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A nation's paper : the Globe and mail in the life of Canada / by Ibbitson, John,editor.;
Includes bibliographical references and index."From Canada's newspaper of record for 180 years, here are thirty-one brilliant and provocative essays by a diverse selection of their current writers on how the Globe and Mail covered and influenced major events and issues from the paper's founding in 1844 to the latest file. Since 1844, the Globe and Mail and its predecessor, George Brown's Globe, have chronicled Canada: as a colony, a dominion, and a nation. To mark the paper's 180th anniversary, Globe writers explored thirty issues and events in which the national newspaper has influenced the course of the country: Confederation, settler migrations, regional tensions, tussles over language, religion, and race. The essays reveal a tapestry of progress, conflict, and still-incomplete reconciliation: Catholic-Protestant hostilities that are now mostly the stuff of memory; the betrayal of Indigenous peoples with which we still grapple; the frustrations and triumphs of women journalists; pandemics old and new; environmental challenges; the joys of covering sports and the arts; chronicling the nation's business, international coverage, the impossibility of Canada and of this newspaper, which both somehow flourish nonetheless. Riveting, insightful, disturbing, witty, and always a joy to read, A Nation's Paper chronicles a country and a newspaper that have grown and struggled together -- essential reading for anyone who wants to understand where we came from and where we are going."--
Subjects: Essays.; Globe and mail; Canadian newspapers;
Available copies: 1 / Total copies: 1
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Lakota Nation vs. United States. by Short, Jesse,film director.; Tomaselli, Laura,film director.; IFC Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by IFC Films in 2022.This powerful documentary explores the historical and ongoing struggle of the Lakota Sioux to reclaim the Black Hills, a sacred land taken by the U.S. government. Through compelling interviews, archival footage, and expert insights, the film delves into issues of colonialism, justice, and indigenous rights. It highlights the resilience and activism of the Lakota people in their fight for sovereignty, cultural preservation, and the acknowledgment of historical injustices.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; History, Modern.; Human rights.; Americans.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Current affairs.;
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Returning home [videorecording] / by Stiller, Sean,film director.; Webstad, Phyllis,on-screen participant.; McIntyre Media,film distributor.;
Phyllis Webstad.Skilfully intertwining narratives concerning residential school survivors and Indigenous peoples' relationship with imperiled wild Pacific salmon, Sean Stiller's stirring documentary is a revelatory testament to strength and resilience. At the heart of the film is Phyllis Jack-Webstad, the survivor who founded the Orange Shirt Day movement. While Phyllis recounts her childhood trials to youth across the country, her relations in the Secwépemc territory near Williams Lake are contending with another outcome of colonialism: the upper Fraser River's lowest salmon runs in Canadian history. In observing the interconnection between the Secwépemc and salmon, Stiller lays bare the impacts of overfishing on these communities. The first production by Canadian Geographic Films, Returning Home balances Stiller's stunning cinematography with clear-eyed testimonies to the unforgivable transgressions endured by Phyllis and other survivors within the walls of residential schools. Likewise, it effectively illustrates what it means to truly be in good relationship with the land and shares how, for the Secwépemc, healing people and healing the natural world are synonymous.E.DVD.
Subjects: Biographical films.; Documentary films.; Historical films.; Environmental films.; Personal narratives.; Webstad, Phyllis; Pacific salmon; Pacific salmon; Overfishing; Migratory fishes; Nature; Human-animal relationships; Indigenous peoples; Indigenous peoples; Indigenous peoples; Secwepemc; Secwepemc; Residential schools;
For private home use only.
