, Maria,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;

Originally produced by Women Make Movies in 2012.Hundreds of children disappeared without a trace during the Salvadoran civil war. Many were survivors of massacres carried out by the U.S.-trained Salvadoran army. Taken away from the massacre sites by soldiers, some grew up in orphanages or were "sold" into adoption abroad, not knowing their true history or identity. The film follows Margarita Zamora, an investigator with human rights organization Pro-Búsqueda as she traverses the Salvadoran countryside probing memory, swabbing DNA samples, and searching for disappeared children - including her own four siblings.In the United States, Jamie Harvey, adopted from El Salvador in 1980, dreams of locating her birth family; but with no information, no contacts and no access to the Salvadoran military war archives, she is losing hope. CHILDREN OF MEMORY weaves together separate yet intertwined journeys in the search for family, identity and justice in El Salvador.Mode of access: World Wide Web.

Subjects: Documentary films.; Social sciences.; History, Modern.; Human rights.; Latin America.; Foreign study.; Documentary films.; Current affairs.; History.; Children.; Central America.; El Salvador.; United States--History--Civil War, 1861-1865.;

Stop Filming Us But Listen. by Vivuya, Bernadette,film director.; Twahirgwa, Kagoma,film director.; Video Project (Firm),dst; Kanopy (Firm),dst;

Originally produced by Video Project in 2022.A re-edited version of Joris Postema's Stop Filming Us, Vivuya and Twahirwa's film takes a closer look at the imbalance of power inherited from colonialism and its consequences on the representation of the DRC, cinematic and otherwise. The idea to produce this new version arose from discussions within Postema's film about whether a Western director is capable of capturing an image and narrative of the DRC shared by its citizens. It was then suggested that local directors work with the same footage to determine if a different story could be told from the same material to convey a local perspective. Re-editing the footage, they have made a version that better reflects their perspective and does justice to their own experiences. The resulting film contextualizes the project within the history of Western cinematic representations of the Congo, and highlights the inherent power discrepancies on either side of the camera. Featuring candid conversations with filmmakers, artists, scholars, and community members, STOP FILMING US BUT LISTEN seeks to subvert colonialist narratives familiar in the West and chart a new path for cinematic self-representation.Mode of access: World Wide Web.

Subjects: Documentary films.; Enthnology.; Social sciences.; Mass media.; Digital communications.; African studies.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; History.;

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