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Happy Clothes. by Selditch, Michael,film director.; Hathaway, Anne,actor.; Cattrall, Kim,actor.; Collins, Lily,actor.; Field, Patricia,actor.; Jessica, Sarah,actor.; V71 US Inc. (Firm),dst; Kanopy (Firm),dst;
Anne Hathaway, Kim Cattrall, Lily Collins, Patricia Field, Sarah Jessica ParkerOriginally produced by V71 US Inc. in 2024.This dynamic documentary delves into the world of Patricia Field, the Emmy-winning costume designer who transformed on-screen style in Sex and the City, Emily in Paris, and The Devil Wears Prada. Featuring interviews with Sarah Jessica Parker, Kim Cattrall, and Lily Collins, the film explores how Field's bold, expressive designs became a defining force in pop culture. Director Michael Selditch captures Field’s collaborations with icons like Ugly Betty's Michael Urie and fashion luminaries such as Daphne Rubin-Vega, revealing her influence on costume design and fashion culture. With rare glimpses of her creative process and her groundbreaking New York boutique, the film is a vivid celebration of Field's enduring legacy and influence in fashion and entertainment.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Arts.; Social sciences.; Fashion.; Homosexuality.; Documentary films.; Mass media and culture.; LGBTQ.; Artists.; Biography.; Fashion designers.; Popular culture.; Art and architecture.;
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John Singer Sargent: Fashion and Swagger. by Bickerstaff, David,film director.; Seventh Art Productions (Firm),dst; Kanopy (Firm),dst;
Originally produced by Seventh Art Productions in 2024.John Singer Sargent is known as the greatest portrait artist of his era. What made his ‘swagger’ portraits remarkable was his power over his sitters, what they wore and how they were presented to the audience. Through interviews with curators, contemporary fashionistas and style influencers, Exhibition on Screen’s film will examine how Sargent’s unique practice has influenced modern art, culture and fashion.Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.Step into the glittering world of fashion, scandal and shameless self-promotion that made John Singer Sargent the painter who defined an era.Explore the unique creative process of the late 19th century’s favourite portrait artist and the way in which his portraits captured the spirit of a vibrant and rapidly changing age.Mode of access: World Wide Web.
Subjects: Documentary films.; Art.; Arts.; Fashion.; Documentary films.; Artists.; History.; Painting.; Art, European.; Art and architecture.;
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Muslim in America. by Khan, Deeyah,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Originally produced by Women Make Movies in 2020.Since 2015, anti-Muslim hate groups, conspiracy theories and hate crimes have risen in the United States. In this Peabody Award-winning exposé, Deeyah Khan explores the connections between this increase in hate-driven incidents and state-endorsed racism and investigates what it's like to be Muslim in a country where many people feel they don’t belong. Filmed before and during the coronavirus pandemic and while events following the death of George Floyd unfolded around her in America, Khan meets ordinary Muslims whose lives have been shattered by violence and intolerance, activists trying to combat a rising tide of hatred, armed militia who believe Islam is infiltrating the U.S., and lawmakers who have themselves been the target of vitriolic rhetoric, such as Minnesota congresswoman Ilhan Omar.Deploying her uniquely intimate filming style, Deeyah seeks to get to the heart of the Muslim experience - providing a vivid insight into the experiences of alienation, of rejection, and the daily struggles of keeping faith in both Islam and the American Dream.Mode of access: World Wide Web.