Available copies: 1 / Total copies: 1
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Spirit of the grassroots people : seeking justice for Indigenous survivors of Canada's colonial education system / by Mason, Raymond,1946-author.; Pind, Jackson,1993-editor.; Christou, Theodore Michael,editor.;
Includes bibliographical references and index."Raymond Mason is an Ojibway activist who campaigns for the rights of residential school survivors and a founder of Spirit Wind, an organization that played a key role in the development of the Indian Residential School Settlement Agreement. This memoir offers a firsthand account of the personal and political challenges Mason confronted on this journey. A riveting and at times harrowing read, Spirit of the Grassroots People describes the author's experiences in Indian day and residential schools in Manitoba and his struggles to find meaning in life after trauma and abuse. Mason details the work that he and his colleagues did over many years to gain recognition and compensation for their suffering. Drawing from Indigenous oral traditions as well as Western historiography, the work applies the concept of two-eyed seeing to the histories of colonialism and education in Canada. The memoir is supplemented by a final chapter in which Theodore Michael Christou and Jackson Pind put Mason's story into a historical and educational context. An essential key to understanding the legacy of Indian residential and day schools, this text is both a documentation of history and a deeply personal story of a human experience."--
Subjects: Biographies.; Autobiographies.; Mason, Raymond, 1946-; Adult child abuse victims; Ojibwe;
Available copies: 1 / Total copies: 1
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Canada's other red scare : Indigenous protest and colonial encounters during the global sixties / by Rutherford, Scott,1979-author.;
Includes bibliographical references and index."Indigenous activism put small-town northern Ontario on the map in the 1960s and early 1970s. Kenora, Ontario, was home to a four-hundred-person march, popularly called "Canada's First Civil Rights March," and a two-month-long armed occupation of a small lakefront park within a nine year span. Canada's Other Red Scare shows how important it is to link the local and the global to broaden narratives of resistance in the 1960s; it is a history not of isolated events closed off from the present but of decolonization as a continuing process. Scott Rutherford explores with rigour and sensitivity the Indigenous political protest and social struggle that took place in Northwestern Ontario and Treaty 3 territory from 1965 to 1974. Drawing on archival documents, media coverage, published interviews, memoirs and social movement literature, as well as his own lived experience as a settler growing up in Kenora, he reconstructs a period of turbulent protest and the responses it provoked, from support to disbelief to outright hostility. Indigenous organizers advocated for a wide range of issues, from better employment opportunities to the recognition of nationhood by using such tactics as marches, cultural production, community organizing, journalism, and armed occupation. They drew inspiration from global currents - from black American freedom movements to Third World decolonization - to challenge the inequalities and racial logics that shaped settler-colonialism and daily life in Kenora. Accessible and wide-reaching, Canada's Other Red Scare makes the case that Indigenous political protest during this period should be thought of as both local and transnational, an urgent exercise in confronting the experience of settler-colonialism in places and moments of protest, when its logic and acts of dispossession are held up like a mirror."--
Subjects: Civil rights demonstrations; Indigenous peoples; Protest movements;
Available copies: 1 / Total copies: 1
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Buffalo is the new Buffalo : stories / by Vowel, Chelsea,author.;
Includes bibliographical references."Powerful stories of "Metis futurism" that envision a world without violence, capitalism, or colonization. "Education is the new buffalo" is a metaphor widely used among Indigenous peoples in Canada to signify the importance of education to their survival and ability to support themselves, as once Plains nations supported themselves as buffalo peoples. The assumption is that many of the pre-Contact ways of living are forever gone, so adaptation is necessary. But Chelsea Vowel asks, "Instead of accepting that the buffalo, and our ancestral ways, will never come back, what if we simply ensure that they do?" Inspired by classic and contemporary speculative fiction, Buffalo Is the New Buffalo explores science fiction tropes through a Metis lens: a Two-Spirit rougarou (shapeshifter) in the nineteenth century tries to solve a murder in her community and joins the nehiyaw-pwat (Iron Confederacy) in order to successfully stop Canadian colonial expansion into the West. A Metis man is gored by a radioactive bison, gaining super strength, but losing the ability to be remembered by anyone not related to him by blood. Nanites babble to babies in Cree, virtual reality teaches transformation, foxes take human form and wreak havoc on hearts, buffalo roam free, and beings grapple with the thorny problem of healing from colonialism. Indigenous futurisms seek to discover the impact of colonization, remove its psychological baggage, and recover ancestral traditions. These eight short stories of "Metis futurism" explore Indigenous existence and resistance through the specific lens of being Metis. Expansive and eye-opening, Buffalo Is the New Buffalo rewrites our shared history in provocative and exciting ways."--
Subjects: Short stories.; Métis;
Available copies: 1 / Total copies: 1
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Medicine Wheel for the Planet A Journey toward Personal and Ecological Healing [electronic resource] : by Grenz, Jennifer.aut; cloudLibrary;
"This beautiful book can completely change how we approach science, using both Indigenous and Western perspectives, and how we can work collaboratively to help foster balance in nature." —Suzanne Simard, bestselling author of Finding the Mother Tree A farm kid at heart, and a Nlaka'pamux woman of mixed ancestry, Dr. Jennifer Grenz always felt a deep connection to the land. However, after nearly two decades of working as a restoration ecologist in the Pacific Northwest, she became frustrated that despite the best efforts of her colleagues and numerous volunteers, they weren't making the meaningful change needed for plant, animal and human communities to adapt to a warming climate. Restoration ecology is grounded in an idea that we must return the natural world to an untouched, pristine state, placing humans in a godlike role—a notion at odds with Indigenous histories of purposeful, reciprocal interaction with the environment. This disconnect sent Dr. Grenz on a personal journey of joining her head (Western science) and her heart (Indigenous worldview) to find a truer path toward ecological healing. In Medicine Wheel for the Planet, building on sacred stories, field observations and her own journey, Dr. Grenz invites readers to share in the teachings of the four directions of the medicine wheel: the North, which draws upon the knowledge and wisdom of elders; the East, where we let go of colonial narratives and see with fresh eyes; the South, where we apply new-old worldviews to envision a way forward; and the West, where a relational approach to land reconciliation is realized.  Eloquent, inspiring and disruptive, Medicine Wheel for the Planet circles toward an argument that we need more than a singular worldview to protect the planet and make the significant changes we are running out of time for.