Subjects: Documentary films.; Political science.; Social sciences.; Enthnology.; History, Modern.; Americans.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; Current affairs.; United States--Politics and government.; History.; Politicians.; Political participation.; Racism.; Social problems.; Discrimination.; Muslims.; Hate crimes.;
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The twilight world / by Herzog, Werner,1942-author.; Hofmann, Michael,1957 August 25-translator.; translation of:Herzog, Werner,1942-Dämmern der Welt.English.;
"Werner Herzog, one of the most revered filmmakers of all time, in his first book in many years, tells the story of Hiroo Onoda, a Japanese soldier who continued to defend a small island in the Philippines for twenty-nine years after the end of World War Two. In 1997, Werner Herzog was in Tokyo to direct an opera. His hosts there asked, whom would you like to meet? He replied instantly: Hiroo Onoda. Onoda was a former solider famous for having quixotically defended an island in the Philippines for decades after World War II, unaware the war was over. At their meeting, Herzog and Onoda spoke for hours, and together began to unravel Onoda's incredible story. At the end of 1944, on Lubang Island in the Philippines, with Japanese troops about to withdraw, Lieutenant Hiroo Onoda was given orders by his superior officer: Hold the island until the Imperial army's return. Defend the territory with guerilla tactics at all costs. There is only one rule: you are forbidden to die by your own hand. In the event of capture, give the enemy all the misleading information you can. Onoda dutifully retreated into the jungle, and so began his long campaign. Soon weeks turned into months, months into years, and years into decades. And all the while Onoda continued to follow his orders, surviving by any means necessary, at first with other soldiers, and then, finally, all alone in the jungle, like a phantom, becoming one with the natural world. Until eventually time itself seemed to melt away. In The Twilight World, Herzog immortalizes Onoda's years of absurd yet epic struggle, recounting his lonely mission in an inimitable, hypnotic style--part documentary, part poem, and part dream--that will be instantly recognizable to fans of his films. The result is something like a modern-day Robinson Crusoe: nothing less than a glowing, dancing meditation on the purpose and meaning we give our lives"--
Subjects: Biographical fiction.; Historical fiction.; War fiction.; Novels.; Onoda, Hiroo; Japan. Rikugun; Guerrilla warfare; Soldiers; World War, 1939-1945; World War, 1939-1945;
Available copies: 1 / Total copies: 1
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Life of Brianeitor. by Longoria, Álvaro,film director.; Latido Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Latido Films in 2023.The followers of Brianeitor are growing daily. In just 6 months, their social media following has skyrocketed and continues to expand. Brianeitor2002 is a role model for millions of young people worldwide; their engaging approach to streaming content captures attention, and followers even emulate their communication style. Brianeitor has evolved into a global phenomenon.Mode of access: World Wide Web.
Subjects: Documentary films.; Science.; Social sciences.; Computer science.; Sociology.; Documentary films.; Health.; Video games.; Social media.; Disabilities.; People with disabilities.;
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I Lost My Mom. by Desjardins, Denys,film director.; Les Films du 3 Mars (Firm),dst; Kanopy (Firm),dst;
Originally produced by Les Films du 3 Mars in 2022.In the style of a film diary, this documentary immerses us in the personal experience of the filmmaker and his sister as they try to ensure their mother can end her days with dignity in the CHSLD system. Amid this complex challenge, Denys Desjardins films his mother with incredible tenderness. He communicates her vulnerability and warm personality from a place of love and respect. This feature-length film is a continuation of the documentary work on the housing of seniors that the filmmaker began in his previous film Le Château (The Castle), in the web series L’industrie de la Vieille{dollar}{dollar}e and in the web fiction experience 2031.Quebec.Mode of access: World Wide Web.
Subjects: Documentary films.; Health.; Social sciences.; Sociology.; Documentary films.;
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The act of killing [videorecording] / by Anif, Haji.; Arifin, Syamsul.; Asmara, Sakhyan.; Oppenheimer, Joshua.; Sørensen, Signe Byrge.; Cinedigm (Firm); Drafthouse Films.; Final Cut For Real (Firm);
With Haji Anif, Syamsul Arifin, Sakhyan Asmara.The filmmakers examine a country where death squad leaders are celebrated as heroes, challenging them to reenact their real-life mass-killings in the style of the American movies they love. The hallucinatory result is a cinematic fever dream, a journey into the imaginations of mass murderers and the banal regime of corruption and impunity they inhabit.E.DVD ; Dolby digital 5.1.
Subjects: Pemuda Pancasila (Organization); Death squads; Documentary films.; Mass murderers; Political persecution;
© c2014., Cinedigm Entertainment,
Available copies: 1 / Total copies: 1
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