Subjects: Electronic books.; Ecosystems & Habitats; Environmental Science; Indigenous Studies;
© 2024., Knopf Canada,
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A two-spirit journey : the autobiography of a lesbian Ojibwa-Cree elder / by Chacaby, Ma-Nee,1950-author.; Plummer, Mary Louisa,author.;
Includes bibliographical references."A Two-Spirit Journey is Ma-Nee Chacaby's extraordinary account of her life as an Ojibwa-Cree lesbian. From her early, often harrowing memories of life and abuse in a remote Ojibwa community riven by poverty and alcoholism, Chacaby's story is one of enduring and ultimately overcoming the social, economic, and health legacies of colonialism. As a child, Chacaby learned spiritual and cultural traditions from her Cree grandmother and trapping, hunting, and bush survival skills from her Ojibwa stepfather. She also suffered physical and sexual abuse by different adults, and in her teen years became alcoholic herself. At twenty, Chacaby moved to Thunder Bay with her children to escape an abusive marriage. Abuse, compounded by racism, continued, but Chacaby found supports to help herself and others. Over the following decades, she achieved sobriety; trained and worked as an alcoholism counsellor; raised her children and fostered many others; learned to live with visual impairment; and came out as a lesbian. In 2013, Chacaby led the first gay pride parade in Thunder Bay. Ma-Nee Chacaby has emerged from hardship grounded in faith, compassion, humour, and resilience. Her memoir provides unprecedented insights into the challenges still faced by many Indigenous people."--
Subjects: Biographies.; Chacaby, Ma-Nee, 1950-; Lesbians; Indigenous elders; Ojibwe; Cree;
Available copies: 1 / Total copies: 1
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Sun of blood and ruin / by Lares, Mariely,author.;
In sixteenth-century New Spain, witchcraft is punishable by death, indigenous temples have been destroyed, and tales of mythical creatures that once roamed the land have become whispers in the night. Hidden behind a mask, Pantera uses her magic and legendary swordplay skills to fight the tyranny of Spanish rule. To all who know her, Leonora de las Casas Tlazohtzin never leaves the palace and is promised to the heir of the Spanish throne. The respectable, law-abiding Lady Leonora faints at the sight of blood and would rather be caught dead than meddle in court affairs. No one suspects that Leonora and Pantera are the same person. Leonora's charade is tragically good, and with magic running through her veins, she is nearly invincible. Nearly. Despite her mastery, she is destined to die young in battle, as predicted by a seer. When an ancient prophecy of destruction threatens to come true, Leonora -- and therefore Pantera -- is forced to decide: surrender the mask or fight to the end. Knowing she is doomed to a short life, she is tempted to take the former option. But the legendary Pantera is destined for more than an early grave, and once she discovers the truth of her origins, not even death will stop her.
Subjects: Fantasy fiction.; Novels.; Magic; Man-woman relationships; Prophecies; Vigilantes; Vigilantes; Witches; Women heroes; Women;
Available copies: 1 / Total copies: 1
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My heart is a chainsaw / by Jones, Stephen Graham,1972-author.;
"In her quickly gentrifying rural lake town Jade sees recent events only her encyclopedic knowledge of horror films could have prepared her for in this latest novel from the Jordan Peele of horror literature, Stephen Graham Jones. "Some girls just don't know how to die ..." Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the New York Times bestselling author of The Only Good Indians Stephen Graham Jones, called "a literary master" by National Book Award winner Tananarive Due and "one of our most talented living writers" by Tommy Orange. Alma Katsu calls My Heart Is a Chainsaw "a homage to slasher films that also manages to defy and transcend genre." On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life. Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies ... especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold. Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges ... a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph"--
Subjects: Thrillers (Fiction); Horror films; Young women; Indigenous women; Murder;
Available copies: 1 / Total copies: 1
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